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Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England through a closely focused study of the role of music and the Reformation. By reintegrating music back into the study of the Elizabethan church, it provides an enriched understanding of the complex process of the formation of religious identity, and what it actually meant to be Protestant in post-Reformation England.

Church music --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Protestant churches --- History and criticism --- Religious aspects --- Christianity

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Church music --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- History and criticism --- Religious aspects --- Christianity --- England --- 16th century --- 17th century

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Beneventan chants --- Church music --- Beneventanischer Gesang. --- Quelle. --- Manuscripts. --- Catholic Church --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Chants (Beneventan) --- Chants --- Manuscripts --- History and criticism --- Religious aspects --- Christianity

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Liturgy --- hymnen --- Music --- liturgische muziek --- 264 <05> --- #ANTILTPNE9510 --- Liturgie--Tijdschriften --- Yearbooks --- Church music --- Lutheran Church --- Liturgie. --- Church music. --- Hymns --- History and criticism --- Lutheran Church. --- Hymns. --- Liturgy. --- 264 <05> Liturgie--Tijdschriften --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Lutheranism --- Devotional exercises --- Liturgics --- Music in churches --- Psalmody --- Christian sects --- Religious aspects --- Christianity --- Liturgie --- Muziek --- 78.90 --- Arts and Humanities --- Literature

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The important contribution of Heinrich Isaac (ca. 1455-1517) to polyphonic settings of the proper of the mass has long been recognised. The monumental posthumously published collection of his work in the genre, the Choralis Constantinus, was considered as a landmark even in the sixteenth century. Isaac's striking cultivation of polyphonic mass proper settings has its roots in his task, as Hofcomponist to Emperor Maximilian I, of building a musical repertoire for the Imperial court chapel. The repertoire he created awakened a demand for analogous music at other European courts and institutions and led, in 1508, to the commissioning of an extraordinary series of proper cycles from him by the authorities of Constance Cathedral.

Isaac, Heinrich --- Propers (Music) --- Church music --- Propres de la messe (Musique) --- Musique d'église --- Isaac, Heinrich, --- Musique d'église --- Criticism and interpretation --- Counterpoint --- Propers of the Mass (Music) --- Masses --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Catholic Church --- History and criticism --- History --- Religious aspects --- Christianity