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Cortona, da, Pietro --- Painting, Baroque --- -Baroque painting --- Paintings, Baroque --- Pietro da Cortona --- -Criticism and interpretation --- -Pietro da Cortona --- -Berrettini, Pietro --- Criticism and interpretation --- Baroque painting --- Pietro, --- Berettini, Pietro, --- Berrettini, Pietro, --- Cortona, Pietro da, --- Criticism and interpretation.
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Art --- Staatsgalerie [Neuburg] --- Bayerische Staatsgemäldesammlungen [München] --- anno 1600-1699 --- Art styles --- Painting --- Painting, Flemish --- Painting, Baroque --- Staatsgalerie Neuburg an der Donau --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Baroque painting --- Paintings, Baroque --- Neuburg an der Donau (Germany). --- Bayerische Staatsgemäldesammlungen [Munich] --- Painting, Flemish - 17th century - Catalogs. --- Painting, Baroque - Flanders - Catalogs. --- Painting - Germany - Neuburg an der Donau - Catalogs --- Vlaamse school
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Bespreking van de vijf schutterstukken die Hals tussen 1612 en 1639 te Haarlem schilderde.
portraits --- painting [image-making] --- militia pieces --- Painting --- Hals, Frans --- Portraits, Dutch. --- Portraits, Group --- Art and society --- History --- CDL --- 75.071 HALS --- Painting, Baroque --- Portrait painting --- Painting, Dutch --- Dutch painting --- Portraiture --- Figure painting --- Baroque painting --- Paintings, Baroque --- Group portraits --- Portrait groups --- Portraits
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Investigating Baroque painting from Genoa, this book features the work of native-born artists such as Bernado Strozzi and Valerio Castello, and those influential outside painters, Peter Paul Rubens and Anthony Van Dyck, who lived/worked in the city.
Art --- anno 1600-1699 --- Parodi, Filippo --- Strozzi, Bernardo --- Rubens, Peter Paul --- Castiglione, Giovanni Benedetto --- Paggi, Giovanni Battista --- Ferrari, de', Gregorio --- Gaulli, Giovanni Battista --- Magnasco, Alessandro --- Assereto, Gioacchino --- Castello, Valerio --- Piola, Domenico --- Ferrari, de, Orazio --- Gentileschi, Orazio --- Dyck, van, Anthony --- Guidobono, Bartolommeo --- Painting [Baroque ] --- Italy --- Genoa (Italy) --- Exhibitions --- Painting [Italian ] --- CDL --- 75.034 --- Painting, Baroque --- Painting, Italian --- Italian painting --- Baroque painting --- Paintings, Baroque --- Genua, school van
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Exhibitions --- oil sketches --- painting and painting techniques --- inspiration --- preliminary sketches [sketches] --- easel paintings [paintings by form] --- Rubens, Peter Paul --- painting techniques --- painting [image-making] --- Painting, Baroque --- Baroque painting --- Paintings, Baroque --- Italian influences --- Rubens, Peter Paul, --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Themes, motives --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- Rubens, Peter Paul.
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Mannerism (Art) --- -Mannerism (Art) --- -Painting, Baroque --- -Painting, Italian --- -Italian painting --- Baroque painting --- Paintings, Baroque --- Art --- Exhibitions --- Carracci family --- -Exhibitions --- Emilia-Romagna --- Carracci (familie) --- Emilië --- Painting --- anno 1600-1699 --- anno 1500-1599 --- Painting, Baroque --- Painting, Italian --- Italian painting --- Exhibitions. --- schilderkunst --- Correggio, Antonio Allegri --- 16de eeuw --- 17de eeuw --- Painting [Italian ] --- Bologna (Italy) --- Art [Renaissance ] --- Carraci family --- Painting [Baroque ] --- Italy --- Correggio, Antonio Allegri. --- Carracci (familie). --- 16de eeuw. --- 17de eeuw. --- Emilië.
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This book examines how Murillo constructed his paintings and the devices he employed to provoke responses in the viewer, both then and now. Murillo has attracted particular attention from historians since the seventeenth century to the present day, though opinions of his oeuvre have varied from period to period. The communicative power of his paintings, both then and now, has led him to be used and exploited for different ends. He deliberately cultivated this quality from the time he became an accomplished artist in his native Seville, where he enjoyed great prestige during his lifetime thanks to the resources of his art, his talent and his ability to elicit emotions and arouse passions. His paintings, as if they were prophecies, can only be understood from a visual culture approach and by analysing what his images provoke. Their seemingly easy and familiar appearance is merely the mirror that Murillo, with his command of local codes and the devices of painting, places in front of viewers to trigger a complex empathetic process designed solely to persuade and seduce them, often anticipating their response.
Murillo, Bartolomé Esteban, --- Murillo, Bartolomé Esteban, --- Criticism and interpretation. --- Painting --- Spanish Renaissance-Baroque styles --- Murillo, Bartolomé Esteban --- Painting, Spanish --- Painting, Baroque --- Criticism and interpretation --- Painters --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Baroque painting --- Paintings, Baroque --- Artists --- Murillo, Bartolomé Esteban --- Murillo, --- Murilʹo, Bartolome Ėstevan, --- Murillo, Bartolomé Esteban, - 1617-1682 - Criticism and interpretation. --- Murillo, Bartolomé Esteban, - 1617-1682 --- Murillo --- receptiegeschiedenis --- Murillo, Bartolomé Esteban, - 1617-1682
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Baroque --- Christian religious orders --- Art styles --- Art --- Society of Jesus --- anno 1600-1699 --- Contra-reformatie in de kunst --- Contre-réforme dans l'art --- Counter-Reformation in art --- Jezuïtenorde --- religieuze kunst --- barok --- 16de eeuw --- 17de eeuw --- Jesuit painting --- Painting, European --- Painting, Baroque --- 271.5-7 --- Jezuïeten: liturgie en spiritualiteit --- 271.5-7 Jezuïeten: liturgie en spiritualiteit --- Baroque painting --- Paintings, Baroque --- Jesuit art --- Painting --- Painting [Baroque ] --- Europe --- Exhibitions --- Painting [European ] --- 17th century --- Jesuit painting - Europe --- Painting, European - 17th century - Exhibitions --- Painting, Baroque - Europe - Exhibitions --- Jésuites --- Art baroque --- Saints --- Iconographie --- 16de eeuw. --- 17de eeuw. --- Christelijke kunst --- religieuze propaganda
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painting [image-making] --- Art --- anno 1600-1699 --- France --- Painting, Italian --- Painting --- Peinture italienne --- Peinture --- Exhibitions --- Expositions --- Caravaggio, Michelangelo Merisi da, --- Influence --- verzamelingen --- Caravaggio --- 16de eeuw --- 17de eeuw --- Frankrijk --- Italië --- Painting, Baroque --- Art baroque --- Histoire de la peinture --- Collectors and collecting --- 17e siècle --- Italie --- -Painting, Baroque --- -Painting --- -Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Baroque painting --- Paintings, Baroque --- Italian painting --- -Exhibitions --- Oil painting --- Collectors and collecting&delete& --- Painting [Baroque ] --- Italy --- Painting [Italian ] --- Exhibitions. --- CDL --- 75.034 --- Painting - Collectors and collecting - France - Exhibitions --- Painting, Baroque - Italy - Exhibitions --- Painting, Italian - Exhibitions --- Italiaanse school --- Caravaggio. --- 16de eeuw. --- 17de eeuw. --- Frankrijk. --- Italië.
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History --- congres / 1997 --- Painting --- ateliers [studios, organizations] --- painting [image-making] --- Art --- anno 1600-1699 --- anno 1500-1599 --- Flanders --- Colloques --- Colloquia --- Peinture --- Primitifs flamands --- Schilderkunst --- Vlaamse primitieven --- Painting, Flemish --- Peinture flamande --- cultuurgeschiedenis --- Rubens, Peter Paul --- Jordaens, Jacob --- Brueghel, Jan (de Oude) --- 1550 - 1700 --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Vlaanderen --- Painting, Renaissance --- Painting, Baroque --- Rubens, Peter Paul, --- -Painting, Flemish --- -759.9493 --- Paintings, Renaissance --- Renaissance painting --- Flemish painting --- Baroque painting --- Paintings, Baroque --- Arts Painting Belgium --- Rubens, Peter Paul Sir --- 759.9493 --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Brueghel, Jan I --- Painting, Flemish - 16th century - Congresses --- Painting, Flemish - 17th century - Congresses --- Painting, Renaissance - Flanders - Congresses --- Painting, Baroque - Flanders - Congresses --- Rubens, Peter Paul, - 1577-1640 - Congresses --- Vlaamse school --- cultuurgeschiedenis. --- Rubens, Peter Paul. --- Jordaens, Jacob. --- Brueghel, Jan I. --- 1550 - 1700. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Vlaanderen. --- Rubens, Peter Paul, - 1577-1640
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