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dadaïsme --- surrealisme --- Arp, Hans --- 7.071 ARP, HANS --- kunst --- Frankrijk --- Duitsland --- twintigste eeuw --- Arp Jean --- Arp hans --- Cercle et carré --- Abstraction-création --- literatuur --- kunst en literatuur --- poëzie --- kunst en poëzie --- Elzas --- 7.071 Arp --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--ARP, HANS --- Arp, Jean, --- Criticism and interpretation. --- Arp, Hans, --- Arp, Khans, --- Arp, J., --- dadaïsme. --- surrealisme. --- Arp, Hans.

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Drawing --- Sculpture --- Painting --- wood [plant material] --- Surrealist --- sculpture [visual works] --- lithographs --- bronze [metal] --- drawings [visual works] --- Dada --- easel paintings [paintings by form] --- assemblages [sculpture] --- Arp, Hans --- Arp, Hans. --- paintings [visual works]

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De naam Hans Arp blijft in de eerste plaats verbonden met de abstracte kunst en de dada-beweging. Toch is zijn oeuvre bijzonder verscheiden. Aan de hand van 140 betekenisvolle werken ontdekt de lezer vijf facetten die Arps scheppende activiteit hebben gekenmerkt : geometrieën, automatisme en toeval, metamorfosen, ludieke vormen en de zuivere vorm. In de loop van Arps carrière duiken deze categorieën kriskras door elkaar op en kunnen ze de vorm aannemen van sculpturen, reliëfs, tekeningen, gravures, collages, papiers déchirés en gedichten. Specialisten en / of vrienden van de kunstenaar geven uitleg over de invloed van zijn levensgezellin, de kunstenares Sophie Taeuber, over zijn dichtkunst, over de creatieve mechanismen die hij zijn leven lang ontwikkelde en verfijnde, over het begrip Ruimte in zijn oeuvre, over zijn contacten met Christian Zervos, eigenaar en directeur van het tijdschrift Cahiers d'Art en van de gelijknamige galerie. Dit boek begeleidt de tentoonstelling Hans Arp, De uitvinding van de vorm in het Paleis voor Schone Kunsten van Brussel, de eerste retrospectieve van deze belangrijke kunstenaar in België.

sculpting --- Sculpture --- Abstract [fine arts style] --- abstraction --- outdoor sculpture --- Art styles --- Iconography --- geometric figures --- Arp, Hans --- anno 1900-1999 --- anno 2000-2099 --- Arp, Hans (Jean) --- Taeuber-Arp, Sophie --- Maria Lluïsa Borràs, Alain Gheerbrant, Pierre Descargues [et al.] --- kunst --- dada --- dadaïsme --- Duitsland --- Arp Hans --- Arp Jean --- twintigste eeuw --- Frankrijk --- Hans Arp (Jean-Pierre Guillaume Arp) 1886-1966 (° Straatsburg, Frankrijk) --- Beeldhouwkunst ; reliëfs ; 20ste eeuw ; Hans Arp --- surrealisme --- Dada --- beeldhouwkunst --- literatuur --- Abstracte kunst ; Abstraction-Création --- Taeuber-Arp Sophie --- Surrealisme --- 73.071 ARP --- Kunst en spiritualiteit --- Kunstenaarskoppels ; H. Arp & S. Taeuber --- 75.071 ARP --- Kunst ; met ruimte en licht --- Tentoonstellingscatalogi ; Brussel ; Paleis voor Schone Kunsten --- 73.07 --- (069) --- Beeldhouwkunst ; beeldhouwers A - Z --- (Musea. Collecties) --- linear forms --- sculpture [visual works] --- Arp, Hans (Jean-Pierre Guillaume Arp) 1886-1966 (°Straatsburg, Frankrijk) --- Arp, Hans. --- Taeuber-Arp, Sophie. --- Abstract [modern European style]

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This collection of critical essays celebrates the subversive and challenging creativity of the Dada movement, born in pacifist Zurich in 1916 in violent reaction to the First World War. It examines the collective and individual activities that took place under the name of Dada in Zurich, Cologne, Berlin, Paris, New York and Barcelona, and explores the various creative forms employed, including text, collage, photomontage, objects, dance, performance and film. The authors suggest new ways of understanding the work of the most famous Dadaists, while also casting light on the contribution of hitherto neglected figures. “Dada was a bomb”, declared Max Ernst in an interview in 1958. “Can you imagine anyone, almost half a century after the explosion of a bomb, trying to collect its fragments and stick them together in order to display them?” The aim of this volume is not to reconstitute the bomb, but to analyse some of its explosive effects and after-effects that continue to resonate nearly a century later. Far from attempting to reduce Dada to a homogeneous movement, or to define a unifying principle beneath and beyond the multiple directions taken by Dadaists, this collection aims to respect the diversity and heterogeneity of the movement’s collective activities as well as the specificity of its individual actors.

Dadaism. --- Arts, Modern --- Arts, Modern. --- Dada --- Tabu-Dadaism --- Modern arts --- 1900 - 1999 --- Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- Dadaist literature --- Littérature dadaïste --- Dadaïsme --- Arts --- dadaïsme --- politiek --- modernisme --- Arp, Hans --- Nougé, Paul --- Arnauld, Céline --- Baader, Johannes --- Taeuber-Arp, Sophie --- Picabia, Francis --- Höch, Hannah --- 20ste eeuw --- dadaïsme. --- politiek. --- modernisme. --- Arp, Hans. --- Nougé, Paul. --- Arnauld, Céline. --- Baader, Johannes. --- Taeuber-Arp, Sophie. --- Picabia, Francis. --- Höch, Hannah. --- 20ste eeuw. --- Dadaïsme --- Appréciation --- Histoire et critique

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Art --- art [fine art] --- Werkman, Hendrik --- Coppel, Jeanne --- Tryggvadóttir, Nina --- Arp, Hans --- Picabia, Francis --- Richter, Hans --- Léger, Fernand --- McDonald-Wright, Stanton --- Joostens, Paul --- Survage, Léopold --- Cahn, Marcelle --- Bruce, Patrick Henry --- Larionov, Michail Fiodorovich --- Huszár, Vilmos --- Nouveau, Henri --- Mondriaan, Piet --- Nemours, Aurélie --- Seuphor, Michel --- Janco, Marcel --- Peeters, Jozef --- Delaunay, Robert --- Russell, Morgan --- Charchoune, Serge --- Baumeister, Willi --- Schwitters, Kurt --- Fleischmann, Adolf Richard --- Anthoons, Willy --- Benoit, Pierre-André --- Taeuber-Arp, Sophie Henriette Gertrud --- Exhibitions --- Fleischmann, Adolf --- art [discipline]