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Photography --- Europe [Western ] --- History --- Pictorial works --- Exhibitions --- Visual anthropology --- Themes, motives --- Orientalism in art --- Europe --- Fotografie --- Antropologie --- Exotisme --- FotoMuseum (Antwerpen) --- anno 1800-1899 --- anno 1900-1999 --- Fotomuseum (Antwerpen)
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oriëntalisme --- Orientalism --- Portaels, Jean François --- anno 1800-1899 --- Middle East --- Portaels, Jan Frans --- orientalisme --- historieschilderkunst --- Bijbel --- Portaels, Jean --- 1841 - 1847 --- 19de eeuw --- Portaels, Jean-François --- Exhibitions --- Orientalism in art --- Belgium --- 19th century --- historiestukken --- orientalisme. --- historiestukken. --- Bijbel. --- Portaels, Jan Frans. --- 1841 - 1847. --- 19de eeuw.
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kunst --- kunsttheorie --- oriëntalisme --- iconografie --- cultuurfilosofie --- cultuurgeschiedenis --- islam --- twintigste eeuw --- negentiende eeuw --- 130.2 --- 7.04 --- Civilization, Oriental, in literature. --- East and West. --- Imperialism. --- Orientalism. --- Orient --- Foreign public opinion. --- Comparative literature --- Thematology --- Orientalism --- Imperialism --- East and West --- Orientalisme --- Asia --- Middle East --- Foreign public opinion, Occidental --- Study and teaching --- Asia - Foreign public opinion, Occidental --- Middle East - Foreign public opinion, Occidental --- Asia - Study and teaching --- Middle East - Study and teaching --- Philosophy and psychology of culture
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What happens to thinkers who operate outside the European philosophical pedigree? In this powerfully honed polemic, Hamid Dabashi argues that they are invariably marginalised, patronised and misrepresented. Challenging, pugnacious and stylish, Can Non-Europeans Think? forges a new perspective in postcolonial theory by examining how intellectual debate continues to reinforce a colonial regime of knowledge, albeit in a new guise. Based on years of scholarship and activism, this insightful collection of philosophical explorations is certain to unsettle and delight in equal measure.--
East and West --- Orientalism --- Postcolonialism --- Muslims --- Intellectual life --- Racism --- Social conditions --- Europe --- Asia --- Civilization --- Oriental influences --- European influences --- Philosophy --- East and West. --- Orientalism. --- Postcolonialism. --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Civilization, Western --- Civilization, Oriental --- Occident and Orient --- Orient and Occident --- West and East --- Eastern question --- Asian influences --- Western influences --- Asian and Pacific Council countries --- Eastern Hemisphere --- Eurasia --- Oriental influences. --- European influences. --- Intellectual life. --- Racism. --- Muslims - Social conditions - 21st century --- Europe - Civilization - Oriental influences --- Asia - Civilization - European influences --- Bias, Racial --- Race bias --- Race prejudice --- Racial bias --- Prejudices --- Anti-racism --- Critical race theory --- Race relations --- Cultural life --- Culture --- Mohammedans --- Moors (People) --- Moslems --- Muhammadans --- Musalmans --- Mussalmans --- Mussulmans --- Mussulmen --- Religious adherents --- Islam --- 2000-2099
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La jaquette indique : "A broad view of the West's complex relationship with the Middle East and North Africa, told through a selection of exquisite art objects. The West has long had a fascination with the art and culture of the "Orient". Covering a period from the late fifteenth century to the present day ''Inspired by the East'' sheds light on the complex cultural exchange between these civilisations, which has generated a profusion of beautiful objects, perhaps most famously the Orientalist painting and decorative arts of the nineteenth century. "
Orientalisme (art) --- Art --- Art islamique --- Catalogues d'exposition. --- Histoire --- Appréciation --- Islam --- fotografie --- geschiedenis --- orientalisme --- toegepaste kunsten --- Lewis, John Frederick --- Europa --- Midden-Oosten --- Noord-Afrika --- Exhibitions --- Histoire. --- Islam, Mohammedaanse godsdienst --- Orientalism --- influence --- Islamic [culture or style] --- Europe --- orientalisme. --- Islam, Mohammedaanse godsdienst. --- geschiedenis. --- Lewis, John Frederick. --- Europa. --- Midden-Oosten. --- Noord-Afrika. --- stijlen in Westerse kunst
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A Japanese geisha, a Middle Eastern caravan, a Hungarian-'Gypsy' fiddler, Carmen flinging a rose at Don Jose - portrayals of people and places that are considered somehow 'exotic' have been ubiquitous from 1700 to today, whether in opera, Broadway musicals, instrumental music, film scores, or in jazz and popular song. Often these portrayals are highly stereotypical but also powerful, indelible and touching - or troubling. Musical Exoticism surveys the vast and varied repertoire of Western musical works that evoke exotic locales. It relates trends in musical exoticism to other trends in music, such as programme music and avant-garde experimentation, as well as to broader historical developments such as nationalism and empire. Ralph P. Locke outlines major trends in exotic depiction from the Baroque era onward, and illustrates these trends through close study of numerous exotic works, including operas by Handel and Rameau, Mozart's 'Rondo alla turca', 'Madame Butterfly' and 'West Side Story'. 4e de couverture.
Exoticism in music --- Music --- Music and society --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Criticism --- Music, Exotic --- History and criticism --- Philosophy and aesthetics --- Social aspects --- Philosophy --- 78.81 --- 78.21 --- Exoticism in music. --- Orientalism in music. --- Psychological aspects. --- Exotisme --- Orientalisme (art) --- Dans la musique.
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De publicatie 'Woestijngetijden' is het resultaat van een onderzoek uitgevoerd door Carla Swerts. Het boek onderzoekt de verbeelding van het Midden-Oosten door de westerse blik en koppelt deze aan een eigen hedendaags artistiek discours dat deels bestaat uit persoonlijke ervaringen en zintuiglijke indrukken. Het boek houdt zo het midden tussen literaire vertelling, wetenschappelijke documentatie en kunsthistorische en hedendaagse artistieke praktijk. Via zorgvuldig gekozen lemma's opgedeeld in de hoofdstukken woestijn, winter, ruïne en water, verbeeldt en verbindt het boek het Midden-Oosten met de literaire en artistieke canon van oriëntalistisch werk (de Nerval, Flaubert) en met eigen werk. Woord en beeld grijpen in elkaar en tekenen een patroon uit waarbij elementen in een andere vorm opnieuw opduiken. Citaten van de Duitse schrijver W.G. Sebald, kristalliseren en verbinden beide werelden. 'Woestijngetijden' is geen lineair verhaal noch een reisweg. Het fungeert als de structuur van een weefgetouw: een hecht geheel waarin elementen voortdurend naar elkaar verwijzen en in elkaar grijpen.
Art --- philosophy of art --- Orientalism in art --- Orientalism in literature --- kunst --- 7.071 SWERTS --- kunst en literatuur --- literatuur --- Swerts Carla --- grafiek --- fotografie --- tekenkunst --- eenentwintigste eeuw --- 7.01 --- onderzoek in de kunsten --- doctoraat in de kunsten --- oriëntalisme --- Midden-Oosten --- Middle East --- Asia, South West --- Asia, Southwest --- Asia, Western --- East (Middle East) --- Eastern Mediterranean --- Fertile Crescent --- Levant --- Mediterranean Region, Eastern --- Mideast --- Near East --- Northern Tier (Middle East) --- South West Asia --- Southwest Asia --- In art. --- In literature. --- Dutch literature --- Asia, West --- West Asia --- Western Asia --- Orient --- Swerts, Karla --- Midden Oosten --- MAD-faculty 17 --- kunst en onderzoek --- doctoraatsthesis --- 7.07 --- Onderzoek in de kunsten --- Doctoraat in de kunsten --- Oriëntalisme --- Swerts, Carla °1992 (°Diest, België) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z
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