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Recreation. Games. Sports. Corp. expression --- Science and the arts --- Dance --- Sciences et arts --- Danse --- Philosophy --- Philosophie --- dansexpressie
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Aesthetics --- Arts and science --- Science et arts --- Wetenschap en kunsten --- Science and the arts. --- Arts. --- Imagination. --- Imagination
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Ce livre revisite l'histoire de l'art dans ce qu'elle a de plus universel : son rapport au ciel. De l'Orient à l'Occident, de l'Antiquité à l'époque contemporaine, du classique au plus inattendu, il crée un espace singulier où se mêlent art et science, un musée imaginaire croisant sensibilité intime et compréhension du Cosmos, un jeu sans cesse réinventé... car il n'y a pas une seule manière de regarder les étoiles. Bien sûr, le ciel possède un énorme pouvoir évocateur, une force inspiratrice à nulle autre pareille, mais l'inspiration n'est pas la seule des relations entre l'art et l'astronomie. En effet, les artistes peuvent apporter leur grain de sel aux révolutions scientifiques, tandis que l'astronomie peut aider à comprendre certaines œuvres. Avec près de 600 illustrations, cet ouvrage n'a pas pour but d'égrener la liste exhaustive des représentations de ciel étoilé, clair de lune, ambiance crépusculaire ou soleil de midi, mais plutôt d'aborder les multiples relations entre l'art et la science. Il s'agit d'une invitation à un voyage aux frontières mouvantes et incertaines des plus belles réalisations de l'esprit humain.
Astronomy --- Sky --- Science and the arts --- Astronomie --- Ciel --- Sciences et arts. --- in art --- dans l'art. --- in art.
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Le langage des proportions est un langage de comparaison. Outil scientifique, il met en relation grandeurs mathématiques ou physiques (deux cercles, deux mouvements, deux sons, etc.). Pour autant, son application ne se restreint pas au seul champ des mathématiques. Erigé en principe philosophique par le principe de comparaison qui le sous-tend, il déploie tout son potentiel analogique en devenant langage constructeur d'harmonie. La théorie des proportions s'ouvre ainsi sur un vaste champ de relations qui définissent canons et règles de beauté dans les diverses disciplines artistiques. S'intéresser aux proportions signifie donc s'intéresser à tous les domaines du savoir. Mais comment aborder et comprendre, dans un dialogue transversal, sa dimension historique?
Proportion (Art) --- Science and the arts --- Sciences et arts --- Composition (Art) --- Composition (Art). --- Ratio and proportion --- Congresses --- 78.16 Tours 2008 --- 78.80
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Mark Peterson makes an extraordinary claim in this fascinating book focused around the life and thought of Galileo: it was the mathematics of Renaissance arts, not Renaissance sciences, that became modern science. Galileo's Muse argues that painters, poets, musicians, and architects brought about a scientific revolution that eluded the philosopher-scientists of the day, steeped as they were in a medieval cosmos and its underlying philosophy.According to Peterson, the recovery of classical science owes much to the Renaissance artists who first turned to Greek sources for inspiration and instruction. Chapters devoted to their insights into mathematics, ranging from perspective in painting to tuning in music, are interspersed with chapters about Galileo's own life and work. Himself an artist turned scientist and an avid student of Hellenistic culture, Galileo pulled together the many threads of his artistic and classical education in designing unprecedented experiments to unlock the secrets of nature.In the last chapter, Peterson draws our attention to the Oratio de Mathematicae laudibus of 1627, delivered by one of Galileo's students. This document, Peterson argues, was penned in part by Galileo himself, as an expression of his understanding of the universality of mathematics in art and nature. It is ";entirely Galilean in so many details that even if it is derivative, it must represent his thought,"; Peterson writes. An intellectual adventure, Galileo's Muse offers surprising ideas that will capture the imagination of anyone-scientist, mathematician, history buff, lover of literature, or artist-who cares about the humanistic roots of modern science.
Arts, Renaissance --- Mathematics --- Science and the arts --- Arts and science --- Arts --- Math --- Science --- History. --- Galilei, Galileo, --- Galileo Galilei --- Galilée --- History --- Galilei, Galileo
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Science and the arts --- -Arts and science --- Arts --- Congresses --- Creative ability --- -Science --- -Natural science --- Science of science --- Sciences --- Creativeness --- Creativity --- Ability --- Creation (Literary, artistic, etc.) --- Philosophy --- Art --- Art / et sciences. (Mélanges) --- Kunst / en wetenschap. (Versch. onderwerpen) --- Natural sciences --- -Congresses
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Art and science --- Art and technology --- Art --- Art et sciences --- Art et technologie --- Research --- Recherche --- Research. --- Science and the arts --- History --- 20th century --- Esthétique --- Art et science --- Musique et science
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Goodall reveals the ways in which the major themes of evolution were taken up in the performing arts during Darwin's adult lifetime and in the generation after his death.
Evolution (Biology). --- Human evolution. --- Natural selection. --- Science and the arts. --- Theater and society. --- Science. --- Fine Arts. --- Natural history. --- Science and the arts --- Theater and society --- Evolution (Biology) --- Fine Arts - General --- Art, Architecture & Applied Arts --- Animal evolution --- Animals --- Biological evolution --- Darwinism --- Evolutionary biology --- Evolutionary science --- Origin of species --- Biology --- Evolution --- Biological fitness --- Homoplasy --- Natural selection --- Phylogeny --- Actors --- Society and theater --- Theater --- Arts and science --- Arts --- History --- Social status --- Social aspects --- 19th century
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