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Bilder für Afrika : eine Aktion gegen Hunger & Apartheid: Bilder und Objekte von 250 Künstlern aus 29 Ländern
Authors: --- --- --- --- --- et al.
ISBN: 3925381104 Year: 1987 Publisher: St. Wendel Organisationskomitee "Bilder für Afrika, gegen Hunger und Apartheid"

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Abstract

Adam, Eric ; Alvesen, Hans ; Anheim, Claude ; Ausfelder, Kurt ; Bauer, Werner ; Bentos, Acosta ; Besgen, Inge ; Bogdanovic, Nenad ; Bücker, Norbert ; Caraballo, Jorge ; Castmir, Kocar ; Crozier, Robin ; Deventer, Friedel ; Dressler, Uwe ; Dyckhoff, Diane ; Etkes, Nadine ; Fontaine, Viktor ; Franz, Michael ; Gerz, Jochen ; Gubbels, Klaar ; Hoc, Ulla ; etc.

Keywords

Afrika --- Art --- art [fine art] --- apartheid --- hunger --- Africa --- art [discipline]


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25 miljoen Zuidafrikanen. Het drama van de apartheid
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ISBN: 900213939X 9789002139390 Year: 1978 Publisher: Antwerpen Standaard

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Antiracisme
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ISBN: 9052402752 9789052402758 Year: 1994 Publisher: Antwerpen/Baarn Hadewich

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De auteurs gaan na hoe racisme werkt, welke verschijningsvormen van racisme er bestaan, ze beschrijven hoe verschillende instanties dit racisme aanpakken en ze formuleren enkele strategieën voor antiracistische actie.


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Memo. 5 : De 20ste eeuw.
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ISBN: 9026034377 Year: 1993 Publisher: Oostmalle De Sikkel


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William Kentridge : No, it is!
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ISBN: 9783863359508 386335950X Year: 2016 Publisher: Köln Walther König

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NO IT IS' is a catalogue of the exhibition at the Martin Gropius Bau in Berlin and the performances at the Berliner Festspiele in summer 2016. But it is also an artist's book incorporating a libretto for a performed guided tour of the exhibition: a performance which is both a guide to the exhibition and also an exhibit within the exhibition. Texts in the book consist of writings by or conversations with William Kentridge on the different projects presented in Berlin. Exhibition: Martin-Gropius-Bau, Berlin, Germany (12.05.-21.08.2016).


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Kendell Geers : AniMystikAKtivist : between traditional and the contemporary in African art
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ISBN: 9780300233230 9789462301900 9462301905 030023323X Year: 2018 Publisher: Brussel Mercatorfonds

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South African-born Belgian artist Kendell Geers changed his date of birth to MAY 1968 as a performance, effectively giving birth to himself as a work of art. His artistic practice weaves together African animism, European mysticism, and socio-political activism with humor, irony, and contradiction. He uses his identity as a White African like a key to unlock and critique our understanding and reading of history, art, and language. This book, which focuses on his works created between 1988 and the present, looks at the influence of avant-garde traditions from Dada and Surrealism to Punk, intertwined with the powerful legacy of traditional African art on his work. Spiritually charged, politically poignant, and socially engaged, the work cannot be categorized as either European or African, but is rather a prolonged metaphysical dialogue between cultures, archetypal signs, and sacred symbols. Included are works in a diversity of media, including painting, sculpture, performance, photography, installation, and conceptual art.

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