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A study of how Thatcher's government tried to control the narrative of the Northern Ireland conflict in an effort to shape how 'the Troubles' were understood by regional, national, and international audiences, and exploring how Britain's status as a leading global democracy was tarnished by the imposition of censorship in the 1988 Broadcasting Ban.

Television and politics --- Television --- History --- Censorship --- History

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This edited volume explores the development of the European book world between 1650 and 1750, concentrating on changes in publishing strategies, practices of censorship, the circulation of second-hand books and the building of libraries.

Book industries and trade --- Book industries and trade --- Publishers and publishing --- Publishers and publishing --- Censorship --- Censorship --- Libraries --- Libraries --- Book collecting --- Book collecting --- History --- History --- History --- History --- History --- History --- History --- History --- History --- History

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Politics and government. --- Intellectual freedom. --- Freedom of speech. --- Energy industries --- Business and politics. --- Arts --- Freedom of speech --- Intellectual freedom --- Business and politics --- Free speech --- Liberty of speech --- Speech, Freedom of --- Civil rights --- Freedom of expression --- Assembly, Right of --- Freedom of information --- Access to ideas --- Freedom of thought --- Freedom to read --- Liberty --- Academic freedom --- Censorship --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Business --- Politics and business --- Politics, Practical --- Political business cycles --- Industries --- Power resources --- Censorship and the arts --- Political aspects. --- Censorship. --- Political aspects --- Law and legislation --- Wyoming --- State of Wyoming --- Vaĭoming --- WY --- Wyo. --- Vayominq --- Вайоминг --- Ваёмінг --- Vai︠o︡minh --- Уайоминг --- Uaĭoming --- Tóʼííbézhí Hahoodzo --- Ουαϊόμινγκ --- Oyaiominnk --- Vajomingo --- Waiomina --- ויומינג --- Ṿayoming --- Wayoming --- Vyomina --- Vyominga --- Vaiominga --- Vajomingas --- Вајоминг --- Vajoming --- ワイオミング州 --- Waiomingu-shū --- ワイオミング --- Waiomingu --- Вайомінг --- Wyoming Shitati --- וויאמינג --- Ṿyoming --- Vajomings --- 怀俄明州 --- Huai'eming zhou --- 怀俄明 --- Huai'eming --- Wyoming Territory --- Arts, Primitive

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Public law. Constitutional law --- Economic law --- Industrial and intellectual property --- Mass communications --- Belgium --- Colloques --- Colloquia --- Communicatie --- Communication --- Droit --- Recht --- Press law --- Presse --- Congresses --- 351.751 <493> --- Academic collection --- 351.751 --- #C9205 --- Censorship of the press --- Newspaper publishing --- Press --- Publishers and publishing --- Law --- Libel and slander --- Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--België --- Congresses. --- Law and legislation --- Censorship --- 351.751 <493> Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--België --- Press law - Belgium - Congresses --- Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--België

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In 1947, the Cold War came to Hollywood. Over 9 days in October 1947, the House Committee on Un-American Activities held a notorious round of hearings into alleged Communist subversion in Hollywood. The immediate blowback from the October hearings was profound and long-lived. On November 25, 1947, the major Hollywood studios pledged never again to employ a known Communist. The declaration marked the formal onset of the blacklist era, a two-decade-long purgatory during which political allegiances, real or suspected, determined employment opportunities in the entertainment industry. At the studios and the networks, hundreds of artists were shown the door or had it shut in their faces. Doherty tells the story of the first media-political spectacle of the postwar era, a courtroom drama starring actors, moguls, congressmen, lawyers, investigators, and screenwriters, all recorded under the lights of the newsreel cameras and broadcast over radio. After assuming increased cultural prominence during World War II, Doherty explains, 'the screen had become, in its maturity, integrated with the whole fabric of the national, and international affairs, with social, political and economic involvements,' leading to the centrality of Hollywood in Washington politics in the postwar era. Depicting this shift through testimonies and detailed public records, he provides a rich, character-driven cultural history that focuses on how and why the HUAC trial unfolded and ignited the anti-Communist strain in Cold War culture, serving as one of the most influential events of the postwar era.

Motion picture industry --- Communism and motion pictures --- Blacklisting of entertainers --- Blacklisting of authors --- Screenwriters --- Motion picture producers and directors --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Screen writers --- Authors --- Motion picture authorship --- Mass media --- Entertainers --- Communism and moving-pictures --- Motion pictures and communism --- Motion pictures --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Political aspects --- History --- History. --- Political activity --- Blacklisting --- Censorship --- United States. --- HUAC --- HUAC (United States. Congress. House. Committee on Un-American Activities) --- House Un-American Activities Committee (U.S.)