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First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
American fiction --- English fiction --- Ghost stories, American --- Ghost stories, English --- Women authors --- Bibliography. --- Ghost stories [English ] --- Bibliography --- Ghost stories [American ] --- English literature --- American ghost stories --- English ghost stories
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Bovennatuurlijke in de literatuur --- Supernatural in literature --- Surnaturel dans la litterature --- English fiction --- -English fiction --- -Ghost stories, English --- -Supernatural in literature --- Women and literature --- -Literature --- English ghost stories --- English literature --- Women authors --- -History and criticism --- History and criticism --- History --- -Bibliography --- -Women authors --- -English ghost stories --- Ghost stories, English --- Women authors&delete& --- Great Britain --- 19th century --- Ghost stories [English ] --- Supernatural in literature. --- History and criticism.
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Ghost stories --- Histoires de fantômes --- Spookgeschiedenissen --- Spookverhalen --- Folklore --- Dutch literature --- Ostend --- Oostende --- Pictorial works
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This book is a study of the narrative techniques that developed for two very popular forms of fiction in the nineteenth century - ghost stories and detective stories - and the surprising similarities between them in the context of contemporary theories of vision and sight. Srdjan Smajić argues that to understand how writers represented ghost-seers and detectives, the views of contemporary scientists, philosophers, and spiritualists with which these writers engage have to be taken into account: these views raise questions such as whether seeing really is believing, how much of what we 'see' is actually only inferred, and whether there may be other (intuitive or spiritual) ways of seeing that enable us to perceive objects and beings inaccessible to the bodily senses. This book will make a real contribution to the understanding of Victorian science in culture, and of the ways in which literature draws on all kinds of knowledge.
English literature --- Visual perception in literature. --- Vision in literature. --- Ghost stories, English --- Detective and mystery stories, English --- Literature and science. --- Poetry and science --- Science and literature --- Science and poetry --- Science and the humanities --- English ghost stories --- English fiction --- History and criticism. --- Great Britain --- History --- Arts and Humanities --- Literature
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A genre of supernatural fiction was among the more improbable products of the Age of Enlightenment. This book charts the troubled entry of the supernatural into fiction, and questions the historical reasons for its growing popularity in the late eighteenth century. Beginning with the notorious case of the Cock Lane ghost, a performing poltergeist who became a major attraction in London in 1762, and with Garrick's spellbinding and paradigmatic performance as the ghost-seeing Hamlet, it moves on to look at the Gothic novels of Horace Walpole, Ann Radcliffe, M. G. Lewis, and others, in unexpected new lights. The central thesis concerns the connection between fictions of the supernatural and the growth of consumerism: not only are ghost stories successful commodities in the rapidly commercialising book market, they are also considered here as reflections on the disruptive effects of this socio-economic transformation.
English fiction --- Ghost stories, English --- Gothic revival (Literature) --- Horror tales, English --- Literature and society --- Literature publishing --- Supernatural in literature. --- History and criticism. --- History --- Bovennatuurlijke in de literatuur --- Surnaturel dans la litterature --- -Ghost stories, English --- -Gothic revival (Literature) --- -Supernatural in literature --- -Literature publishing --- -Literary publishing --- English ghost stories --- English horror tales --- -Engelse literatuur--18e eeuw. Periode 1700-1799 --- -82-312.9 Fantastische literatuur --- Literary publishing --- 820 "17" --- 82-312.9 --- -English fiction --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- 82-312.9 Fantastische literatuur --- Fantastische literatuur --- 820 "17" Engelse literatuur--18e eeuw. Periode 1700-1799 --- Engelse literatuur--18e eeuw. Periode 1700-1799 --- History and criticism --- -History --- -Publishing --- Social aspects --- Supernatural in literature --- Publishers and publishing --- Literary movements --- Revival movements (Art) --- Romanticism --- Publishing --- Sociology of literature --- Fiction --- Thematology --- English literature --- anno 1700-1799 --- Horror tales [English ] --- 18th century --- Great Britain --- Ghost stories [English ] --- Gothic revival (Literature) - Great Britain - History - 18th century. --- Ghost stories, English - History and criticism. --- Arts and Humanities
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Fiction --- French literature --- anno 1500-1599 --- 82-312.9 --- Fantastische literatuur --- 82-312.9 Fantastische literatuur --- Fantômes --- Littérature française --- Dans la littérature --- French fiction --- Ghost stories, French --- Literature and society --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- History and criticism --- History --- Social aspects --- Dans la littérature.
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Comparative literature --- Thematology --- Vlad III [Prince of Wallachia] --- Vampires in literature --- Vampires dans la littérature --- Dracula --- Vampires in literature. --- Vampire films --- Horror tales --- Dracula, Count (Fictitious character) --- History and criticism. --- -Vampire films --- Horror --- Horror fiction --- Horror stories --- Scary stories --- Scary tales --- Tales, Horror --- Terror --- Terror tales --- Fiction --- Ghost stories --- Count Dracula (Fictitious character) --- History and criticism --- Vampires dans la littérature --- Vampire films - History and criticism. --- Horror tales - History and criticism.
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Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity.
Yōkai (Japanese folklore) --- J1723.80 --- J5620 --- Japan: Religion in general -- demonology --- Japan: Literature -- folk tales, fairy tales, mukashibanashi, ghost stories --- Folklore --- Monsters --- Yōkai (Japanese folklore). --- SOCIAL SCIENCE --- Ungeheuer. --- Dämon. --- Volksglaube. --- Yōkai. --- Mythologie japonaise. --- Folktro. --- Folklore & Mythology. --- Japan. --- Japon. --- ancient folktales. --- anime. --- anthropology. --- asian mythology. --- concept of yokai. --- cultural reference. --- film. --- historical context. --- japanese folklore. --- japanese history. --- kappa water spirit. --- kitsune. --- long tongued ceiling licker. --- manga. --- monster guide. --- mountain goblins. --- shape-shifting foxes. --- yokai.
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