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Covering thirty years of computer-animated film history, and analysing over 200 different examples, 'The Computer-Animated Film: Industry, Style and Genre' persuasively argues that this body of work constitutes a unique genre of mainstream cinema.
Computer animation. --- Motion pictures --- COMPUTERS / General. --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Animation, Computer --- Computer-assisted filmmaking --- Computer-generated animation --- Animation (Cinematography) --- Computer graphics --- Production and direction. --- Production and direction --- Direction
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This book explores the different factors that can influence a new movie’s prospects at the box office. Looking at factors such as the production budget, distribution model, genre, stars and audience reactions of films, Gunter asks how such aspects may reduce the uncertainties of success so common in the movie industry. The reader is taken on a journey through filmmaking factors that, research suggests, impact box office performance. While box office revenues represent only part of a movie’s earning potential, Gunter highlights how theatrical performances remain central to what the movie business is about. The chapters illustrate how ticket sales are largely influenced by the production budget but also cultural differences and new movie platforms. .
Culture --- Economic aspects. --- Motion pictures. --- Motion pictures --- Culture - Economic aspects. --- Film/TV Industry. --- Film and TV Production. --- Cultural Economics. --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Production and direction. --- Production and direction --- Direction --- History and criticism --- Culture—Economic aspects.
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This book explores the complex interplay of culture and economics in the context of Philippine cinema. It delves into the tension, interaction, and shifting movements between mainstream and independent filmmaking, examines the film distribution and exhibition systems, and investigates how existing business practices affect the sustainability of the independent sector. This book addresses the lack or absence of Asian representation in film distribution literature by supplying the much-needed Asian context and case study. It also advances the discourse of film distribution economy by expounding on the formal and semi-formal film distribution practices in a developing Asian country like the Philippines, where the thriving piracy culture is considered as ‘normal,’ and which is commonly depicted and discussed in existing literature. As such, this will be the first book that looks into the specifics of the Philippine film distribution and exhibition system and provides a historical grounding of its practices.
Motion pictures-Asia. --- Motion pictures --- Motion pictures. --- Ethnology-Asia. --- Asian Cinema and TV. --- Film and TV Production. --- Film/TV Industry. --- Asian Culture. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction. --- History and criticism --- Production and direction --- Direction --- Motion pictures—Asia. --- Ethnology—Asia.
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Poujol has given us an informed, incisive analysis of the political economy of the Chinese media industries and intriguing insights into the game-changing possibilities of blockchain technologies. --Richard Allen, Dean and Chair Professor of Film and Media Art at School of Creative Media, City University Transparency and accountability are cornerstones for a vibrant creative industry, and Patrice explains in his book how we can build better platforms that serve artists and society. --Leonhard Weese, President at the Bitcoin Association of Hong Kong An extensively enlightening read, Patrice Poujol’s assessment is masterful and indispensable. --Amit Jumani, Director at Krisco Media FZC Supported by in-depth research, the author’s analysis of the innovative ways used in the online film and media industry in contemporary China is excellent and full of timely insights. --Jenny Kwok Wah Lau, Professor in the School of Cinema at San Francisco State University Poujol presents a candid and revealing analysis in this highly interdisciplinary work, expertly integrating cultural, economic, political, and technical perspectives on sound bases of critical review and first-hand research. --George Whitfield (MIT), CEO of HodlPal Filmmaking is hard to do and even more difficult to fund, and in China some of these problems have magnified greatly. There is a world of creative talent in China just waiting to be unleashed, and the author shows that blockchain technology has the potential to do just that, and usher in a new golden age of Chinese cinema. Patrice offers an informative explanation of how blockchain technology could change this, and an honest and hopeful message about the potential for this technology to unleash a new generation of Chinese filmmakers. A wonderful read. --Ryan King, Director of Acceleration at Emurgo (Cardano).
Blockchains (Databases) --- Block chains (Databases) --- Database security --- Distributed databases --- Data structures (Computer scienc. --- Computer science. --- Digital media. --- Management. --- Motion pictures --- Motion pictures. --- Data Structures and Information Theory. --- Media Design. --- Digital/New Media. --- Innovation/Technology Management. --- Film and TV Production. --- Film/TV Technology. --- Production and direction. --- Data structures (Computer science) --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Administration --- Industrial relations --- Organization --- Electronic media --- New media (Digital media) --- Digital communications --- Online journalism --- Informatics --- Science --- History and criticism --- Production and direction --- Direction --- Information structures (Computer science) --- Structures, Data (Computer science) --- Structures, Information (Computer science) --- Electronic data processing --- File organization (Computer science) --- Abstract data types (Computer science) --- Smart contracts. --- Self-executing contracts --- Smart contracts --- Electronic contracts --- Law and legislation --- Data structures (Computer science). --- Multimedia systems . --- Industrial management. --- Business administration --- Business enterprises --- Business management --- Corporate management --- Corporations --- Industrial administration --- Management, Industrial --- Rationalization of industry --- Scientific management --- Management --- Business --- Industrial organization --- Computer-based multimedia information systems --- Multimedia computing --- Multimedia information systems --- Multimedia knowledge systems --- Information storage and retrieval systems --- Information theory. --- Interactive multimedia. --- Multimedia systems. --- Technological innovations. --- Motion pictures—Production and direction. --- Television broadcasting. --- Digital and New Media. --- Innovation and Technology Management. --- Film and Television Production. --- Film and Television Studies. --- Telecasting --- Television --- Television industry --- Broadcasting --- Breakthroughs, Technological --- Innovations, Industrial --- Innovations, Technological --- Technical innovations --- Technological breakthroughs --- Technological change --- Creative ability in technology --- Inventions --- Domestication of technology --- Innovation relay centers --- Research, Industrial --- Technology transfer --- Hypermedia systems --- Interactive media --- Computer software --- Communication theory --- Communication --- Cybernetics
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