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Memory and the Brain. Steven Rose##De stad als geheugen van de toekomst. Eric Corijn##Lezen in tijden van lijstjes. Ronald Soetaert##Every word you say, can and will be used against you. Friso Roscam-Abbing##Het geheugen van de Esterházy's: over archieven en herinneringen. Douwe Draaisma##Vergeten of verholen geschiedenis? De plaats van migratie in de geschiedenis van België. Anne Morelli##Het museale geheugen. Sylvie Dhaene##Het DNA: ook een geheugen? Jean-Jacques Cassiman##Kort pleidooi voor enig gezond misverstand en de vitaliteit van het vergeten. Erwin Mortier##Waar is de tijd... Tijdssculpturen in Needcompany's King Lear en Isabella's Room. Christel Stalpaert##De atopia van het geheugen. Eleen Deprez##Het vergeten van het geheugen. Pieter Van Leuven

Memory. --- Cognitive psychology --- cognitieve psychologie --- memory --- Essay(s) --- 378 --- 378 Hoger onderwijs. Universitair onderwijs --(algemeen) --- Hoger onderwijs. Universitair onderwijs --(algemeen) --- Yearbooks --- Psychologie --- Hersenen --- Geheugen --- Geheugen (psychologie) --- Man --- Volwassene --- memory [psychological concept]

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Exploring the creative dimensions of memory and remembering, Emily Keightley and Michael Pickering tackle some of the key questions facing the emergent field of memory studies, including the nature of the relationship between memory and experience and between individual and collective memory. The most crucial relationship examined is one which has previously been largely ignored: the relationship between memory and imagination. The book argues for the importance of bringing imagination into the purview of memory studies and introduces the key concept of the mnemonic imagination as a tool for demonstrating the mutual interaction of memory and imagination in our everyday practices and processes of making sense of experience. Showing how the mnemonic imagination works in various aspects of personal life and popular culture, the authors address diverse topics such as the commercial exploitation of nostalgia and the remembering of traumatic and painful pasts.

memory --- Philosophy and psychology of culture --- imagination --- Affective and dynamic functions --- Sociology of culture --- Memory --- Nostalgia --- Social aspects --- Memory. --- Nostalgia. --- SELF-HELP --- Cultural studies. --- Media studies. --- Society. --- Fantasi. --- Minnet --- Nostalgi. --- Cognition & cognitive psychology. --- Social aspects. --- Personal Growth --- Memory Improvement. --- Sociala aspekter. --- Memory - Social aspects --- memory [psychological concept]

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cultural heritage --- memory --- identity --- History of civilization --- Europe --- Collective memory --- Cultural property --- Group identity --- Material culture --- Memory --- Museums --- Nationalism --- Public institutions --- Cabinets of curiosities --- Retention (Psychology) --- Intellect --- Psychology --- Thought and thinking --- Comprehension --- Executive functions (Neuropsychology) --- Mnemonics --- Perseveration (Psychology) --- Reproduction (Psychology) --- Culture --- Folklore --- Technology --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Social psychology --- National characteristics --- Social aspects --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Cultural policy. --- Social life and customs --- History as a science --- memory [psychological concept] --- cultuurgeschiedenis

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Dutch literature --- Tinel, Koenraad --- wars --- drawings [visual works] --- Polemology --- Painting --- Ink painting --- World War, 1939-1945 --- Art and the war. --- biografieën --- geschiedenis --- Wereldoorlog II --- België --- eenentwintigste eeuw --- Tinel Koenraad --- kunst --- tekenkunst --- kunst en literatuur --- 741.071 TINEL --- 741.07 --- 73.07 --- Tinel, Koenraad °1934 (°Gent, België) --- Belgische kunstenaars --- Tekeningen ; inkttekeningen ; 2009 ; Koenraad Tinel --- Thema's in de kunst ; oorlog ; getekende herinneringen --- Tekenkunst ; architecten, stedenbouwkundigen --- Beeldhouwkunst ; beeldhouwers A - Z --- Drawing --- fascism --- drawing [image-making] --- Tweede Wereldoorlog --- memory --- painting [image-making] --- collaboratie (kunst) --- Belgium --- 74107 --- 7307 --- Tekenkunst ; architecten, stedenbouwkundigen. --- Beeldhouwkunst ; beeldhouwers A - Z. --- World War, 1939-1945, in art --- Brush painting, Oriental --- Ink brushwork --- Oriental brush painting --- Brush drawing --- Art and the war --- Tinel, Koenraad, --- Personal narratives --- Pictorial works --- Collaborationists --- 790 --- kunstenaars --- artistes --- geschiedenis. --- Wereldoorlog II. --- Tinel, Koenraad. --- memory [psychological concept] --- oorlogstrauma (kunst)

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Lost Past places the history of the 'Great War' and the city of Ypres in a contemporary perspective. Within this context, 15 artists present their vision on the past, forgetfulness, remembrance, memory, and the need for memorialization. Curator Moritz Küng describes his selections and presents works by:

* Becky Allen 5USA)
* Lara Almarcegui (E)
* Pierre Bismuth (F)
* David Claerbout (B)
* Rineke Dijkstra (NL)
* Dora Garcia (E)
* Felix Gonzalez-Torres (Cu/USA)
* Ann Veronica Janssens (B)
* Jan Kempenaers (B)
* Guillaume Leblon (F)
* Willem Oorebeek (NL)
* Allen Ruppersberg (USA)
* Gregor Schneider (D)
* Yael Seggev (Isr)
* Cerith Wyn Evans (UK)

Art historian Mark Kremer brings the war-experience-machine to a momentary standstill, and cultural philosopher Lieven De Cauter gives a re-reading of Walter Benjamin's last text, 'On the Concept of History'

video art --- Film --- wars --- history [discipline] --- installations [visual works] --- photography [process] --- Iconography --- Art --- violence --- Photography --- music [discipline] --- memory --- Music --- motion pictures [visual works] --- Oorebeek, Willem --- Kempenaers, Jan --- Leblon, Guillaume --- Claerbout, David --- Seggev, Yael --- Almárcegui, Lara --- Evans, Cerith Wyn --- Gonzalez-Torres, Felix --- Janssens, Ann Veronica --- Garcia, Dora --- Dijkstra, Rineke --- Ruppersberg, Allen --- Schneider, Gregor --- Allen, Becky --- Bismuth, Pierre --- art [fine art] --- kunst --- Ypres --- Art contemporain --- Guerre mondiale I ; Belgique --- Hedendaagse kunst --- Wereldoorlog I ; België --- geschiedenis --- oorlogen --- oorlogsmonumenten --- hedendaagse kunst --- Wereldoorlog I --- 1918 - 2002 --- 20ste eeuw --- 21ste eeuw --- Ieper --- auteurs Lieven De Cauter, Mark Kremer, Moritz Küng ; curator Moritz Küng --- twintigste eeuw --- kunst en oorlog --- fotografie --- Benjamin Walter --- geschiedenisfilosofie --- installaties --- Allen Becky --- Almarcegui Lara --- Bismuth Pierre --- Claerbout David --- Dijkstra Rineke --- Garcia Dora --- Gonzalez-Torres Felix --- Janssens Ann Veronica --- Kempenaers Jan --- Leblon Guillaume --- Oorebeek Willem --- Ruppersberg Allen --- Schneider Gregor --- Seggev Yael --- Wyn Evans Cerith --- 7.038 --- 7.036 --- Thema's in de kunst ; 2000-2002 ; oorlog ; WO I en WO II --- Ieper ; na de oorlog ; verleden en heden --- Almarcegui, Lara --- Thema's in de kunst ; geschiedenis ; herinnering --- 7.044 --- 7.039 --- (069) --- 726.82 --- Iconografie ; historische voorstellingen --- Kunstgeschiedenis ; 2000 - 2050 --- (Musea. Collecties) --- Religieuze architectuur ; grafmonumenten --- Art, Modern --- Memorials --- music [performing arts] --- Gonzales-Torres, Felix --- commemorations [events] --- Eerste Wereldoorlog --- García, Dora --- Wereldoorlog I. --- 1918 - 2002. --- 20ste eeuw. --- 21ste eeuw. --- Ieper. --- music [performing arts genre] --- memory [psychological concept] --- art [discipline]