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Andrea Mantegna : peintre, dessinateur et graveur de la Renaissance italienne
Authors: --- --- ---
ISBN: 2070112403 Year: 1992 Publisher: [Paris] : Gallimard/Electa,

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The invention of infinity : mathematics and art in the Renaissance
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ISBN: 0198523947 Year: 1997 Publisher: Oxford : Oxford University Press,

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Keywords

Masaccio --- Piero della Francesca --- Brunelleschi, Filippo --- Alberti, Leon Battista --- Perspectief --- Perspective --- Perspective. --- Art --- Art, Renaissance --- Mathematics --- Art de la Renaissance --- Mathématiques --- Mathematics. --- History. --- Histoire --- 742 --- 094:742 --- #TELE:SISTA --- Renaissance ; kunst en wiskunde ; perspectiefleer --- 7.034 --- J.V. Field --- kunst --- kunst en wiskunde --- kunst en wetenschap --- perspectief --- renaissance --- oneindigheid --- middeleeuwen --- Masacio --- Danti Egnazi --- Commandino Federico --- Benedetti Giovanni Battista --- del Monte Guidobaldo --- Desargues Girard --- Bosse Abraham --- de la Hyre Laurent --- Pascal blaise --- de la Hire Philippe --- 75.01 --- 75.02 --- Perspectieftekenen --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Perspectieftekenen --- Kunstgeschiedenis ; Renaissance. Barok. Rococo --- 094:742 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Perspectieftekenen --- 742 Perspectieftekenen --- Mathématiques --- Architectural perspective --- Linear perspective --- Mechanical perspective --- Optics --- Space (Art) --- Space perception --- Projection --- Proportion (Art) --- Shades and shadows --- Math --- Science --- History --- Art [Renaissance ] --- Italy --- Géométrie. --- Geometry --- Géometrie --- Geometry. --- Renaissance italienne --- Dürer, albrecht (1471-1528) --- Voutes --- Peinture de la renaissance

Les retables : l'âge gothique et la Renaissance
Authors: --- ---
ISBN: 2850881783 9782850881787 Year: 2001 Publisher: Paris : Citadelles & Mazenod,

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Appelé retable, car placé derrière la table d'autel, dit aussi polyptyque, parce que c'est un ouvrage aux nombreuses pliures, le " tableau multiple " prend aux XVe et XVIe siècles des formes particulièrement spectaculaires à travers l'Europe. Religieux par définition, il se développe en hauteur et en largeur, et peut occuper le mur entier d'une chapelle ; parfois, le nombre de ses panneaux augmente pour aboutir à des solutions aussi saisissantes que le retable majeur de la cathédrale de Palencia, en Espagne. Caterina Limentani Virdis et Mari Pietrogiovanna nous invitent à découvrir l'extrême variété de ces œuvres imposantes, en passant en revue les plus célèbres comme le Retable de l'agneau mystique des frères Van Eyck ou le Tryptique de Mérode du Maître de Flémalle, mais aussi certaines moins connues - le Retable du couronnement de la Vierge notamment, conservé dans une petite église de montagne, dans le Tyrol. Nous conduisant de l'Europe du Nord à l'Italie et à l'Espagne en passant par la Provence, les auteurs mettent en lumière les différents jeux d'influence qui ont marqué cette production. Les courants artistiques circulaient alors grâce aux artistes et aux souverains qui n'hésitaient pas à déplacer leur cour, à l'instar du roi René, et les commanditaires - nobles, bourgeois, ordres religieux, confréries, villes, etc. - jouaient un rôle déterminant, surtout dans les choix iconographiques. Ainsi, à côté des scènes religieuses traditionnelles prend place sur les retables une chronique de la vie quotidienne de l'Europe de la Renaissance, de même que de ses doutes et de ses angoisses, comme le traduisent les univers de Jérôme Bosch ou de Matthias Grünewald. De nombreux détails en pleine page permettent de restituer une partie de l'émotion ressentie devant ces œuvres étonnantes, et pour parfaire l'illusion, huit d'entre elles sont présentées sous forme de grands dépliants.

Keywords

gotiek --- renaissance --- religieuze kunst --- religieuze iconografie --- altaarstukken --- 15de eeuw --- 16de eeuw --- renaissancekunst --- gotische kunst --- Altaarstukken [Gotische ] --- Altaarstukken [Renaissance- ] --- Altarpieces [Gothic ] --- Altarpieces [Renaissance ] --- Gothic altarpieces --- Gotiek-altaarstukken --- Gotiek-retabels --- Gotische altaarstukken --- Gotische retabels --- Renaissance altarpieces --- Renaissance-altaarstukken --- Renaissanceretabels --- Retabels [Gotische ] --- Retabels [Renaissance- ] --- Retables de la Renaissance --- Retables gothiques --- Altarpieces, Renaissance --- Altarpieces, Gothic --- Polyptychs --- Panel painting, Gothic --- Polyptiques --- Peinture sur panneau gothique --- Art chretien --- Peinture gothique --- Polyptyques --- Art sacré --- Mobilier liturgique --- retabels --- Religious architecture --- Painting --- Gothic [Medieval] --- retables [altar appendage] --- Renaissance --- anno 1200-1499 --- anno 1500-1599 --- Peinture de la Renaissance --- Art chrétien --- Art gothique --- Histoire de la peinture --- Histoire de la sculpture --- Panel painting, Renaissance --- Christian art and symbolism --- Art, Gothic --- Peinture sur panneau de la Renaissance --- Art et symbolisme chrétiens --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- 730 --- art gothique --- retables --- schilder- en tekenkunst --- peinture et dessin --- Art chretien - 1450-1600 (Renaissance) --- Polyptyques - Europe --- 15de eeuw. --- 16de eeuw. --- Retables de la renaissance --- Themes, motifs


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The image of the city in early Netherlandish painting (1400-1550)
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ISSN: 17803241 ISBN: 9782503579825 2503579825 9782503579832 Year: 2019 Volume: 44 Publisher: Turnhout : Brepols,

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Painted cityscapes have always captivated the viewers of medieval works of art. To this day scholars are mesmerised by their capacity to mirror the urban context from which they sprang, combined with their ability to symbolize a more abstract world view, religious idea or social ideal. Especially oil painting, which thrived in the fifteenth-century Low Countries among a heterogeneous elite and the well-off urban middling groups, succeeded as no other medium in capturing the urban landscape in its finest details. In order to gain an insight into how late medieval citizens, clerics and noblemen conceived of urban society and space, this book combines a serial analysis of a large corpus of painted city views with a critical discussion of some well-documented and revealing works of art. Throughout the book a variety of questions are addressed, ranging from the religious conception of the city, the theatrical dimension of urban space, the extent to which Early Netherlandish painting depicted the city as an economic space, how images of city and countryside functioned as identity markers of the donor, and how technical advances in the field of cartography impacted the portrayal of towns in the sixteenth century. In doing so, this study explores the duality of some of the major interpretive schemes that have determined the last few decades of historiography on late medieval Netherlandish culture, oscillating between bourgeois and courtly, realistic and symbolic profane and religious, and innovative versus traditional -- quatrième de couv.

Keywords

Painting, Renaissance --- Painting --- History of civilization --- History of the Low Countries --- anno 1400-1499 --- anno 1500-1599 --- Paintings, Renaissance --- Renaissance painting --- Iconography --- Peinture de la Renaissance --- Villes --- Dans l'art. --- Painting, Renaissance. --- Dans l'art --- Europe --- Netherlands. --- cities --- Painting, Netherlandish --- Cities and towns in art --- Themes, motives --- 911.375 <09> --- 75 <491> --- 75 <491> Schilderkunst--?<491> --- Schilderkunst--?<491> --- 911.375 <09> Steden. Studie van stedelijke vestiging. Geografie van steden. Stadsgeografie--Geschiedenis van ... --- 911.375 <09> Urban settlements (their study and geography). Towns. Cities--Geschiedenis van ... --- Steden. Studie van stedelijke vestiging. Geografie van steden. Stadsgeografie--Geschiedenis van ... --- Urban settlements (their study and geography). Towns. Cities--Geschiedenis van ... --- Steden. Studie van stedelijke vestiging. Geografie van steden. Stadsgeografie--Geschiedenis van .. --- Art and cities. --- Themes, motives. --- historical maps --- miniatures [paintings] --- altarpieces --- easel paintings [paintings by form] --- cityscapes [representations] --- Steden. Studie van stedelijke vestiging. Geografie van steden. Stadsgeografie--Geschiedenis van . --- Steden. Studie van stedelijke vestiging. Geografie van steden. Stadsgeografie--Geschiedenis van --- Painting, Renaissance - Netherlands - Themes, motives --- Painting, Renaissance - Flanders - Themes, motives --- Painting, Netherlandish - Themes, motives

Historical and philosophical issues in the conservation of cultural heritage /.
Authors: --- ---
ISBN: 0892363983 0892362502 9780892362509 9780892363988 Year: 1996 Publisher: Los Angeles, CA : Getty trust publications,

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This premier volume of the Getty Conservation Institute's Readings in Conservation series is the first comprehensive collection of texts on the conservation of art and architecture to be published in the English language. Designed for students of art history as well as conservation, the book consists of forty-six texts, some never before translated into English and many originally published only in obscure or foreign journals. The thirty major art historians and scholars represented raise questions such as when to restore, what to preserve, and how to maintain aesthetic character. Excerpts have been selected from the following books and essays: John Ruskin, The Seven Lamps of Architecture; Bernard Berenson, Aesthetics and History in the Visual Arts; Clive Bell, The Aesthetic Hypothesis; Cesare Brandi, Theory of Restoration; Kenneth Clark, Looking at Pictures; Erwin Panofsky, The History of Art as a Humanistic Discipline; E. H. Gombrich, Art and Illusion; Marie Cl. Berducou, The Conservation of Archaeology; and Paul Philippot, Restoration from the Perspective of the Social Sciences. The fully illustrated book also contains an annotated bibliography and an index.

Keywords

kunstfilosofie --- restauratie (kunst) --- kunstgeschiedenis --- restoration [process] --- philosophy of art --- art history --- cultureel erfgoed --- Conservation. Restoration --- cultural heritage --- conservatie --- preserving --- Art --- Architecture --- Conservation and restoration. --- Conservation et restauration --- geschiedenis --- filosofie --- erfgoed --- Ruskin, John --- Bell, Clive --- Viollet-Le-Duc, Eugène Emmanuel --- Morris, William --- 7.025 --- 72.025 --- 72.01 --- -Architecture --- -Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Building --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Kunstwerken: verval; conservatie; restauratie; verandering van standplaats. Kunstbescherming --- Architectuur: schade; verval; conservatie; restauratie; verandering van gebruik --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Conservation and restoration --- Design and construction --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 72.025 Architectuur: schade; verval; conservatie; restauratie; verandering van gebruik --- 7.025 Kunstwerken: verval; conservatie; restauratie; verandering van standplaats. Kunstbescherming --- -Kunstwerken: verval; conservatie; restauratie; verandering van standplaats. Kunstbescherming --- -72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architecture, Western (Western countries) --- Buildings, Restoration of --- Conservation of buildings --- Restoration of buildings --- Restoration --- Repair and reconstruction --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Art - Conservation and restoration --- Architecture - Conservation and restoration --- Restauration --- Restauration des oeuvres d'art --- Protection du patrimoine --- Protection du patrimoine artistique --- geschiedenis. --- filosofie. --- conservatie. --- erfgoed. --- kunstfilosofie. --- Ruskin, John. --- Bell, Clive. --- Viollet-Le-Duc, Eugène Emmanuel. --- Morris, William. --- ARCHITECTURE --- ART --- PEINTURE DE LA RENAISSANCE --- CONSERVATION ET RESTAURATION --- ITALIE

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