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Imagisme --- Imagist poetry --- History and criticism --- Histoire et critique --- Lowell, Amy, --- Biography --- Biography.
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Amy Lowell has been extolled as a founding member of the Imagist group, derided as the "demon saleswoman" of poetry, and shunned as a lesbian, cigar-smoking sensationalist. This provocative biography draws on newly discovered material to restore the Pulitzer Prize-winning poet to her full humanity in an era that, at last, is beginning to appreciate the contributions of gays and lesbians to America's heritage.
Poets, American --- Women and literature --- History --- Lowell, Amy, --- Poker of fun, --- Dreamer, --- United States --- 20th century --- Poets [American ] --- Biography
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Dickinson, Emily --- Loy, Mina --- Barnes, Djuna --- Stein, Gertrude --- Lowell, Amy --- Doolittle, Hilda --- United States --- Lesbians' writings [American ] --- History and criticism --- Dickinson, Emily Elizabeth --- Criticism and interpretation --- Lowell, Amy Lawrence --- American poetry --- Women authors --- Homosexuality and literature --- Modernism (Literature) --- Women and literature --- Stein, Gertrude, - 1874-1946 - Criticism and interpretation. --- Lowell, Amy, - 1874-1925 - Criticism and interpretation. --- Barnes, Djuna - Criticism and interpretation. --- Loy, Mina - Criticism and interpretation. --- United States of America --- Homosexuality --- Identity --- Female homosexuality --- LGBTQIA literature --- Poetry --- Writers --- Book
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A collection of essays that explore the influence, work, and legacy of Pulitzer Prize-winning American poet Amy Lowell.
Women and literature --- United States --- History --- 20th century --- Poets [American ] --- Biography --- Imagist poetry --- History and criticism --- Modernism (Literature) --- Femmes et littérature --- Imagisme --- Imagist poetry, American --- Imagist poetry, American. --- Modernism (Literature). --- Modernisme (Littérature) --- Poets, American --- Poets, American. --- Poètes américains --- Women and literature. --- Histoire --- Histoire et critique. --- History and criticism. --- Lowell, Amy, --- Lowell, Amy. --- 1900-1999. --- United States.
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American poetry --- 20th century --- History and criticism --- 19th century --- Dickinson, Emily Elizabeth --- Criticism and interpretation --- Robinson, Edwin Arlington --- Bibliography --- Frost, Robert Lee --- Lowell, Amy Lawrence --- H.D. --- Stein, Gertrude --- Moore, Marianne --- Eliot, Thomas Stearns --- Pound, Ezra Loomis --- Stevens, Wallace --- Williams, William Carlos --- Crane, Harold Hart --- Cummings, Edward Estlin --- Jeffers, Robinson --- Crane, Stephen --- Moody, William Vaughn --- Niedecker, Lorine --- Oppen, George --- Warren, Robert Penn --- Zukofsky, Louis
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Persona (Literature) --- Persona (Literatuur) --- Persona (Littérature) --- Self in literature --- Soi dans la littérature --- Zelf in de literatuur --- American poetry --- Women authors --- History and criticism --- Women and literature --- United States --- History --- 20th century --- Creeley, Robert White --- Criticism and interpretation --- Lowell, Amy Lawrence --- Teasdale, Sara --- Wylie, Elinor --- H.D. --- Millay, Edna St. Vincent --- Bogan, Louise
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By demonstrating that many of the concepts and styles associated with modernism were actually derived directly from cultures such as Japan, China, Korea, India, Egypt, Assyria, West Africa, and the Pacific Islands, this book provides an entirely new way of looking at the evolution of modernist art and literature in the West.
Art styles --- Museology --- anno 1900-1999 --- Africa --- Pacific Islands --- Asia --- London --- modernisme --- avant-garde --- musea --- British Museum (Londen) --- Tate Gallery (Londen) --- Epstein, Jacob --- Pound, Ezra --- Thomas, James Harvard --- Holden, Charles --- Gill, Eric --- Gaudier-Brzeska, Henri --- Binyon, Laurence --- Aldington, Richard --- Ford, Ford Madox --- Fletcher, John Gould --- Lowell, Amy --- Hulme, T.E. --- 20ste eeuw --- Londen --- Azië --- Afrika --- Europa --- Stille Oceaan --- Modernism (Art) --- Modernism (Literature) --- Art, Asian --- Art, Pacific Island --- Museums --- African influences. --- Influence. --- Hueffer, Ford Madox --- Musea (Parijs) --- modernisme. --- avant-garde. --- Musea (algemeen). --- museumcollecties. --- British Museum (Londen). --- Tate Gallery (Londen). --- Epstein, Jacob. --- Pound, Ezra. --- Thomas, James Harvard. --- Holden, Charles. --- Gill, Eric. --- Gaudier-Brzeska, Henri. --- Binyon, Laurence. --- Aldington, Richard. --- Hueffer, Ford Madox. --- Fletcher, John Gould. --- Lowell, Amy. --- 20ste eeuw. --- Londen. --- Azië. --- Afrika. --- Europa. --- Stille Oceaan. --- Modernisme (art) --- Musées --- Grande-Bretagne --- Influence africaine --- Influence asiatique --- Londres (GB) --- Vie intellectuelle --- 1900-1945 --- Musea (algemeen) --- museumcollecties
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S02/0300 --- S09/0600 --- China: General works--Chinese culture and the West and vice-versa --- China: Foreign relations and world politics--China and USA: general and before 1949 --- American literature --- East and West --- Orientalism --- Public opinion --- Civilization, Western --- Civilization, Oriental --- Occident and Orient --- Orient and Occident --- West and East --- Eastern question --- History and criticism --- History --- Asian influences --- Oriental influences --- Western influences --- East Asia --- United States --- Asia, East --- Asia, Eastern --- East (Far East) --- Eastern Asia --- Far East --- Orient --- Foreign public opinion, American. --- In literature. --- Relations --- Civilization --- East Asian influences. --- Intellectual life. --- Foreign public opinion [American ] --- Intellectual life --- In literature --- Pound, Ezra Loomis --- Criticism and interpretation --- Lowell, Amy Lawrence --- Eliot, Thomas Stearns --- Emerson, Ralph Waldo
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