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Aesthetics --- Arts audiences --- Art appreciation. --- Visual communication. --- Aesthetics. --- Psychology. --- Art appreciation --- Visual communication --- Esthétique. --- Communication visuelle. --- Art --- Arts --- Psychology --- Appréciation --- Publics --- Psychologie --- Psychologie. --- Appréciation. --- Arts audiences - Psychology. --- Esthétique. --- Appréciation.

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Visuality in the theater is as yet rarely a subject of theoretical investigation. This book presents an exploration of this under-explored terrain, demonstrating the use of new theoretical insights into vision and visuality for the analysis of theater and performance - and simultaneously shows theater and performance to be an excellent 'theoretical object' for exploring the cultural, historical and embodied character of visuality.

Theatrical science --- Affective and dynamic functions --- Theater --- Philosophy. --- Theater. --- Visual perception. --- Visual communication. --- Théâtre --- Perception visuelle --- Communication visuelle

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This work offers an introduction to the use of photography, collaborative video, drawing, objects, multi-media production and installation in research. The author explains how visual methods can be used as modes of inquiry as well as modes of representation for social research. The book looks at a range of conceptual and practical approaches to a range of tools and methods, while also highlighting the interpretive and ethical issues that arise when engaging in visual research. She draws on her own work in the field of visual research throughout to offer extensive examples from a variety of settings and with a variety of populations. Topics covered include: Photographs and memory work studies; Drawing as a participatory visual methodology; Working with images, Writing about images; Can visual methods make a difference? : from practice to policy. This book takes an interdisciplinary approach to the subject of visual research, producing a practical introduction to the subject.

Visual sociology --- Research --- #SBIB:303H30 --- #SBIB:303H31 --- Kwalitatieve methoden: algemeen --- Kwalitatieve methoden: sociale en culturele antropologie --- Sociology --- Visual communication --- Qualitative methods in social research --- Visual sociology - Research

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"Through a series of detailed historical case studies, Alison Griffiths explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising: antecedents of modern media forms, suggesting the spectator's deepseated desire to become. Immersed in a virtual world. Shivers Down Your Spine demonstrates how immersive and interactive museum display techniques such as large video displays, reconstructed environments, and touch-screen computer interactives have redefined the museum space, fueling the opposition between public and private, science and spectacle, civic and corporate interests, voice and text, and life and death. In her remarkable study of sensual spaces, Griffiths explains why, for centuries, we keep coming back for more."--Jacket.

Museology --- Film --- Audiences --- Audiences. --- BUSINESS & ECONOMICS --- Film. --- IMAX. --- Interactive multimedia. --- Museum exhibits. --- Museum. --- Museums and motion pictures. --- Museums --- PERFORMING ARTS --- Public spaces --- Publikum. --- REFERENCE --- Shared virtual environments. --- Spektakel. --- TRAVEL --- Visual communication --- Visual communication. --- Museum Administration & Museology. --- Social aspects. --- Film & Video --- History & Criticism. --- Social aspects --- General. --- Museums, Tours, Points of Interest.

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Via het televisiescherm, de bioscoop en de geïllustreerde pers (en nog een aantal andere kanalen) ontvangen of verschaffen wij tegenwoordig een groot deel van de informatie en de voorlichting, de ontspanning en het amusement, de culturele bagage en de estetische ervaring waaraan de hedendaagse mens behoefte schijnt te hebben. Dit boekje wil een antwoord proberen te geven op de vraag welke eigenschappen het beeld zo bijzonder geschikt, althans aantrekkelijk, maken voor het vervullen van al deze toch nogal uiteenlopende communicatieve functies. Onderzocht wordt o.m. hoe de vele communicatieve mogelijkheden van het beeld in allerlei communicatievormen - b.v. in de beeldjournalistiek, in het beeldonderwijs, in de beeldreclame in het beeldamusement - worden toegepast. De principes die in deze toepassingen steeds weer naar voren komen, worden in een apart hoofdstuk (met als titel 'Semiologie van de beeldcommunicatie') als beeldcodes gesystematiseerd.

communicatietheorieën --- visuele communicatie --- reclameboodschappen --- Mass communications --- Visual communication --- #SBIB:309H520 --- #SBIB:309H1320 --- #SBIB:309H524 --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Audiovisuele communicatie: algemene werken --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Audiovisuele communicatie: semiotiek --- Visual communication.