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Literature --- Authoring (Authorship) --- Authorship --- Belles-lettres --- Langage et langues --- Language and languages --- Letterkunde --- Literatuur --- Littérature --- Littérature universelle --- Oeuvres -- Attribution --- Oeuvres littéraires --- Paternité artistique --- Paternité littéraire --- Qualité d'auteur --- Schrijverskwaliteit en auteurschap --- Taal en talen --- Western literature (Western countries) --- World literature --- Writing (Authorship) --- Authorship. --- Literature, Modern --- History and criticism.
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Law --- Literature --- Droit et litterature --- Law and literature --- Recht en literatuur --- Droit et littérature --- Literature and law --- Literatuur en recht --- Littérature et droit --- Law and literature.
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Thoreau, Henry David, --- Criticism and interpretation --- History --- Political and social views --- Politics and literature --- Political and social views. --- Thoreau, Henry David --- History.
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Das Nachleben des Renaissance-Komponisten Josquin Desprez im deutschen Sprachraum des 16. Jahrhunderts dargestellt anhand verschiedener wesentlicher 'Rezeptionsparadigmen'. 0No other composer before Josquin Desprez (c. 1450?1521) was appreciated in such a broad way, especially beyond elitist musician circles. It is not for nothing that his influential 16th-century afterlife has been compared to the afterlife of Beethoven in the 19th century. 0The present study investigates the German speaking areas where the reception of Josquin was enormously rich. The sources led to an outline by 'reception paradigms'. These paradigms? canonisation, heroisation, literarisation and historicisation? reveal the rootage of Josquin's reception in 16th century cultural history and point especially to the importance of humanistic circles for the estimation of musical authorship and polyphonic art music. 0Accordingly, a wide field of sources and protagonists was considered, ranging from musical manuscripts to humanistic panegyrics, from composers and music theorists to theologians, rhetoricians and philosophers? among them the church reformer Philipp Melanchthon, who valued Josquin at eye level with Homer, Caesar, and Ovid, thus with the greatest names of intellectual and cultural history at that time.
Music --- Composers --- Musique --- Compositeurs --- History and criticism --- Histoire et critique --- Josquin, --- Josquin des Prés --- Criticism and interpretation --- De Pres, Josquin, --- Deprès, Josquin, --- Des Prés, Josquin, --- Des Prez, Josquin, --- Després, Josquin, --- Desprez, Josquin, --- Dupré, Josquin, --- Jodocus, --- Josse, --- Jusquin, --- Pres, Josquin de, --- Pres, Josquin des, --- Prez, Josquin des, --- Influence. --- Appreciation --- BMBF-Statusseminar --- Josquin des Prez --- Josquinus Pratensis --- Jodocus Pratensis --- Jodocus a Prato --- Josquin Desprez --- des Prez, Josquin --- Desprez, Josquin --- Des Prés, Josquin --- Després, Josquin --- Lebloitte, Jossequin --- Lebloitte, Josquin
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Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children’s fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro.
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