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Art [British ] --- American influences --- Art [Modern ] --- 20th century --- Great Britain
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Art, German --- Art, British --- Art allemand --- Art britannique --- Deutsche Bank --- Art collections --- Catalogs --- Art [Modern ] --- 20th century --- Germany --- Art [German ] --- Art [British ] --- Great Britain
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Art, British --- Art britannique --- Histoire de la peinture --- Histoire de la sculpture --- 20e siècle --- 73/75 (410) "19" (064) --- Art, British - 20th century - Exhibitions
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Landscapes in art. --- Art, British. --- Art and society --- Great Britain --- Colonies --- Etching, British --- Etching --- Landscape painting --- Landscape painting, British --- Art, British
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African Americans in art. --- Art, British. --- Art, French. --- Imperialism in art. --- Indians in art.
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Art, British --- Art, Victorian --- Artists --- Biography --- History and criticism. --- Art britannique --- Great Britain --- Grande-Bretagne --- Biographies --- Histoire et critique --- Art victorien --- Artistes --- Biographie --- Art [Victorian ] --- Art [British ] --- 19th century --- History and criticism
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Black artists have been making major contributions to the British art scene for decades, since at least the middle of the twentieth century. Sometimes, these artists - with backgrounds in the countries of Africa, the Caribbean and South Asia - were regarded and embraced as British pratictioners of note and merit. At other times, particularly during the 1970s and 1980s, they were not. In response, on occasion, Britain's black artists came together and made their own exhibitions or created their own gallery spaces. In this book, Eddie Chambers tells the story of Britain's black artists, from the 1950s onwards, including the contemporary art of Steve McQueen, Chris Ofili and Yinka Shonibare.--Publisher.
Art, British -- 19th century -- Exhibitions. --- Art, British -- 20th century -- Exhibitions. --- Blacks in art -- Exhibitions. --- Black People in art -- Exhibitions. --- Blacks in art. --- Black art --- Artists, Black --- British art --- History. --- History --- Black people in art.
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Art --- Great Britain --- anno 1700-1799 --- Art [British ] --- 18th century --- Exhibitions --- History --- Society of Artists of Great Britain
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This is the exceptionally rich story of Rembrandt’s fame and influence in Britain. No other nation has witnessed such a passionate – and sometimes eccentric – enthusiasm for Rembrandt’s works. His imagery has become ubiquitous, making him one of the most recognised artists in history. In this book, some of the world’s leading experts reveal how the taste for Rembrandt’s paintings, drawings and prints evolved, growing into a mania that gripped collectors and art lovers across the country. This reached a fever pitch in the late 1700s, before the dawn of a new century ushered in a re-evaluation of Rembrandt’s reputation and opportunities for the wider public to see his masterpieces for themselves. The story of Rembrandt’s profound and inspirational impact on the British imagination is illustrated by over 130 sumptuous works by the master himself, as well as by some of Britain’s best-loved artists, including William Hogarth, James Abbott McNeill Whistler, Eduardo Paolozzi and John Bellany.
influence --- Rembrandt --- Great Britain --- Art, Dutch --- Art, British --- Exhibitions. --- Collectors and collecting --- Dutch influences --- Rembrandt Harmenszoon van Rijn, --- Influence --- receptiegeschiedenis
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