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'Comic Business' situates Aristophanic comedy in the context of competitive (re)performance culture in 5th and 4th century Greece. It seeks to illuminate how the dazzling busyness of Aristophanic comedy is the creation of a carefully manipulating craftsman trying to outdo his rivals in the fierce competition of dramatic festivals.
Theater --- History --- Aristophanes --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- Aristophanes Comicus --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης --- Criticism and interpretation. --- Aristophanes [Comicus]
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Greek wit and humor. --- Humor. --- Komödie. --- Obszönität. --- Aristophanes --- Aristophanes. --- Criticism and interpretation. --- Greek wit and humor --- Greek literature --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης --- Aristophanes [Comicus] --- Aristophanes Comicus
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Stage design. Scenography --- Aristophanes [Comicus] --- Costume --- Greek drama (Comedy) --- Aristophanes --- Dramatic production --- History --- Ancient --- General. --- Dramatic production. --- Greek drama (Comedy).
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Aristophanes [Comicus] --- Greek drama (Comedy) --- Drama --- Dionysus (Greek deity) in literature. --- Phallicism in literature. --- History and criticism. --- Chorus (Greek drama) --- Aristophanes. --- Chorus (Drama) --- Greek drama --- Chorus
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This book provides a new interpretation of the nature of Old Comedy and its place at the heart of Athenian democratic politics. Professor Sidwell argues that Aristophanes and his rivals belonged to opposing political groups, each with their own political agenda. Through disguised caricature and parody of their rivals' work, the poets expressed and fuelled the political conflict between their factions. Professor Sidwell rereads the principal texts of Aristophanes and the fragmented remains of the work of his rivals in the light of these arguments for the political foundations of the genre.
Aristophanes [Comicus] --- Greek drama (Comedy) --- Politics and literature --- Satire, Greek --- History and criticism. --- Aristophanes --- Political and social views. --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- Aristophanes Comicus --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης --- Arts and Humanities --- History
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Brill’s Companion to the Reception of Aristophanes provides a substantive account of the reception of Aristophanes (c. 446-386 BC) from Antiquity to the present. Aristophanes was the renowned master of Old Attic Comedy, a dramatic genre defined by its topical satire, high poetry, frank speech, and obscenity. Since their initial production in classical Athens, his comedies have fascinated, inspired, and repelled critics, readers, translators, and performers. The book includes seventeen chapters that explore the ways in which the plays of Aristophanes have been understood, appropriated, adapted, translated, taught, and staged. Careful attention has been given to critical moments of reception across temporal, linguistic, cultural, and national boundaries.
Art appreciation. --- Komödie. --- Rezeption. --- Aristophane - réception. --- Aristophane, --- Aristophane. --- Aristophanes --- Aristophanes, --- Aristophanes. --- Critique et interprétation. --- Appreciation. --- Criticism and interpretation. --- Comparative literature --- Aristophanes [Comicus] --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- Aristophanes Comicus --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης
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"Athenian comic drama was written for performance at festivals honouring the god Dionysos. Through dramatic action and open discourse, poets sought to engage their rivals and impress the audience, all in an effort to obtain victory in the competitions. This book uses that competitive performance context as an interpretive framework within which to understand the thematic interests shaping the plots and poetic quality of Aristophanes' plays in particular, and of Old Comedy in general. Studying five individual plays from the Aristophanic corpus as well as fragments of other comic poets, it reveals the competitive poetics distinctive to each. It also traces thematic connections with other poetic traditions, especially epic, lyric, and tragedy, and thereby seeks to place competitive poetics within broader trends in Greek literature"--
Greek drama (Comedy) --- Aristophanes [Comicus] --- History and criticism --- Aristophanes --- Criticism and interpretation --- History and criticism. --- Criticism and interpretation. --- Arts and Humanities --- History --- Greek drama (Comedy) - History and criticism --- Aristophanes - Criticism and interpretation --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- Aristophanes Comicus --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης
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Athena (Greek deity) in literature --- Aristophanes --- -Criticism and interpretation --- Athena (Greek deity) in literature. --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης --- Criticism and interpretation. --- Aristophanes Comicus
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Festschrift - Libri Amicorum --- Greek drama (Comedy) --- History and criticism --- Aristophanes --- Cratinus, --- Cratino, --- Kratinos, --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης --- Criticism and interpretation. --- History and criticism. --- Aristophanes Comicus
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Aristophanes' comic masterpiece Thesmophoriazusae has long been recognized amongst the plays of Old Comedy for its deconstruction of tragic theatricality. This book reveals that this deconstruction is grounded not simply in Aristophanes' wider engagement with tragic realism. Rather, it demonstrates that from its outset Aristophanes' play draws upon Parmenides' philosophical revelations concerning reality and illusion, employing Eleatic strictures and imagery to philosophize the theatrical situation, criticize Aristophanes' poetic rival Euripides as promulgator of harmful deceptions, expose the dangerous complicity of Athenian theatre audiences in tragic illusion, and articulate political advice to an audience negotiating a period of political turmoil characterized by deception and uncertainty (the months before the oligarchic coup of 411 BC). The book thereby restores Thesmophoriazusae to its proper status as a philosophical comedy and reveals hitherto unrecognized evidence of Aristophanes' political use of Eleatic ideas during the late fifth century BC.
Aristophanes [Comicus] --- Greek drama (Comedy) --- Comédie grecque --- Criticism, Textual. --- Critique textuelle --- Aristophanes. --- Aristophanes --- Comédie grecque --- Athens (Greece) --- In literature. --- Greek drama --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- Aristophanes Comicus --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης --- Aḟiny (Greece) --- Atene (Greece) --- Atʻēnkʻ (Greece) --- Ateny (Greece) --- Athen (Greece) --- Athēna (Greece) --- Athēnai (Greece) --- Athènes (Greece) --- Athinai (Greece) --- Athīnā (Greece) --- Αθήνα (Greece)
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