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Surrealist --- Art styles --- Dada --- Duchamp, Marcel --- France --- Dadaism --- Surrealism --- Duchamp, Marcel, --- Criticism and interpretation. --- Criticism and interpretation --- Duchamp, Marcel, 1887-1968 - Criticism and interpretation. --- Dadaism - France. --- Surrealism - France.

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Critique d'art féministe --- Feminist art criticism --- Feministische kunstkritiek --- -Art criticism --- Feminist criticism --- Duchamp, Marcel --- -Criticism and interpretation --- -Duchamp, Marcel --- Art criticism --- Duchamp, Marcel, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Criticism and interpretation. --- Criticism and interpretation --- Duchamp, Marcel, - 1887-1968 - Criticism and interpretation. --- Feminist art criticism - United States. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose

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While much has been written on Marcel Duchamp - one of the twentieth century's most beguiling artists - the subject of his flirtation with architecture seems to have been largely overlooked. Yet, in the carefully arranged plans and sections organising the blueprint of desire in the Large Glass, his numerous pieces replicating architectural fragments, and his involvement in designing exhibitions, Duchamp's fascination with architectural design is clearly evident. As his unconventional architectural influences - Niceron, Lequeu and Kiesler - and diverse legacy - Tschumi, OMA, Webb, Diller plus Scofidio and Nicholson - indicate, Duchamp was not as much interested in 'built' architecture as he was in the architecture of desire, re-constructing the imagination through drawing and testing the boundaries between reality and its aesthetic and philosophical possibilities. Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou performs an architectural analysis of Duchamp's final enigmatic work Given: 1. The Waterfall, 2. The Illuminating Gas... demonstrating an innovative research methodology able to grasp meaning beyond textual analysis. This novel reading of his ideas and methods adds to, but also challenges, other art-historical interpretations. Through three main themes - allegory, visuality and desire - the book defines and theorises an alternative drawing practice positioned between art and architecture that predates and includes Duchamp.

Architecture --- Art et design. --- Philosophy --- Philosophie. --- Duchamp, Marcel, --- Duchamp, Marcel --- Criticism and interpretation --- Critique et interprétation --- 72.01 --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Criticism and interpretation. --- Artists --- Art, French --- Surrealism --- Artistes --- Art français --- Surréalisme --- Exhibitions --- Expositions --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- Critique et interprétation. --- Architecture - Philosophy --- Duchamp, Marcel, - 1887-1968 - Criticism and interpretation --- Duchamp, Marcel, - 1887-1968. - Etant donnés --- Philosophie --- Critique et interprétation. --- Duchamp, Marcel, - 1887-1968 --- Exhibitions.

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This book is the third of a series of five volumes that exhaustively brings together the writings of Jean-François Lyotard (1924-1998) on contemporary art and artists. This collection of essays, written between 1974 and 1977 in the middle of the time of Duchamp's rediscovery in France, was published by Editions Galilée (Paris) in 1977 and in English translation by The Lapis Press (Los Angeles) in 1990. This volume republishes the two versions face to face, including the drawings, diagrams and images of the original edition. Herman Parret presents the text in a substantial introduction and Dalia Judovitz situates it in the more general framework of Lyotardian philosophical reflection. Duchamp's 'TRANS/formers' reconstructs the 'Large glass and given', Duchamp's two major works that glorify the body in its topological conceptuality.

7.01 "19" --- Academic collection --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Appel, Karel --- Lyotard, Jean-François --- Color in art --- Appel, Karel, --- Art, Modern --- Art --- Philosophy --- Philosophie --- Francis, Sam --- Criticism and interpretation --- Duchamp, Marcel --- Philosophy [French ] --- 20th century --- Art [Modern ] --- Monory, Jacques --- Painters --- France --- Art and philosophy --- Duchamp, Marcel, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Criticism and interpretation. --- Buren, Daniel --- Adami, Valerio --- Arakawa, Shusaku --- 1 LYOTARD, JEAN-FRANCOIS --- 1 LYOTARD, JEAN-FRANCOIS Filosofie. Psychologie--LYOTARD, JEAN-FRANCOIS --- Filosofie. Psychologie--LYOTARD, JEAN-FRANCOIS --- Aesthetics, Modern --- Art criticism --- History --- Lyotard, Jean-François, --- Painting, Modern --- Themes, motives --- Adami, Valerio, --- Arakawa, Shūsaku, --- Francis, Sam, --- Colors in art --- Monochrome art --- Modern painting --- Paintings, Modern --- Arakawa, --- 荒川修作, --- Adami, Ṿaleryo, --- Romani Adami, Valerio, --- Artistes --- Philosophie. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- Art and philosophy - History - 20th century --- Aesthetics, Modern - 20th century --- Art criticism - History - 20th century --- Art, Modern - 20th century --- Lyotard, Jean-François, - 1924-1998 --- Duchamp, Marcel, - 1887-1968 - Criticism and interpretation --- Appel, Karel, - 1921-2006 --- Painting, Modern - 20th century - Themes, motives --- Adami, Valerio, - 1935- - Criticism and interpretation --- Arakawa, Shūsaku, - 1936-2010 - Criticism and interpretation --- Buren, Daniel - Criticism and interpretation --- Francis, Sam, - 1923-1994 - Criticism and interpretation --- Francis, Sam, - 1923-1994 --- Duchamp, Marcel, - 1887-1968 --- Adami, Valerio, - 1935 --- -Arakawa, Shūsaku, - 1936-2010 --- Color in art.