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Book
Inklusion, Exklusion : Versuch einer neuen Kartografie der Kunst im Zeitalter von Postkolonialismus und globaler Migration
Author:
ISBN: 3770139550 Year: 1997 Publisher: Köln DuMont

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Abstract

Alves, Maria Thereza ; Alÿs, Francis ; Araeen, Rasheed ; Bamgboyé, Oladélé Ajiboyé ; Ben Junior, Joe ; Bennett, Gordon ; Berthiers ; Breitz, Candice ; Bruly-Bouabré, Frédéric ; Capelán, Carlos ; Chafes, Rui ; Chen Zhen ; Cho, Charlie ; Debaere, Hugo ; Demming, Dagmar ; Douglas, Stan ; Durham, Jimmie ; Erkmen, Ayse ; Feyzdjou, Chohreh ; Geers, Kendell ; Gonzalez-Torres, Felix ; Grippo, Victor ; Günther, Ingo ; Hatoum, Mona ; Hazoumé, Romuald ; Huang Yong Ping ; Jubelin, Narelle ; Karamustafa, Gülsün ; Kcho ; Kentridge, William ; Khedoori, Rachel ; Kim, Soo-Ja ; Kingelez, Bodys Isek ; Kinoshita, Suchan ; Kuitca, Guillermo ; Leirner, Jac ; Liddell, Siobhan ; Oguibe, Olu ; Paine, Tom ; Ligon, Glenn ; Mendieta, Ana ; Art, Middle ; Muniz, Vik ; Neshat, Shirin ; Orozco, Gabriel ; Phaophanit, Vong ; Ramirez-Jonas, Paul ; Ramos, Ibrahim Miranda ; Rennó, Rosângela ; Rios, Miguel Angel ; Robinson, Peter ; Samba, Cheri ; Schonfeldt, Joachim ; Serrano, Teresa ; Shen Yuan ; Shonibare, Yinka ; Simmons, Gary ; Simpson, Lorna ; Solakov, Nedko ; Tapyuli, Ohannes ; Udé, Iké ; Vaisman, Meyer ; Weems, Carrie Mae ; Wenemoser, Alfred ; Wilson, Fred

Keywords

Iconography --- migration [function] --- Liddell, Siobhan --- Karamustafa, Gülsün --- Ramírez Jonas, Paul --- Wilson, Fred --- Demming, Dagmar --- Middle Art --- Bamgboyé, Oladélé Ajiboyé --- Kingelez, Bodys Isek --- Shen Yuan --- Tapyuli, Ohannes --- Ben Jr, Joe --- Alves, Maria Thereza --- Simpson, Lorna --- Durham, Jimmie --- Breitz, Candice --- Neshat, Shirin --- Bennett, Gordon --- Jubelin, Narelle --- Solakov, Nedko --- Araeen, Rasheed --- Capelán, Carlos --- Shonibare, Yinka --- Rios, Miguel Angel --- Hatoum, Mona --- Phaophanit, Vong --- Khedoori, Rachel --- Debaere, Hugo --- Bruly Bouabré, Frédéric --- Douglas, Stan --- Huang, Yong Ping --- Kinoshita, Suchan --- Udé, Iké --- Orozco, Gabriel --- Ligon, Glenn --- Gonzalez-Torres, Felix --- Kuitca, Guillermo --- Alÿs, Francis --- Hazoumè, Romuald --- Ramos, Ibrahim Mirando --- Cho, Charlie --- Erkmen, Ayşe --- Kentridge, William --- Robinso, Peter --- Samba, Cheri --- Vaisman, Meyer --- Chen, Zhen --- Mendieta, Ana --- Muniz, Vik --- Rennó, Rosângela --- Paine, Tom --- Leirner, Jac --- Feyzdjou, Chohreh --- Serrano, Teresa --- Wenemoser, Alfred --- Schönfeldt, Joachim --- Grippo, Victor --- Chafes, Rui --- Gunther, Ingo --- Berthiers --- Simmons, Gary --- Weems, Carrie Mae --- KCHO --- Kimsooja --- Geers, Kendell --- Oguibe, Olu --- anno 1900-1999 --- Peter Weibel (Hg.) --- Alvez Maria Thereza --- Araeen Rasheed --- Ben Junior Joe --- Bennett Gordon --- Capelán Carlos --- Chafes Rui --- Chen Zhen --- Cho Charlie --- Debaere Hugo --- Demming Dagmar --- Douglas Stan --- Durham Jimmie --- Feyzdjou Chohreh --- Grippo Victor --- Günther Ingo --- Hazoumé Romuald --- Ping Huang Yong --- Jubelin Narelle --- Karamustafa Gülsün --- Kcho --- Kim Soo-Ja --- Kinoshita Suchan --- Kuitca Guillermo --- Leirner Jac --- Liddell Siobhan --- Paine Tom --- Ligon Glenn --- Oguibe Olu --- Phaophanit Vong --- Ramirez-Jonas Paul --- Ramos Ibrahim Miranda --- Rennó Rosângela --- Rios Miguel Angel --- Robinson Peter --- Samba Chéri --- Schönfeldt Joachim --- Serrano Teresa --- Yuan Shen --- Shonibare Yinka --- Simmons Gary --- Solakov Nedko --- Tapyuli Ohannes --- Udé Iké --- Vaisman Meyer --- Wenemoser Alfred --- Art and society --- Art, Modern --- Outsider art --- 7.038 --- Ajiboyé Oladélé Bamgboyé --- Alÿs Francis --- Breitz Candice --- Bruly Bouabré Frédéric --- Erkmen Ayse --- Geers Kendell --- Gonzalez-Torres Felix --- Hatoum Mona --- Kentridge William --- Khedoori Rachel --- Kingelez Bodys Isek --- kunst --- kunst en politiek --- Mendieta Ana --- migratie --- Muniz Vik --- Neshat Shirin --- Orozco Gabriel --- postkolonialisme --- Simpson Lorna --- twintigste eeuw --- vluchtelingen --- Weems Carrie Mae --- Wilson Fred --- Naive art --- Art --- Art and sociology --- Society and art --- Sociology and art --- Exhibitions --- Social aspects --- migratie (mensen) --- hedendaagse kunst --- Contemporary [style of art] --- thema's in de kunst --- identity --- theme --- identiteit --- Gonzales-Torres, Felix --- art [fine art] --- discrimination --- immigration --- multiculturalism --- postcolonialism --- art [discipline]

Iconoclash : beyond the image wars in science, religion and art.
Authors: ---
ISBN: 026262172X 9780262621724 Year: 2002 Publisher: Cambridge (Mass.) MIT press

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An examination of the role of images in cultural conflicts and of alternatives to Western ways of thinking about image creation and image destruction.This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving beyond the image wars, ICONOCLASH shows that image destruction has always coexisted with a cascade of image production, visible in traditional Christian images as well as in scientific laboratories and the various experiments of contemporary art, music, cinema, and architecture. While iconoclasts have struggled against icon worshippers, another history of iconophily has always been at work. Investigating this alternative to the Western obsession with image worship and destruction allows useful comparisons with other cultures, in which images play a very different role. ICONOCLASH offers a variety of experiments on how to suspend the iconoclastic gesture and to renew the movement of images against any freeze-framing. The book includes major works by Art & Language, Willi Baumeister, Christian Boltanski, Daniel Buren, Lucas Cranach, Max Dean, Marcel Duchamp, Albrecht Dürer, Lucio Fontana, Francisco Goya, Hans Haacke, Richard Hamilton, Young Hay, Arata Isozaki, Asger Jorn, Martin Kippenberger, Imi Knoebel, Komar & Melamid, Joseph Kosuth, Gordon Matta-Clark, Tracey Moffat, Nam June Paik, Sigmar Polke, Stephen Prina, Man Ray, Sophie Ristelhueber, Hiroshi Sugimoto, and many others.

Keywords

hedendaagse kunst --- Contemporary [style of art] --- Aesthetics. --- Image (Philosophy) --- Iconoclasm. --- Thema's in de kunst, religie en wetenschap ; beeldvorming --- Beeldvorming ; representatie en functie ; in kunst en maatschappij --- Iconoclash --- Tentoonstellingscatalogi ; Karlsruhe ; Center for Art and Media ; ZKM --- 7.04 --- (069) --- edited by Bruno Latour and Peter Weibel --- kunst --- 246.3 --- kunst en technologie --- kunst en wetenschap --- wetenschap --- technologie --- religie --- kunst en religie --- iconografie --- iconoclasme --- boeddhisme --- islam --- politiek --- kunst en politiek --- film --- video --- videokunst --- lijkwade van Turijn --- zweetdoek van de H. Veronica --- kunsttheorie --- iconologie --- Paik Nam June --- Sugimoto Hiroshi --- Isozaki Arata --- Milano Triennale 68 --- Breitz Candice --- video-installaties --- muziek --- kunst en muziek --- Ristelhueber Sophie --- 791.5 --- 7.038 --- 7.03 --- 130.2 --- Iconografie --- (Musea. Collecties) --- Beelden in kerken. Beeldenverering. Iconoclasme --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Exhibitions --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 246.3 Beelden in kerken. Beeldenverering. Iconoclasme --- Image (Philosophy). --- Aesthetics --- Iconoclasm --- Philosophy --- Idols and images --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- History --- Worship --- Psychology --- Art [Modern ] --- 20th century --- Themes, motives --- ZKM, Center for Art and Media (Karlsruhe, Germany ) --- Esthétique --- Image (Philosophie) --- Iconoclasme --- Radio broadcasting Aesthetics --- icons [devotional images]

Light art from artificial light : light as a medium in 20th and 21st century art.
Authors: ---
ISBN: 3775717749 9783775717748 Year: 2006 Publisher: Ostfildern-Ruit Hatje Cantz

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Book
Brigitte Kowanz : infinity and beyond
Authors: --- --- --- ---
ISBN: 9783775742542 Year: 2017 Publisher: Berlin Hatje Cantz

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Book
Update 2 : International Biennal Digital Art
Authors: --- --- ---
Year: 2008 Publisher: Gent Zebrastraat

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Book
Erwin Wurm : one minute sculptures, 1997-2017
Authors: --- --- --- --- --- et al.
ISBN: 9783775742535 3775742530 Year: 2017 Publisher: Berlin Hatje Cantz

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The iconic One Minute Sculptures of Austrian artist Erwin Wurm (born 1954) invite visitors to realize temporary sculptures by following the artist’s instructions and using objects at hand―levitating, holding your breath and thinking of Spinoza, throwing yourself away, or being a terrorist―for one minute. For a brief moment, long enough to lift the banality, the absurdity of this encounter between individual and object is raised to a philosophical level. Wurm’s constellations are social sculptures whose astonishing simplicity and stringency make them both alluring and unsettling. This is the first publication to list all of the One Minute Sculptures that Wurm has realized around the world over a period of more than 20 years. It also features his latest work, created for the Austrian Pavilion at the 2017 Venice Biennale.


Book
Experimentality
Authors: --- --- --- --- --- et al.
ISBN: 9789081830256 9081830252 Year: 2016 Publisher: Utrecht Metropolis M Books

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The current discussion on art seems to increasingly focus on a research-based and research-orientated discourse. How does this influence the concept of experiment that, in the past century, has been so crucial for an ever-innovating art practice? Did the discourse on artistic research and its methodologies redefine our ideas regarding experiments and experimentality? Does current research generate new types of methodologies reassessing the nature of experimentation? The first Research Pavilion (Venice Biennale 2015) approached these issues from an institutional point of view: What are the consequences of a new perspective on experimentality for the current situation of art education and the development of topical curatorial strategies? Is it time for rethinking the very concept of laboratory? Or should this concept intrinsically signify novel connections between science, aesthetics and politics in the concetxt of artistic research?

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