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At the occasion of The Six Brandenburg Concertos De Munt/La Monnaie and Rosas invited dance photographer Hugo Glendinning to attend the rehearsals in Brussels and to travel to New York City for the work’s US premiere at the Park Avenue Armory. His photographs masterfully reveal both the personality of each individual dancer and the idea of a clan, a company made up, for The Six Brandenburg Concertos, of several generations of dancers – some bringing to this new work all their experience with the choreographer, others undertaking such an ambitious project for the first time with Rosas.

712 --- Dans --- dans --- België --- eenentwintigste eeuw --- choreografie --- choreografen --- 792.071 --- fotografie --- dansfotografie --- De Keersmaeker Anne Teresa --- Rosas --- Glendinning Hugo --- 21.40 photographic art: general. --- 24.15 dance: general. --- Modern dance --- Modern dance. --- Rosas (Dance company) --- Rosas (Dance company). --- Glendinning, Hugo --- Theatrical science --- dance [discipline] --- performance art --- choreography --- dances [performance events] --- dance companies --- Keersmaeker, de, Anne Teresa --- Rosas [Brussels] --- dance [performing arts genre]

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Johann Sebastian Bach’s Cello Suites are considered a milestone in the history of Western music. The intellectual and architectural elements continue to evoke contemporary appeal, with their rhythmic vitality and melodic intricacy. Anne Teresa De Keersmaeker’s affinity with Bach was already apparent in several previous creations, and she continues to pursue a choreographic écriture that captures the essence of Bach’s musical language. In this production, Bach’s score, performed in its totality by the world-renowned cellist Jean-Guihen Queyras, is faceted, challenged, and performed through a choreography for three male and two female dancers, De Keersmaeker herself one of them. Both the individual character of the six suites and their mutual interconnections emerge from this riveting symbiosis of music and dance.

Bach, Johann Sebastian --- Ballet --- Suites --- Anne Teresa De Keersmaeker --- Modern dance --- dans --- België --- choreografie --- choreografen --- 792.071 --- De Keersmaeker Anne Teresa --- fotografie --- dansfotografie --- Rosas --- Van Aerschot, Anne --- Interpretive dancing --- Modern dancing --- Dance --- Keersmaeker, Anne Teresa de --- De Keersmaeker, Anne Teresa --- Rosas (Dance company) --- Mitten wir im Leben sind/Bach6Cellosuiten (Choreographic work : Keersmaeker) --- Modern dance. --- Keersmaeker, Anne Teresa de. --- Rosas (Dance company). --- Mitten wir im Leben sind/Bach6Cellosuiten (Choreographic work : Keersmaeker). --- Theatrical science --- dance [discipline] --- performance art --- choreography --- dances [performance events] --- dance companies --- Keersmaeker, de, Anne Teresa --- Rosas [Brussels] --- dance [performing arts genre]

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Butō --- Modern dance --- Ankoku Buto --- Butoh --- Ōno, Kazuo, --- Hijikata, Tatsumi, --- Ohno, Kazuo, --- 大野一雄, --- Yoneyama, Kunio, --- 土方巽, --- J6811.60 --- Japan: Performing arts and entertainment -- dance -- butō (butoh) --- Ōno, Kazuo --- Hijikata, Tatsumi --- dance [discipline] --- theater [discipline] --- Kazuo, Ono --- Japan --- dance [performing arts genre]

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This monograph presents a specific experience of modernity within the context of Indian dance by looking at the transcultural journey of Indian dancer / choreographer Uday Shankar (1900b - 1977d). His popularity in Europe and America as an Oriental male dancer in the first half of the 20th century, and his worldwide recognition as the Ambassador of Indian culture, are brought into a historiographical perspective within the cultural and social reforms of early twentieth century India. By exploring his artistic journey beyond India in the period between the two world wars, and his experience of dance making, presentational technique and representation of India through various phases of his life, a path is forged to understanding the emergence of modernity in Indian dance.

Theatrical science --- Recreation. Games. Sports. Corp. expression --- performances (kunst) --- dansen --- theater --- dansexpressie --- Theatre: persons --- Modern dance.

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This book draws on theories of aesthetics, post-colonialism, multiculturalism and transnationalism to explore salient aspects of perpetuating traditional dance customs in diaspora. It is the first book to present a broad-ranging analysis of cultural dance in Australia. Topics include adaptation of dance customs within a post-migration context, multicultural festivals, prominent performers, historiographies and archives, and the relative positionings of cultural and Western theatrical dance genres. The book offers a decolonized appraisal of dance in Australia, critiquing past and present praxes and offering suggestions for the future. Overall, it underscores the highly variegated nature of the Australian dance landscape and advocates for greater recognition of amateur community dance practices. Cultural Dance in Australia makes a substantial contribution to the catalogue of work about immigrants and cultural dance styles that continue to be preserved in Australia. This book will be of interest to scholars of dance, performance studies, migration studies and transnationalism. Jeanette Mollenhauer researches immigrants' dance practices in Australia, focusing on cultural identity, transnationalism and multicultural performance. Jeanette is also Vice-President of Folk Dance Australia and a community dance teacher. She serves on the International Council for Traditional Music's Archives Committee and her first book was Dancing at the Southern Crossroads (2020).

Aesthetics --- Didactics of the arts --- Ethnology. Cultural anthropology --- Theatrical science --- Recreation. Games. Sports. Corp. expression --- History of civilization --- dansen --- cultuurgeschiedenis --- esthetica --- kunstonderwijs --- antropologie --- creativiteit --- dansexpressie --- Dance. --- Dance --- Emigration and immigration --- Social aspects.