Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Gilgamesh --- Assyria --- Assyrie --- Congresses. --- Congrès --- 222.2 --- 299.219 --- Genesis --- Godsdiensten van Babyloniërs en Assyriërs --- Conferences - Meetings --- 299.219 Godsdiensten van Babyloniërs en Assyriërs --- Congrès --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura --- Assur (Kingdom) --- Asshur (Kingdom) --- Congresses

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book provides a groundbreaking reassessment of the prehistory of Homeric epic. It argues that in the Early Iron Age bilingual poets transmitted to the Greeks a set of narrative traditions closely related to the one found at Bronze-Age Hattusa, the Hittite capital. Key drivers for Near Eastern influence on the developing Homeric tradition were the shared practices of supralocal festivals and venerating divinized ancestors, and a shared interest in creating narratives about a legendary past using a few specific storylines: theogonies, genealogies connecting local polities, long-distance travel, destruction of a famous city because it refuses to release captives, and trying to overcome death when confronted with the loss of a dear companion. Professor Bachvarova concludes by providing a fresh explanation of the origins and significance of the Greco-Anatolian legend of Troy, thereby offering a new solution to the long-debated question of the historicity of the Trojan War.

Epic poetry, Greek --- Hittites --- Hittite literature --- History and criticism --- Religion --- Homer. --- Gilgamesh --- Homer --- Epic poetry, Greek - History and criticism --- Hittites - Religion --- Hittite literature - History and criticism --- Homer - Iliad --- History and criticism. --- Religion. --- Gilgamesh. --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"This collection of articles has two aims: The first is to create a comprehensive compendium of iconography on Gilgamesh, that includes three formerly published and several new papers on the visual representation of Gilgamesh. The second is to publish some objects of Near Eastern art from the Bible+Orient Collection in Fribourg, which relate to Gilgamesh."--Summary.

Gilgamesh (Legendary character) --- Art, Assyro-Babylonian. --- Art. --- Gilgamesh --- Criticism, interpretation, etc. --- Art, Assyro-Babylonian --- 892.1 --- 73.046 --- 82:7 --- 82:7 Literatuur en kunst --- Literatuur en kunst --- 73.046 Mythologie; religie; epiek in de beeldhouwkunst --- Mythologie; religie; epiek in de beeldhouwkunst --- 892.1 Akkadische, Sumerische literatuur --- Akkadische, Sumerische literatuur --- Art, Babylonian --- Assyro-Babylonian art --- Babylonian art --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Comparative religion --- Philosophy and psychology of culture --- Bereavement in literature --- Death in literature --- Dood in de literatuur --- Eschatologie --- Eschatology --- Fins dernières --- Greek mythology --- Griekse mythologie --- Last things (Theology) --- Middle Eastern mythology --- Mort dans la littérature --- Mythologie [Griekse ] --- Mythologie [Midden-Oosten ] --- Mythologie grecque --- Mythologie moyen-orient --- Mythology [Greek ] --- Mythology [Middle Eastern ] --- Oriental mythology --- Sterfte in de literatuur --- Uitersten (Theologie) --- Death --- Mythology --- Gilgamesh --- Religious thought --- Theology, Doctrinal --- Intermediate state --- Religious aspects --- Gilgamesh. --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Toward the end of the Mesopotamian Epic of Gilgamesh King Gilgamesh laments the untimely death of his comrade Enkidu, "my friend whom I loved dearly." Similarly in the Bible, David mourns his companion, Jonathan, whose "love to me was wonderful, greater than the love of women." These passages, along with other ambiguous erotic and sexual language found in the Gilgamesh epic and the biblical David story, have become the object of numerous and competing scholarly inquiries into the sexual nature of the heroes' relationships. Susan Ackerman's innovative work carefully examines the stories' sexual and homoerotic language and suggests that its ambiguity provides new ways of understanding ideas of gender and sexuality in the ancient Near East and its literature. In exploring the stories of Gilgamesh and Enkidu and David and Jonathan, Ackerman cautions against applying modern conceptions of homosexuality to these relationships. Drawing on historical and literary criticism, Ackerman's close readings analyze the stories of David and Gilgamesh in light of contemporary definitions of sexual relationships and gender roles. She argues that these male relationships cannot be taken as same-sex partnerships in the modern sense, but reflect the ancient understanding of gender roles, whether in same- or opposite-sex relationships, as defined as either active (male) or passive (female). Her interpretation also considers the heroes' erotic and sexual interactions with members of the opposite sex. Ackerman shows that the texts' language and erotic imagery suggest more than just an intense male bonding. She argues that, though ambiguous, the erotic imagery and language have a critical function in the texts and serve the political, religious, and aesthetic aims of the narrators. More precisely, the erotic language in the story of David seeks to feminize Jonathan and thus invalidate his claim to Israel's throne in favor of David. In the case of Gilgamesh and Enkidu, whose egalitarian relationship is paradoxically described using the hierarchically dependent language of sexual relationships, the ambiguous erotic language reinforces their status as liminal figures and heroes in the epic tradition.

Homoseksualiteit in de Bijbel --- Homoseksualiteit in de literatuur --- Homosexuality in literature --- Homosexuality in the Bible --- Homosexualité dans la Bible --- Homosexualité dans la littérature --- Homosexuality in literature. --- Homosexuality in the Bible. --- 222.6 --- Samuelboeken. Boeken der koningen. David. Salomon. Elia. Elisa. Josias --- David, --- Jonathan --- Jonathan, --- Jonathas --- יהונתן --- Daud, --- Dāwūd, --- Nabī Dāwūd, --- דוד --- דוד, --- דוד המלך --- Gilgamesh. --- Bible. --- Samuel (Book of the Old Testament) --- Shemuʼel (Book of the Old Testament) --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura --- Criticism, interpretation, etc. --- David (Biblical figure) --- David --- Jonathan (Biblical character) --- Gilgamesh --- Bible. Samuel --- Criticism, interpretation, etc