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- - Art and philosophy ##- - What is a poem?, Or, philosophy and poetry at the point of the unnamable ##- - A French philosopher responds to a Polish poet ##- - A philosophical task: to be contemporaries of Pessoa ##- - A poetic dialectic: Labîd ben Rabi'a and Mallarmeʹ ##- - Dance as a metaphor for thought ##- - Theses on theater ##- - The false movements of cinema ##- - Being, existence, thought: prose and concept ##- - Philosophy of the faun.
Aesthetics. --- Aesthetics --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics
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Aesthetics --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics
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Aesthetics --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Aesthetics. --- Radio broadcasting Aesthetics
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Art --- CDL --- 7.01 --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Philosophy. --- Analysis, interpretation, appreciation --- Philosophy --- Berger, John
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History --- Art --- art theory --- Philosophy --- philosophy of art --- Philosophy. --- Plato --- Winckelmann, Johann --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Analysis, interpretation, appreciation
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Art --- Aesthetics --- philosophy of art --- Philosophy. --- Beautiful, The --- Beauty --- Art and philosophy --- Philosophy --- Analysis, interpretation, appreciation --- MAD-faculty 13 --- kunst en filosofie
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In order to give an impetus to the production of an apparatus of aesthetic concepts, in line with Deleuze and Guattari’s claim to create new concepts for a changing world, this volume publishes statements and discussions of ten Concept on the Move workshops, as well as texts and discussions of the concluding Concept on the Move symposium. The integral outcome of the workshops, the symposium and the discussions does not, however, present some sort of blueprint for the future of visual art and aesthetics. If one wished to designate the Concepts on the Move publication in one notion at all that definitively could only be TOOLKIT. A TOOKIT in the sense of a great collection of ideas, topics, issues, notions, and concepts emerging in the 21st-century world of visual art and theory. They indeed could serve as an impetus for the construction and production of a body of theoretical work fit to understand today’s technological, theoretical, and artistic developments in the art world. Are concepts on the move? Yes, they are, and they always will be on the great journey visual art takes them.
Art --- Aesthetics --- Aesthetics. --- Beautiful, The --- Beauty --- Art and philosophy --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Philosophy. --- Analysis, interpretation, appreciation --- Psychology --- Radio broadcasting Aesthetics
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Aesthetics. --- Aesthetics, Modern --- Aesthetics --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- History --- Psychology --- Radio broadcasting Aesthetics
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700.6 --- Filosofie-kunst --- Aesthetics --- -Art --- -Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- History --- -History --- Psychology --- History. --- -Beautiful, The --- Art, Occidental --- Philosophy&delete& --- Radio broadcasting Aesthetics
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Transfigurements develops a framework for thinking about art through innovative readings of some of the most important philosophical writing on the subject by Kant, Hegel, and Heidegger. Sallis exposes new layers in their texts and theories while also marking their limits. By doing so, his aim is to show that philosophy needs to attend to art directly. Consequently, Sallis also addresses a wide range of works of art, including paintings by Raphael, Monet, and Klee; Shakespeare's comedies; and the music of Beethoven, Schubert, Mahler, and Tan Dun. Through these interpretations, he put
Aesthetics of art --- Art. --- Art - Philosophy. --- Art -- Philosophy. --- Aesthetics --- Art --- Philosophy --- Philosophy & Religion --- Beautiful, The --- Beauty --- Art and philosophy --- Esthetics --- Taste (Aesthetics) --- Criticism --- Literature --- Proportion --- Symmetry --- Analysis, interpretation, appreciation --- Psychology --- Radio broadcasting Aesthetics
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