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Fiction --- 820-3 "19" --- Engelse literatuur: proza--20e eeuw. Periode 1900-1999 --- 820-3 "19" Engelse literatuur: proza--20e eeuw. Periode 1900-1999 --- English fiction --- Women authors --- History and criticism --- 20th century --- Women and literature --- Great Britain --- English fiction - Women authors - History and criticism. --- English fiction - 20th century - History and criticism. --- Women and literature - Great Britain.

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National characteristics [English ] in literature --- English fiction - 20th century - History and criticism. --- English fiction - Women authors - History and criticism. --- Literature and society - England - History - 20th century. --- World War, 1914-1918 - England - Literature and the war. --- Women and literature - England - History - 20th century. --- National characteristics, English, in literature. --- Conservatism - Great Britain - History - 20th century. --- Femininity (Psychology) in literature.

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Michael analyzes the intersections between feminist politics and postmodern aesthetics as demonstrated in recent Anglo-American fiction. While much has been written on various aspects of postmodernism and postmodern fiction and of feminism and feminist fiction, very little attention has been given to the postmodern aesthetic strategies that surface in post-World War II feminist fiction. Feminism and the Postmodern Impulse examines ways in which many widely read and acclaimed novels with feminist impulses engage and transform subversive aesthetic strategies usually associated with postmodern fiction to strengthen their feminist political edge. The author discusses many examples of recent feminist-postmodern fiction, and explores in greater depth Doris Lessing's The Golden Notebook, Marge Piercy's Woman on the Edge of Time, Margaret Atwood's The Handmaid's Tale, and Angela Carter's Nights at the Circus. She shows that feminist-postmodern fiction's emphasis on the material historical situation--the link to activist politics and commitment to enacting concrete changes in the world, and thus the need to reach a large reading public--often results in a blending and transformation of postmodern and realist aesthetic forms. Moreover, feminist fiction uses deconstructive strategies not only to disrupt the status quo but also to create a space for reconstruction, particularly of recreating new forms of female subjectivities and feminist aesthetics.

Feminism and literature --- Feminisme en literatuur --- Femmes et littérature --- Féminisme et littérature --- Post-modernisme (Littérature) --- Postmodernism (Literature) --- Postmodernisme (Literatuur) --- Postmodernisme (Littérature) --- Vrouwen en literatuur --- Women and literature --- English fiction --- American fiction --- Feminist fiction --- Women authors --- History and criticism --- History --- Lessing, Doris May, --- Piercy, Marge. --- Atwood, Margaret Eleanor, --- Carter, Angela, --- History and criticism. --- Postmodernism (Literature). --- Great Britain --- 20th century --- Piercy, Marge, --- English fiction - Women authors - History and criticism --- Feminism and literature - Great Britain - History - 20th century --- Women and literature - English-speaking countries - History - 20th century --- American fiction - Women authors - History and criticism --- American fiction - 20th century - History and criticism --- English fiction - 20th century - History and criticism --- Feminist fiction - History and criticism --- Feminism and literature - English-speaking countries - History - 20th century --- Lessing, Doris May, - 1919-2013 - Golden notebook --- Piercy, Marge, - 1936- - Woman on the edge of time --- Atwood, Margaret Eleanor, - 1939- - Handmaid's tale --- Carter, Angela, - 1940-1992 - Nights at the circus

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Contes de fées dans la littérature --- Fairy tales in literature --- Magic in literature --- Magie dans la litterature --- Magie in de literatuur --- English fiction --- Literature and folklore --- Women and literature --- Fairy tales --- History and criticism --- History --- Women authors --- Adaptations --- Byatt, Antonia Susan, --- Drabble, Margaret, --- Murdoch, Iris --- Knowledge --- Folklore --- 20th century --- Women in literature --- England --- Byatt, Antonia Susan --- Drabble, Margaret --- English fiction - 20th century - History and criticism --- Literature and folklore - England - History - 20th century --- Women and literature - England - History - 20th century --- English fiction - Women authors - History and criticism --- Fairy tales - Adaptations - History and criticism --- Byatt, Antonia Susan, - 1936- - Knowledge - Folklore --- Drabble, Margaret, - 1939- - Knowledge - Folklore --- Murdoch, Iris - Knowledge - Folklore --- Byatt, Antonia Susan, - 1936 --- -Drabble, Margaret, - 1939 --- -Murdoch, Iris

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Women --- English fiction --- Nationalism in literature --- Women and literature --- Feminism and literature --- Intellectual life --- Irish authors --- History and criticism --- Women authors --- History --- Ireland --- In literature --- 820 <417> --- 820-3 "19" --- Ierse literatuur --- Engelse literatuur: proza--20e eeuw. Periode 1900-1999 --- 820-3 "19" Engelse literatuur: proza--20e eeuw. Periode 1900-1999 --- 820 <417> Ierse literatuur --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Literature --- English literature --- Irish authors&delete& --- Women authors&delete& --- Kristeva, Julia, --- In literature. --- Kristeva, Julia --- Krŭsteva, I︠U︡lii︠a︡, --- Joyaux, Julia, --- Kurisuteva, Juria, --- Кръстева, Юлия, --- קריסטבה, ג׳וליה, --- קריסטבה, יוליה, --- クリステヴァ ジュリア, --- Kristeva-Joyaux, Julia, --- Joyaux, Julia Kristeva-, --- Women - Ireland - Intellectual life --- English fiction - Irish authors - History and criticism --- English fiction - Women authors - History and criticism --- English fiction - 20th century - History and criticism --- Women and literature - Ireland - History - 20th century --- Feminism and literature - Ireland - History - 20th century --- Ireland - In literature --- Literature and feminism