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Empruntant sa méthodologie à l’histoire du livre occidentale, l’histoire récente du livre chinois a, du même coup, d’abord pris pour cible le livre imprimé dans un contexte commercial. La révolution du livre européen s’opérait pourtant dans des conditions très différentes, aussi bien sur les plans technique, politique et religieux qu’économique. C’est pourquoi il a semblé judicieux de s’engager dans des perspectives plus adaptées au monde chinois. L’une d’elles, qui prend le contrepied des premières tentatives, est précisément d’aborder le livre imprimé chinois dans une perspective qui relègue les aspects économiques et mercantiles du livre au second plan. Ainsi s’est tenu en juin 2009 un colloque international au titre interrogateur qui avait pour but d’explorer les divers aspects de la production et de la diffusion du livre imprimé par des acteurs dont les objectifs n’étaient pas particulièrement commerciaux. Tous les niveaux de la société y concoururent, de l’empereur lui-même aux organismes administratifs les plus divers, des temples aux particuliers. Ces actions mobilisaient parfois des moyens importants, mais le profit qu’espéraient les uns et les autres était d’un ordre plus subtil et plus complexe que les seuls revenus matériels. Ce sont les diverses facettes de cette production qui sont examinées dans le présent volume.
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S01/0600 --- S04/0670 --- China: Bibliography and reference--Books, printing, editing and paper --- China: History--Ming: 1368 - 1644 --- Block books, Chinese --- Printing --- History --- Printing, Practical --- Typography --- Graphic arts --- Chinese block books
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S04/0740 --- S02/0215 --- S01/0600 --- China: History--General: 1894 - 1911 --- China: General works--Intellectuals: 1840 -1949 --- China: Bibliography and reference--Books, printing, editing and paper --- Guo cui xue bao. --- China --- Intellectual life --- Guocui xuebao --- 國粹學報
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Arts graphiques --- Catalogues d'expositions --- China --- Chine --- Grafische kunst --- Papier --- Tentoonstellingscatalogi --- Typografie --- Typographie --- Printing --- Block printing --- Imprimerie --- Impression sur cliché --- History --- Histoire --- S01/0600 --- S17/2109 --- China: Bibliography and reference--Books, printing, editing and paper --- China: Art and archaeology--Musea and exhibitions: Belgium --- Impression sur cliché --- #X-L: Casterman --- Estampage
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S16/0416 --- S01/0800 --- S01/0600 --- S16/0412 --- China: Literature and theatrical art--Traditional novels: Pre-Tang and Tang: studies, texts and translations --- China: Bibliography and reference--"Festschrifte" and other works of a miscellaneous nature --- China: Bibliography and reference--Books, printing, editing and paper --- China: Literature and theatrical art--Xiyouji, Journey to the West --- Chinese literature --- History and criticism. --- History and criticism
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Livres
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Histoire
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094.1 <5>
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09 <035>
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Oude drukken: bibliografie--
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S01/0600 --- S11/1450 --- S02/0220 --- China: Bibliography and reference--Books, printing, editing and paper --- China: Social sciences--Journalism and the press --- China: General works--Intellectuals: after 1949 --- Printing --- Capitalism --- Intercultural communication --- Transnationalism --- Social aspects --- History --- China --- Taiwan --- Relations --- Intellectual life
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094 =951 --- 655.4 <51> --- S01/0600 --- az-china 943 --- China --- Chinees schrift --- boekdrukkunst --- cultuurgeschiedenis --- 094 =951 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Chinees --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Chinees --- Uitgeverij. Boekhandel--algemeen--China --- China: Bibliography and reference--Books, printing, editing and paper --- cultuurgeschiedenis van China --- Boeken --- Boek --- Onderwijs --- Industrie --- Voorlichting --- Reclame --- Spionage --- Opvoeding --- Pedagogiek --- Statistische gegevens --- Sport --- Communicatietheorie --- boekbinden --- drukken --- Book history
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The first of its kind, this collection of critical essays opens up new venues in the comparative study of science and culture by focusing on the formative decades of modern China in the late nineteenth and first half of the twentieth century. It provides a wide-ranging examination of the cultural and intellectual history of science and technology in modern China.From anti-imperialism to the technology of Chinese writing, the commodification of novelties to the rise of the modern professional scientist, new lexica and appropriations of the past, the contributors map out a transregional and global circuitry of modern knowledge and practical know-how, nationalism and the amalgamation of new social practices. Contributors include: Iwo Amelung, Fa-ti Fan, Shen Guowei, Danian Hu, Joachim Kurtz, Eugenia Lean, Thomas S. Mullaney, Hugh Shapiro, Grace Shen, and Jing Tsu.
S19/0140 --- S01/0600 --- S15/1200 --- China: Natural sciences--History of sciences --- China: Bibliography and reference--Books, printing, editing and paper --- China: Language--Aspects of translation from and to Chinese --- Science and state --- Science --- Technology --- History --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Industrial arts --- Material culture --- Natural science --- Science of science --- Sciences --- Science policy --- State and science --- State, The --- Government policy --- Natural sciences
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