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To be truly prized and employable, textile and fashion designers have to be aware of, and knowledgeable about, a wide range of processes to enable their designs to be manufactured effectively, often thousands of miles from their design studio. This much-needed new reference is the only encyclopedic guide to manufacturing processes and materials that is truly relevant for textile and fashion designers. It is organized into five main parts: fiber and yarn technology; textile technology; construction technology; life cycle strategies; and materials appendix. This book is a complete overview of the life cycle of textile and fashion manufacturing, from the spinning of yarn to recycling. All the processes feature detailed step-by-step case studies showing the process in manufacture at a leading international supplier. The appendix features essential knowledge on over sixty natural and synthetic materials. With around 1,400 specially commissioned photographs and technical illustrations, this is the indispensable, reliable, convenient, and highly accessible practical reference for all textile and fashion designers.

kunst --- mode --- textielindustrie --- 745.529780500517413 --- interieurvormgeving --- textielpatronen --- textielontwerp --- textielkunst --- textiel --- cloth --- fashion design --- Applied arts. Arts and crafts --- 685.1 --- 779.8 --- materialenleer --- textielontwerpen --- materialen --- verwerkende industrie, textiel, inleidingen --- textielkunst, overige --- Textile fabrics --- Textile design --- Manufacturing processes --- Clothing trade --- Fashion design --- Textile --- Tissu, impression --- Processus de création --- Technologie des arts plastiques

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De veranderende status van tricot in de mode vormt een fascinerend verhaal waarin de draden van socioculturele omwentelingen en modeontwerp stevig met elkaar vervlochten zijn. Door deze geschiedenis te ontrafelen, met haar vele ups en downs op verschillende plaatsen en in verschillende decennia, toont dit boek hoe onze hedendaagse kijk op breiwerk werd gevormd. Door de associatie van breiwerk met hobbycultuur, vrouwelijkheid en ambachtelijkheid wordt wel eens vergeten dat tricot ook een heel modieus product is, en zelfs een gedurfde keuze voor modeontwerpers die er graag mee experimenteren. De huidige comeback van het tricot is in feite een heropleving van iets wat nooit helemaal weg is geweest. Nauw aansluitende jurken, jerseysportkleding, grof breiwerk, sculpturale volumes, netachtige body's met het uitzicht van kantwerk... de mogelijkheden van breiwerk vormen een onuitputtelijke inspiratiebron voor modeontwerpers. Dit boek licht een tipje van de sluier op van de verborgen geschiedenis van breiwerk en ontrafelt gaandeweg de productiemethoden, de achterliggende sociale geschiedenis en de esthetische ontwikkelingen en omwentelingen van tricot in de mode. Van stijlvolle 'opa-cardigans' tot oorlogsbreiwerk, van verfijnde kousen tot 3D-breiwerk, over de onvergankelijke aantrekkingskracht van de twinset en de notie van het vormloze in de mode, dit boek trekt de draad beetje bij beetje los, en voor onze ogen verschijnt de rijke geschiedenis van iets wat wij altijd heel gewoon en vanzelfsprekend hebben gevonden: breiwerk.

Manufacturing technologies --- fashion design --- Applied arts. Arts and crafts --- breien --- mode --- 391.04 --- Breien ; breiwerk ; tricot; in de mode --- Tentoonstellingscatalogi ; Antwerpen ; het Modemuseum --- 625.5 --- 779.8 --- textiel-kunst --- CDL --- 391 --- Mode ; iconografie, thema's --- Naaien en handwerken, breien en haken; algemeen --- textielkunst, overige --- Exhibitions --- knitting [needlework] --- Knit goods --- Fashion design --- History --- 20th century --- textiel --- textielkunst --- fashion [concept] --- Fashion design. --- Knitwear. --- Fashion --- History. --- fashion [culture-related concept]

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In 1940, Hans Knoll founded a company in New York that soon earned a reputation for its progressive line of furniture. Florence Schust joined the firm and helped establish its interior design division, the Knoll Planning Unit. In 1947, the year after their marriage, Hans and Florence Knoll added a third division, Knoll Textiles, which brought textile production in line with a modern sensibility that used color and texture as primary design elements. In the early years, the company hired leading proponents of modern design as well as young, untried designers to create textile patterns. The division thrived in the late 1940s through 1960s and, in the following decade, adopted a more international outlook as design direction shifted to Europe. In the late 1970s and 1980s, Knoll tapped fashion designers and architects to bolster its brand. The pioneering use of new materials and a commitment to innovative design have remained Knoll's hallmarks to the present day. With essays by experts, biographies of about eighty designers, and images of textiles, drawings, furniture, and ephemera, Knoll Textiles, 1945-2010 is the first comprehensive study devoted to a leading contributor to modern textile design. Highlighting the individuals and ideas that helped shape Knoll Textiles over the years, this book brings the Knoll brand and the role of textiles in the history of design to the forefront of public attention.

Textile design --- Book design --- Textiles et tissus --- Livres --- History --- Exhibitions --- Dessins --- Histoire --- Expositions --- Mise en pages --- KnollTextiles (Firm) --- 746.07 --- 749.07 --- Textiel ; meubelstoffen ; Knoll --- Industrieel design ; 1945-2010 ; firma Knoll --- Interieurkunst ; bekledingen ; stoffering --- Textiele ontwerpen --- 746 --- textiel --- textieldesign --- Knoll --- Textielkunst ; textielkunstenaars --- Meubelontwerpers ; designers ; interieurarchitecten --- handwerk, textieldesign --- textielontwerpen --- textielkunst --- meubelontwerp --- binnenhuisarchitectuur (binnenhuisinrichting)(interieurarchitectuur) --- textielproductie --- 779.8 --- 386.5 --- textielkunst, overige --- textielindustrie - confectie-industrie - modehuizen --- Decoration and ornament --- Design --- Textile industry --- Knoll Associates, inc. --- Knoll International, inc. --- Knoll Group

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The digitalization of the world seems to require manual compensation. Everywhere, people are crocheting, embroidering, knitting, and weaving. The boundary between arts and crafts appears to be blurring. As early as 1878, Gottfried Semper referred to textiles as the original art form. The Wiener Werkstätte and the Bauhaus broke through the barriers—a decisive impulse for the masters of modernism. Thread, weave, network, and pattern are simultaneously foundation, result, and inspiration and spill over into the areas painting, sculpture, installation, and media art. This opulently designed volume presents both an artistic and an intercultural dialogue, comparing works by Gustav Klimt, Edgar Degas, Jackson Pollock, Eva Hesse, Chiharu Shiota, and Sergei Jensen to historical textiles from centuries past. Interdisciplinary essays provide extensive discussions of the materials and ideas utilized in work with textiles. Artists featured (selection): Magdalena Abakanowicz, Anni Albers, Joseph Beuys, Louise Bourgeois, Edgar Degas, Sonia Delaunay, Lucio Fontana, Mona Hatoum, Eva Hesse, Josef Hoffmann, Sergei Jensen, Mike Kelley, Kimsooja, Paul Klee, Peter Kogler, Piero Manzoni, Agnes Martin, William Morris, Robert Morris, Blinky Palermo, Sigmar Polke, Gerhard Richter, Chiharu Shiota, Yinka Shonibare, Sophie Taeuber-Arp, Dorothea Tanning, Lenore Tawney, Rosemarie Trockel, Édouard Vuillard, Pae White Exhibition schedule: Kunstmuseum Wolfsburg, October 12, 2013–March 2, 2014 | Staatsgalerie Stuttgart March 21–June 22, 2014

textile materials --- Art --- painting [image-making] --- installations [visual works] --- sculpting --- Man Ray --- Gogh, van, Vincent --- Jensen, Sergej --- Gnoli, Domenico --- El Anatsui --- Knoebel, Imi --- Moser, Koloman --- Morellet, François --- Warhol, Andy --- Rauschenberg, Robert --- Ruthenbeck, Reiner --- Arndt, Gertrud --- Bonnard, Pierre --- Kelley, Mike --- Reich, Lilly --- Mellan, Claude --- Soulages, Pierre --- Shiota, Chiharu --- Klimt, Gustav --- Tanning, Dorothea --- Mies van der Rohe, Ludwig --- Hoffmann, Josef Franz Maria --- Palermo, Blinky --- Champaigne, de, Philippe --- Sieverding, Katharina --- Amer, Ghada --- Hatoum, Mona --- Larner, Liz --- Itten, Johannes --- Hesse, Eva --- Aladağ, Nevin --- Kher, Bharti --- Kiefer, Anselm --- Beuys, Joseph --- Tawney, Lenore --- Bourgeois, Louise --- Vallotton, Felix --- Ryman, Robert --- Cane, Louis --- Bloch, Pierrette --- Hammwöhner, Sebastian --- Pistoletto, Michelangelo --- Kogler, Peter --- Merz, Mario --- Morris, Robert --- Velde, Van de, Henry --- Holzapfel, Olaf --- Pollock, Jackson --- Manzoni, Piero --- Polke, Sigmar --- Sandback, Frederick Laue --- Klee, Paul --- Vuillard, Edouard --- Feldmann, Friederike --- Morris, William --- Marden, Brice --- Degas, Edgar --- Kusama, Yayoi --- Rankin, Jessica --- Delaunay, Sonia --- Martin, Agnes --- Torres Garcia, Joaquin --- Boetti, Alighiero --- Abakanowicz, Magdalena --- Rohlfs, Christian --- Matisse, Henri --- Risch, Jens --- Shonibare, Yinka --- Albers, Anni --- Richter, Gerhard --- Trockel, Rosemarie --- Kimsooja --- Wols --- White, Pae --- Mondriaan, Piet --- Liebermann, Max --- Hugo, Pieter --- Textile fabrics in art --- Textiles et tissus dans l'art --- Exhibitions --- Expositions --- textielkunst --- etnische kunst --- toegepaste kunsten --- gender --- sociale geschiedenis --- cultuurgeschiedenis --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- White Pae --- Warhol Andy --- Vuillard Edouard --- van de Velde Henry --- Vallotton Felix --- Trübner Heinrich Wilhelm --- Trockel Rosemaire --- Torres García Joaquin --- Tawney Lenore --- Tanning Dorothea --- Taeuber-Arp Sophie --- 7.036 --- 745.52 --- Soulages Pierre --- Sieverding Katharina --- Shonibare Yinka --- Shiota Chiharu --- Sassen Vivian --- Sandback Fred --- Ryman Robert --- Ruthenbeck Reiner --- Rohlfs Christian --- Risch Jens --- Richter Gerhard --- Rauschenberg Robert --- Rankin Jessica --- Polke Sigmar --- Pistoletto Michelangelo --- Passehl Janet --- Palermo Blinky --- Moser Koloman --- Morris William --- Morellet François --- Mondriaan Piet --- Mondrian Piet --- Reich Lilly --- Mies van der Rohe Ludwig --- Merz Mario --- Mellan Claude --- Matisse Henri --- Martin Agnes --- Manzoni Piero --- Ray Man --- Liebermann Max --- Larner Liz --- Kusama Yayoi --- Kogler Peter --- Knoebel Imi --- Klimt Gustav --- Klee Paul --- Kiefer Anselm --- Kher Bharti --- Kelley Mike --- Jensen Sergej --- Itten Johannes --- Hugo Pieter --- Holzapfel Olaf --- Hatoum Mona --- Hammwörther Sebastian --- Gomes Sonia --- van Gogh Vincent --- Gnoli Domenico --- Giese Imi --- Fortuny Mariano --- Fontana Lucio --- Feldmann Friederike --- Eshkol Noa --- Eigen Frauke --- Dieker Birgit --- Delaunay-Terk Sonia --- Degas Edgard --- de Champaigne Philippe --- Cane Louis --- Bourgeois Louise --- Bonnard Pierre --- Boetti Alighiero --- Alighiero e Boetti --- Bloch Pierrette --- Beuys Joseph --- Arndt Gertrud --- Arikan Burak --- Anatsui El --- Amer Ghada --- Albers Anni --- Aladag Nevin --- Abakanowicz Magdalena --- textiel --- 746.038 --- 746.037 --- 746(03) --- Textiel ; kunstenaars werken met --- Textiel ; in de kunst ; als materiaal ; als onderwerp --- Thema's in de kunst ; textiel ; weefsels ; stoffen --- Kunstmaterialen ; textiel --- Tentoonstellingscatalogi ; Wolfsburg ; Kunstmuseum --- 779.8 --- conceptuele kunst --- Textielkunst ; 1950 - 2000 --- Textielkunst ; 1900 - 1950 --- Textielkunst ; encyclopedieën --- textielkunst, overige --- Torres García, Joaquín --- Hoffmann, Josef --- textielkunst. --- etnische kunst. --- gender. --- sociale geschiedenis. --- cultuurgeschiedenis. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.