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assemblages [sculpture] --- assemblages (kunst) --- Rauschenberg, Robert --- kunst --- twintigste eeuw --- Verenigde Staten --- combines --- assemblages --- pop art --- Rauschenberg Robert --- 7.071 RAUSCHENBERG --- Exhibitions --- Assemblage (Art) --- Rauschenberg, Robert,
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Overzicht van Collages & assemblages uit de collectie van de Verbeke Foundation.
Art, Modern --- Assemblage (Art) --- Collage --- Verbeke Foundation (Kemzeke, Belgium) --- kunst --- Art --- collages [visual works] --- collage [technique] --- assemblages [archaeological artifacts] --- Verbeke Foundation [Kemzeke]
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Breedam, van, Camiel --- oorlog --- hedendaagse kunst --- Breedam, Camiel van --- Assemblage (Art) --- departement Beeldende Kunst 10 --- beeldhouwkunst 20e eeuw-21e eeuw --- van Breedam, Camiel --- assemblagekunst --- België --- Breedam, Van, Camiel --- oorlog. --- hedendaagse kunst. --- Breedam, Camiel van.
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Panamarenko's assemblages of flying machines, autos and vessels are objects designed to make adventure a reality, not intended as a quick escape from reality. One of the most original contemporary Belgian artists, he is an innovator in all respects. Although his works appeal to the imagination of the beholder, they are often underpinned by scientific calculations. Published on the occasion of an exhibition at the Museum of Modern Art in Antwerp, this book offers a comprehensive and inspired look at Panamarenkos fanciful universe. 0Exhibition: Museum HKA, Antwerp, Belgium (03.10.2014-22.02.2015).
sculpting --- invention --- airplanes --- motion --- technology --- Panamarenko --- kunst --- twintigste eeuw --- 7.071 PANAMARENKO --- kunst en wetenschap --- beeldhouwkunst --- installaties --- België --- 7.07 --- 7.038 --- 73.07 --- Beeldende kunst ; 20ste eeuw ; 1960-2004 --- Installaties --- Panamarenko (pseudoniem van Henri Van Herreweghe) °1940 (°Antwerpen, België) --- Van Herreweghe, Henri --- Tentoonstellingscatalogi ; Antwerpen ; Museum van Hedendaagse Kunst (M HKA) --- Belgische kunstenaars --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Beeldhouwkunst ; beeldhouwers A - Z --- Exhibitions --- Art, Modern --- Assemblage (Art) --- Art, Modern. --- Assemblage (Art). --- Panamarenko. --- 2000-2099. --- Modernism (Art) --- Belgium --- Aeronautics in art --- Machinery in art --- technology [general associated concept] --- vliegen
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54377289
Fanelli, Sara --- collages [visual works] --- Graphic arts --- illustraties --- illustrations [layout features] --- Assemblage (Art) --- Collage, English --- Drawing, English --- 753 --- boekillustraties --- scrapbook --- tekenkunst --- 741.071 FANELLI --- eenentwintigste eeuw --- Fanelli Sara --- Groot-Brittannië --- kunst --- 766.07 --- Fanelli, Sara °1969 (°Firenze, Italië) --- Grafische vormgevers ; illustraties ; 1990-2007 ; Sara Fanelli --- Tekenkunst ; schetsen ; 21ste eeuw --- English drawing --- English collage --- Art, Modern --- Dadaism --- Found objects (Art) --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- 766.071 FANELLI --- Italië --- 741.571 FANELLI --- strips --- beeldverhaal --- departement Beeldende Kunst 11 --- kinderboekillustratie --- Boekillustratie --- 766.32.07 --- Grafische industrie en ontwerp ; beeld ; illustratie ; illustratoren ; cover designers ; concept artists
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When these essays first appeared in *Artforum* in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated - the three issues of *Artforum* in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others. O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (O'Doherty exhibits his work as Patrick Ireland) and the precision of the scholar.
Space (Art) --- Installations (Art) --- Environment (Art) --- Art --- Artists' writings --- Espace (Art) --- Environnement (Art) --- Ecrits d'artistes --- Exhibition techniques --- Techniques d'exposition --- Brian O'Dohert ; Introduction by Thomas McEvilley --- kunst --- twintigste eeuw --- galeries --- tentoonstellingen --- museologie --- installaties --- kunsttheorie --- receptie-esthetica --- Klein Yves --- Duchamp Marcel --- Mondriaan Piet --- Matisse Henri --- Lissitzky El --- Buren Daniël --- happenings --- Schwitters Kurt --- fotografie --- Christo --- Levine Les --- 069 --- 7.01 --- Mondrian Piet --- Environment (Art). --- Installations (Art). --- Space (Art). --- exhibitions [events] --- tentoonstellingsbouw --- Installation art --- Art, Modern --- Assemblage (Art) --- Kunsttheorie ; over de mythe van de neutraliteit van gallerijen --- Arteconomy --- Kunst ; theorie, filosofie, esthetica --- Negative space (Art) --- Aesthetics of art --- installations [visual works] --- space [composition concept] --- environmental art --- art criticism
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Otobong Nkanga: Uncertain Where the Next Wind Blows" is the accompanying catalogue of the inaugural exhibition of the Lise Wilhelmsen Art Award Programme. Both the exhibition and catalogue present a broad spectrum of Otobong Nkanga's (b. 1974) oeuvre through almost 70 works created within the last 20 years. Nkanga's drawings, installations, tapestries, photographs, sculptures, and performances explore the complex impact of human history and presence on nature and landscapes. Through her multidisciplinary practice, Nkanga studies resource extraction, manufacture, and the global circulation of goods in the economy. Exhibition: Henie Onstad Kunstsenter, Bærum, Norway (13.11.2020 - 24.05.2021).
Art --- drawings [visual works] --- installations [visual works] --- pollution --- colonization --- natural resources --- reclamation --- easel paintings [paintings by form] --- Nature --- globalization --- Nkanga, Otobong --- Art, Nigerian --- Sculpture, Nigerian --- Metal sculpture --- Installations (Art) --- Assemblage (Art) --- Painting --- Drawing --- 7.07 --- Nkanga, Otobong °1974 (°Kano, Nigeria). Woont en werkt in Antwerpen, België --- Vrouwelijke kunstenaars --- Drawings --- Sketching --- Graphic arts --- Illustration of books --- Manual training --- Oil painting --- Painting, Primitive --- Paintings --- Art, Modern --- Dadaism --- Found objects (Art) --- Metal-work --- Sculpture --- Nigerian sculpture --- Nigerian art --- Golden Dreams (Group of artists) --- History --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Nkanga, Otobong, --- Exhibitions --- #breakthecanon --- paintings [visual works]
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Sculpture --- Architecture --- Schwitters, Kurt --- 72.01 --- Assemblage (Art) --- -Expressionism (Art) --- -Kurt Schwitters --- dadaïsme --- Merzbau --- beeldende kunst --- kunst --- 73 --- 7.037 --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- beeldhouwkunst, numismatiek, kunstsmeedwerk en kunstdrijfwerk --- kunstgeschiedenis - constructivisme, dadaïsme, fauvisme, futurisme, kubisme, surrealisme, moderne kunst (overgang expres. naar abstr. kunst) --- -Criticism and interpretation --- Expressionism (Art) --- Schwitters, Kurt, --- Criticism and interpretation. --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Kurt Schwitters --- Швітэрс, Курт, --- Shvitėrs, Kurt, --- Швитерс, Курт, --- Σβίττερς, Κουρτ, --- Kourt Svitters --- שוויטרס, קורט, --- Šviterss, Kurts, --- クルト・シュヴィッタース, --- シュヴィッタース, クルト, --- Shuvittāsu, Kuruto, --- Швиттерс, Курт, --- Shvitters, Kurt, --- Šviters, Kurt, --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect
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E-flux is an international network which reaches more than 50,000 visual art professionals on a daily basis through its website, e-mail list and special projects. Its news digest - e-flux announcements - distributes information on some of the world's most important contemporary art exhibitions, publications and symposia.
Art, Modern --- Art --- Art. --- Art, Modern. --- Art contemporani --- Art modern del S. XX --- Art modern del S. XXI --- Història de l'art --- Arquitectura contemporània --- Art abstracte --- Art brut --- Art cinètic --- Art conceptual --- Art en xarxa --- Art multimèdia --- Art natura --- Art per ordinador --- Art sonor --- Art postal --- Arte povera --- Assemblage (Art) --- Escultura contemporània --- Expressionisme abstracte --- Fluxus (Grup d'artistes) --- Funcionalisme (Art) --- Happening --- Hiperrealisme --- Informalisme (Art) --- Instal·lacions (Art) --- Minimal art --- Nova objectivitat (Art) --- Op art --- Performance (Art) --- Pop-art --- Videoart --- Art degenerat --- Modern art --- Nieuwe Ploeg (Group of artists) --- Art, Primitive --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Segle XXI --- 2000-2099 --- S. XXI --- Segle vint-i-u
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