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Un ouvrage s'intéressant à la prodigalité des espaces d'art public, à la diversité des oeuvres proposées et à la disparité des pratiques artistiques. Il met l'accent sur la lente mais sûre symbiose de l'entertainment et du social, qui rejoint la représentation de la démocratie, vendue comme une image de bien être et de réussite sociale, et démontre que les artistes s'emploient à lutter contre. ©Electre 2016

Art, Municipal --- Street art --- City planning --- Art urbain --- Art dans la rue --- Urbanisme --- Art [Public ] --- Art [Street ] --- Art [Wall ] --- Art dans la ville --- Art de rue --- Art des rues --- Art en milieu urbain --- Art mural --- Art public --- Arts de la rue --- Kunst [Openbare ] --- Murals --- Openbare kunst --- Public art --- Wall art --- Social aspects --- Sociologie urbaine --- Espace public --- Espace urbain --- Politique urbaine --- Rapport art-architecture

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Together with Posture Editions, Koba De Meutter (b. 1992) creates 'So That Afternoon We Both Made an Empty Circle', a book with visual work that is the result of two recent artist's residences in Mexico. De Meutter combines sculpturally adaptable modules (consisting of metal rods and 'holders') with found material in deliberate actions or chance events, often in public spaces. In the book, photographs of her interventions in Mexico City are combined with a series of drawings she made during her second residence in art centre Casa Wabi. The drawings feature imaginary characters from her memories of her stay in Mexico City - yet they are no less realistic or near.

installations [visual works] --- fine arts --- Meutter, De, Koba --- public art --- Art --- urban art --- Kunst --- installaties [kunstwerken] --- beeldende kunst --- openbare kunst --- De Meutter, Koba --- fine arts [discipline] --- kunst --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- De Meutter Koba --- België --- tekenkunst --- fotografie --- Mexico --- 7.071 DE MEUTTER --- 7.07 --- 741.07 --- De Meutter, Koba °1992 (°Schilde, België) --- Belgische kunstenaars --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Tekenkunst ; tekenkunstenaars A - Z --- Portrait drawing --- Outdoor art --- De Meutter, Koba,

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- Theoretical frameworks. The poetics of the Open work / Umberto Eco ##- The death of the author / Roland Barthes ##- The negation of the autonomy of art by the Avant-garde / Peter Bürger ##- The inoperative community / Jean-Luc Nancy ##- Poetics of relation / Édouard Glissant ##- Chaosmosis: an ethico-aesthetic paradigm / Félix Guattari ##- Problems and transformations in critical art / Jacques Rancière. Artists writings. Towards a situationist international / Guy Debord ##- Notes on the elimination of the audience / Allan Kaprow ##- Dance in my experience / Hélio Oiticica ##- Letters 1968-69 / Lygia Clark and Hélio Oiticica ##- Project for the experimental art series, Rosario / Graciela Carnevale ##- Report of a day's proceedings at the Bureau for Direct Democracy / Joseph Beuys and Dirk Schwarze ##- I am searching for field character / Joseph Beuys ##- Ten appearances ##- Notes on funk, I-II / Adrian Piper ##- On democracy ##- Transnacionala/A journey from the East to the West / Eda Cufer ##- The Baudouin/Boudewijn experiment: a deliberate, non-fatalistic, large-scale group experiment in deviation / Carsten Höller ##- The battle of Orgreave / Jeremy Deller ##- No ghosts in the wall / Rirkrit Tiravanija ##- 24h Foucault / Thomas Hirschhorn. Critical and curatorial positions. Relational aesthetics / Nicolas Bourriaud ##- Social aesthetics / Lars Bang Larsen ##- What is a station? / Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija ##- Chat rooms / Hal Foster.

art criticism --- kunstenaarsgeschriften --- philosophy of art --- hedendaagse kunst --- art [fine art] --- kunstbeschouwing --- Contemporary [style of art] --- Art --- interactive art --- Tiravanija, Rirkrit --- Höller, Carsten --- Hirschhorn, Thomas --- Beuys, Joseph --- Clark, Lygia --- Deller, Jeremy --- Kaprow, Allan --- Oiticica, Hélio --- Interactive art --- Arts audiences --- Authorship --- Sociological aspects --- kunst --- nineties --- eenentwintigste eeuw --- participatie --- 82:7 --- interactieve kunst --- interactiviteit --- kunsttheorie --- Barthes Roland --- Beuys Joseph --- Bourriaud Nicolas --- Bürger Peter --- Carnevale Graciela --- Clark Lygia --- Collective Actions --- Cufer Eda --- Debord Guy --- Deller Jeremy --- Eco Umberto --- Foster Hal --- Glissant Edouard --- Group Material --- Guattari Félix --- Hirschhorn Thomas --- Höller Carsten --- Kaprow Allan --- Larsen Lars Bang --- Nancy Jean-Luc --- Nesbit Molly --- Obrist Hans Ulrich --- Oiticica Hélio --- Piper Adrian --- Rancière Jacques --- Schwarze Dirk --- Tiravanija Rirkrit --- 7.038/039 --- Literatuur en kunst --- Arts audiences. --- Interactive art. --- Sociological aspects. --- 7.01 --- 82:7 Literatuur en kunst --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; over interactie ; participatie ; dialoog met het publiek --- public art --- community art --- Kunst --- gemeenschapskunst --- openbare kunst --- kunstkritiek --- kunstfilosofie --- Rapport du spectateur à l'objet créé --- Participation --- Performance --- Eco, Umberto --- Barthes, Roland, --- Bourriaud, Nicolas --- Bürger, Peter --- Carnevale, Graciela --- Cufer, Eda --- Debord, Guy --- Foster, Hal --- Glissant, Édouard, --- Guattari, Félix --- Hirschhorn, Thomas, --- Larsen, Lars Bang --- Nancy, Jean-Luc --- Nesbit, Molly --- Obrist, Hans Ulrich --- Piper, Adrian, --- Rancière, Jacques, --- Schwarze, Dirk --- artists' statements --- Authorship - Sociological aspects --- Barthes, Roland, 1915-1980 --- Glissant, Édouard, 1928-2011 --- Guattari, Félix 1930-1992 --- Hirschhorn, Thomas, 1957 --- -Höller, Carsten --- Piper, Adrian, 1948 --- -Rancière, Jacques, 1940 --- -Schwarze, Dirk

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installaties --- Weiner Lawrence --- Yeats W.B. --- Patchen Kenneth --- Verenigde Staten --- conceptuele kunst --- concept art --- woord en beeld --- kunst --- twintigste eeuw --- 7.071 WEINER --- scripts [writing] --- Sculpture, American --- Words in art --- Peinture américaine --- Sculpture américaine --- Mots dans l'art --- Wall drawing (Conceptual art) --- Dessin mural (Art conceptuel) --- Lawrence Weiner (° 1942, South Bronx, New York) leeft en werkt in Amsterdam --- Beeldende kunst 2de h. 20ste eeuw Lawrence Weiner --- Beeldende kunst teksten woorden --- Weiner, Lawrence. --- Peinture américaine --- Sculpture américaine --- Weiner, Lawrence --- Yeats W.B --- Art, American --- Painting, American --- Installations (Art) --- Conceptual art --- Performance art --- Art américain --- Art conceptuel --- Art de performance --- Criticism and interpretation --- Interviews --- sculpting --- Sculpture --- public art --- art [fine art] --- Conceptual --- Art styles --- Iconography --- Art --- anno 1900-1999 --- United States --- Artists --- Exhibitions --- Expositions --- Etats-Unis --- Criticism and interpretation. --- Interviews. --- Weiner, Lawrence Charles --- Kunststijlen --- Iconografie --- Kunst --- Beeldhouwkunst --- openbare kunst --- schriften [schrijven] --- beeldhouwen --- conceptueel --- Verenigde Staten van Amerika --- Typographie --- Interview --- 7.07 --- Beeldende kunst ; 2de h. 20ste eeuw ; Lawrence Weiner --- Beeldende kunst ; teksten ; woorden --- Conceptuele kunst --- Lawrence Weiner (° 1942, South Bronx, New York) ; leeft en werkt in Amsterdam --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions. --- 73.07 --- Weiner, Lawrence 1942-2021 (°South Bronx, New York, Verenigde Staten) --- Beeldhouwkunst ; beeldhouwers A - Z --- sculpture [visual works] --- texts [documents] --- art [discipline]