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Op een persoonlijke en intuïtieve manier gaat Katlijne Van der Stighelen samen met de lezer op zoek naar een feminiene beeldtaal. Zij biedt een vrouwvriendelijke kijk op schilderijen van vrouwen als Judith Leyster, Elise Berg en Charley Toorop, van 1550 tot het heden. Op welke manier vertalen vrouwen hun ervaringen, hun verlangens en hun frustraties in beelden? Met behulp van meer dan honderd illustraties, laat dit boek zien hoe creatief en eigenzinnig vrouwen te werk zijn gegaan om hun eigen symbolische orde te creëren.
Painting --- painting [image-making] --- thema's in de kunst --- theme --- schilderkunst --- Belgium --- Netherlands --- vrouwen --- spiegel --- menselijk lichaam --- kind --- Liefde --- bloemen --- vrouwelijke kunstenaars --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- Nederlanden --- België --- Nederland --- Academic collection --- 75.049 --- Kunst ; van vrouwen ; België ; Nederland ; 1500-2010 --- Vrouwelijke kunstenaars --- Kunst en feminisme --- Thema's in de kunst ; vrouwelijke beeldtaal --- 7.041 --- Schilderkunst ; verschillende onderwerpen --- Iconografie: de mens; portret; handeling; genre --- Women painters --- Painting, Dutch. --- Painting, Belgian. --- History. --- 7.041 Iconografie: de mens; portret; handeling; genre --- Flanders --- Painting, Dutch --- Women artists --- Women in art --- Artists, Women --- Women as artists --- Artists --- Dutch painting --- Themes, motives --- vrouw --- liefde --- Nederlandse school --- schilderes --- vrouw. --- spiegel. --- menselijk lichaam. --- kind. --- liefde. --- bloemen. --- vrouwelijke kunstenaars. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- Nederlanden. --- België. --- Nederland. --- Feminism --- History --- Children --- Art --- Body --- Love --- Images of women --- Féminité --- Biographical overview --- Book
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portretschilderkunst --- Painting --- portraits --- Vos, de, Cornelis --- Catalogi --- Catalogues --- De Vos, C. --- Peinture --- Schilderkunst --- Vos, Cornelis de --- Biography --- Portraits --- Catalogs. --- -Catalogues raisonnes. --- Vos, Cornelis de, --- Catalogues raisonnés. --- Criticism and interpretation. --- painting [image-making] --- Biographies --- History --- Life histories --- Memoirs --- Auxiliary sciences of history --- Genealogy --- Portraits&delete& --- Catalogs --- De Vos, Cornelis, --- Catalogues raisonnés. --- Portrait painting --- 17th century --- Netherlands [Southern ] --- De Vos, Cornelis --- de Vos, Cornelis --- Biography - 17th century - Portraits - Catalogs. --- De vos (cornelis) --- Peinture flamande --- 17e siecle
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Schurman, van, Anna Maria --- Biographies --- Levensbeschrijvingen --- Littérature néerlandaise --- Nederlandse letterkunde --- Van Schurman, A. --- Vlaanderen --- Artists --- Biography --- Schurman, Anna Maria van, --- 7 VAN SCHURMAN, ANNA MARIA --- 745.54 --- 82:396 --- -Persons --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--VAN SCHURMAN, ANNA MARIA --- Kunstvoorwerpen van papier. Papierkunst --- Literatuur en feminisme --- Schurman, Anna Maria van --- Biography. --- 82:396 Literatuur en feminisme --- 745.54 Kunstvoorwerpen van papier. Papierkunst --- 7 VAN SCHURMAN, ANNA MARIA Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--VAN SCHURMAN, ANNA MARIA --- -Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--VAN SCHURMAN, ANNA MARIA --- -82:396 Literatuur en feminisme --- Persons --- Schurmann, Anna Maria van, --- Van Schurman, Anna Maria, --- Schurman, Anna Maria à, --- Schuurman, Anna Maria van, --- Schurman, Anne Marie de, --- van Schuurman, Anna Maria --- Artists - Germany - Biography --- Schurman, Anna Maria van, - 1607-1678
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Portraits, European --- Portrait painting, Flemish --- Portraits européens --- Peinture de portraits flamande --- Catalogs. --- Catalogues --- portretten --- geschiedenis --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Vlaanderen --- Academic collection --- #GGSB: Kunst --- portretkunst --- kunst --- schilderkunst --- 75.041 --- Schilderkunst portretten Vlaanderen 1420-2008 --- 75.041.2 --- 75 <493-17> --- Portretten --- Portretschilderkunst Vlaanderen geschiedenis --- portretschilderkunst --- België --- portret --- 704.942 --- C3 --- Schilderkunst de mens, portretten --- Portretschilderkunst --- Schilderkunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- Arts Human figures --- Kunst en cultuur --- 75 <493-17> Schilderkunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- 75.041.2 Portretschilderkunst --- Portraits européens --- Portrait painting, Flemish. --- Portretschilderkunst ; Vlaanderen ; geschiedenis --- Schilderkunst ; portretten ; Vlaanderen ; 1420-2008 --- Flemish portrait painting --- Schilderkunst ; de mens, portretten --- portraits --- painting [image-making] --- Painting --- Flanders --- Portraits --- Belgium --- Flanders (Belgium) --- History and criticism --- Iconography --- Kunst --- Vlaamse school --- portret, Nederlanden --- portretten. --- geschiedenis. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- Vlaanderen.
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Section I: Emotion and Expression; Section II: Stage and Performance; Section III: Kinship and Recognition; Section IV: Intimacy and Remembrance
Baroque --- Portraits (Art) --- Portraits artistiques --- Portrettering --- Portraits, Baroque --- Art néerlandais --- Portraits baroques --- gender --- Cachiopin, Jacomo de --- Mierevelt, (familie) van --- Thys, Pieter --- Painting, Netherlandish --- Art, Netherlandish --- 75 <492/493> "16" --- 75.034.7 --- 7.041 --- Schilderkunst--?<492/493>--17e eeuw. Periode 1600-1699 --- Schilderkunst van de barok --- Iconografie: de mens; portret; handeling; genre --- 7.041 Iconografie: de mens; portret; handeling; genre --- 75.034.7 Schilderkunst van de barok --- --17e eeuw. Periode 1600-1699"">75 <492/493> "16" Schilderkunst--?<492/493>--17e eeuw. Periode 1600-1699 --- Portrait painting, Baroque --- Portrait painting, Dutch --- Portrait painting, Flemish --- Academic collection --- Flemish portrait painting --- Dutch portrait painting --- Baroque portrait painting --- Portrait painting --- Painting --- portraits --- Iconography --- anno 1600-1699 --- Netherlands --- Flanders --- barok --- portretten --- emoties --- naakt --- Rubens, Peter Paul --- 17de eeuw --- Vlaanderen --- Zuidelijke Nederlanden --- Noordelijke Nederlanden --- Painting, Flemish --- Painting, Dutch --- Art, Dutch --- Peinture hollandaise --- Art néerlandais --- Peinture flamande --- Exhibitions --- Expositions --- Portrait painting [Baroque ] --- Flanders (Belgium) --- Portrait painting [Dutch ] --- 17th century --- Portrait painting [Flemish ] --- Portraits --- Belgium --- History and criticism --- passies, emoties, affecties --- portret, Nederlanden --- barok. --- portretten. --- passies, emoties, affecties. --- naakt. --- gender. --- Rubens, Peter Paul. --- Cachiopin, Jacomo de. --- Mierevelt, (familie) van. --- Thys, Pieter. --- 17de eeuw. --- Vlaanderen. --- Zuidelijke Nederlanden. --- Noordelijke Nederlanden.
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This interdisciplinary volume is a unique combination of the history of early modern emotions and art history, bringing together case studies which provide us with new insights on early modern artists and their emotional lives, often based on archival and literary sources.The history of emotions has gained more and more scholarly attention, evidenced by an ‘affective turn’ or ‘emotional turn’ in historical research. Many publications have appeared, and internationally oriented research centres and conferences have been set up and organized.This volume brings the importance of a clear understanding of historical feelings into the research area of art historians. Even though the depiction of emotions is an important discipline in its own right, in this volume the concept of the artist and his or her own personal feelings, often in connection with the creation of a work of art, is prioritised. Although it is argued that a painter had to be able to feel emotions in order to depict them correctly, the articles brought together in this volume focus primarily on the traces of artist’s emotions (“feelings”) that can be derived from archival documents, secondary sources, and paintings (“facts”). Each author has tried in his or her own way to elucidate both the written and visual expressions of an artist’s (personal) emotions.
artists [visual artists] --- emotion --- Affective and dynamic functions --- Iconography --- Art --- anno 1700-1799 --- anno 1600-1699 --- Emoties in de kunst --- Emotions dans l'art --- Emotions in art --- Emotions in art. --- # BIBC : Academic collection --- 17th century --- 18th century --- Artists --- passies, emoties, affecties --- kunstenaars --- kunstgeschiedenis --- Robin, Georg --- Rubens, Peter Paul --- Wright of Derby, Joseph --- de Hase, Maximiliaan --- Leyniers, Daniel III --- Faydherbe, Maria --- Sweerts, Michael --- Duquesnoy, Jérôme (I) --- Bosch, Jheronimus --- van Dyck, Anthony --- Werf, Adriaen van der --- 1600 - 1800 --- 17de eeuw --- 18de eeuw --- 19de eeuw --- passies, emoties, affecties. --- kunstenaars. --- kunstgeschiedenis. --- Robin, Georg. --- Rubens, Peter Paul. --- Wright of Derby, Joseph. --- de Hase, Maximiliaan. --- Leyniers, Daniel III. --- Faydherbe, Maria. --- Sweerts, Michael. --- Duquesnoy, Jérôme (I). --- Bosch, Jheronimus. --- van Dyck, Anthony. --- Werf, Adriaen van der. --- 1600 - 1800. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw.
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This book, one of four devoted to Rubens’s portraiture, contains a catalogue of all the portraits of unidentified individuals attributed by Ludwig Burchard or by the authors to Rubens and executed in Antwerp. The volume thus complements the catalogue of all the portraits of known persons painted by Rubens in Antwerp, published in the Corpus Rubenianum Ludwig Burchard as Part XIX.2 in 1987. A decade earlier the volume on the portraits painted by Rubens outside Antwerp (XIX.1) had inaugurated the series on Rubens’s portraits. In 2016, the book dealing with Portraits after Existing Prototypes (XIX.4) also appeared, so that now the cataloguing of Rubens’s entire oeuvre in the field of portraiture is complete. Not all the works discussed in the present book (XIX.3) are, however, portraits of unidentified sitters – initially the volume’s title. Recent scholarly research has not only allowed insights into sitters previously unrecognised, but has indeed made it possible to give an identity to a number of persons portrayed in works that were not included in the second volume (XIX.2). Among these sitters are members of Rubens’s own family, as well as his contemporaries, including significant figures in the political, economic or religious life of the period.
sitters --- portraits --- Rubens, Peter Paul --- Antwerp --- Rubens, Petrus Paulus, --- Catalogs --- Painting --- easel paintings [paintings by form] --- Rubens, Petrus Paulus, 1577-1640 --- Kritiek en interpretatie --- Rubens, Petrus Paulus, - 1577-1640 --- Rubens, Petrus Paulus, - 1577-1640 - Catalogs --- Portraits (peinture)
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