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Malerbücher, Künstlerbücher : die Vielseitigkeit eines Mediums in der Kunst des 20. Jahrhunderts : [exposition : Brême, Neues Museum Weserburg, 28 octobre-6 janvier 2002 ; Brême, Sparkasse, 18 juin-août 2002]
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ISBN: 3928761544 3897701596 Year: 2001 Publisher: Brême Neues Museum Weserburg

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Adamczewska, Joanna ; Baldessari, John ; Beckmann, Max ; Below, Peter ; Bonato, Victor ; Botond ; Brouwn, Stanley ; Buren, Daniel ; Byars, James Lee ; de Campos, Augusto ; Caramelle, Ernst ; Chagall, Marc ; Chillida, Eduardo ; Christo ; Darboven, Hanne ; Dali, Salvador ; Dine, Jim ; Dubuffet, Jean ; Duchamp, Marcel ; Ernst, Max ; Feldmann, Hans-Peter ; Filonov, Pavel ; Francis, Sam ; Galantai, Gyorgy ; Gerz, Jochen ; Gojowczyk, Hubertus ; Gomringer, Eugen ; Goncharova, Natalia ; Graubner, Gotthard ; Hainke, Wolfgang ; Hellinger, Horst ; Holweck, Oskar ; Johns, Jasper ; Kamenskij, Vasilij ; Kirschner, Wulf ; Kubach, Wolfgang ; Kubach-Wilmsen, Anna Maria ; Kul'bin, Nikolaj Ivanovitc ; Lakner, Laszlo ; Larionov, Michail ; Lasker-Schüler, Else ; Leger, Fernand ; Lissitzky, El ; Mack, Heinz ; Malevich, Kasimir ; Matisse, Henri ; Miro, Joan ; Moholy-Nagy, Laszlo ; Picasso, Pablo ; Reuterswärd, Carl Fredrik ; Rodchenko, Alexander ; Roth, Dieter ; Rozanova, Ol'ga ; Rühm, Gerhard ; Ruscha, Ed ; Schmidt Heins, Barbara ; Schmidt-Heins, Gabriele ; Schoening, Fanny ; Schumacher, Emil ; Schwitters, Kurt ; Sigurdsson, Sigrid ; Spoerri, Daniel ; Tàpies, Antoni ; Tatlin, Vladimir ; Ting, Walasse ; Uecker, Günther ; Ulrichs, Timm ; Ben ; Voss, Jan ; Vostell, Wolf ; Walther, Franz Erhard ; Warhol, Andy ; Wols


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The best book designs from the Netherlands and Flanders 2015 = : De best verzorgde boeken van Nederland en Vlaanderen 2015.
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ISBN: 9789059653931 9059653939 Year: 2016 Publisher: Amsterdam Stichting CPNB

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De jaarlijkse selectie van de Nederlandse boekverzorging is ditmaal aangevuld met het beste van de Vlaamse boekverzorging. In totaal 50 Best Verzorgde Boeken van Nederland en Vlaanderen. Ontworpen door Irma Boom. Binnenin een presentatie van de boeken, aan de hand van zwart-wit foto's, de bevindingen van de jury en de technische gegevens. Extra: een manifest van Irma Boom. Exhibition: Stedelijk Museum Amsterdam, The Netherlands (26.08. - 30.10.2016).


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Erfgoed : de geschiedenis van een begrip.
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ISBN: 9789053569122 Year: 2007 Publisher: Amsterdam Amsterdam university press

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The word 'heritage' is nowadays mainly used in the term pair 'cultural heritage'. Another use of the word 'heritage' focuses precisely on the intangible meaning of the word. This includes the spiritual legacy of a thinker or artist. In the latter sense, the term 'heritage' has a longer history than in the first. In Heritage. The history of a concept reconstructs and analyzes the different histories of the concept. First of all, attention is paid to the legal origin and development of the word 'heritage'. Willem Frijhoff highlights its religious dimension. Other authors focus on related concepts, such as 'monument' or 'antiquities'. Eco Haitsma Mulier pays attention to the concept of 'testators', made famous by the famous Erflaters publication of our civilization by Jan and Annie Romein (1938). Eric Ketelaar, Gerard Rooijakkers and others each discuss a specific field of action within the cultural heritage: archives, literature, archeology, folklore. The collection ends with a reflection by Wessel Krul on the need of some to oppose the heritage idea or even the urge to destroy heritage.


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Publishing as Art Practice.

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What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated. The field of publishing not only stands at the intersection of these developments but is also introducing new ruptures. How the traditional publishing framework has been cast adrift, and which opportunities are surfacing in its stead, is discussed here by artists, publishers, and scholars through the examination of recent publishing concepts emerging from the experimental literature and art scene, where publishing is often part of an encompassing artistic practice. The number and diversity of projects among the artists, writers, and publishers concerned with these matters show that it is time to move the question of publishing from the margin to the center of aesthetic and academic discourse.

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