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Klein, Yves --- art [fine art] --- Art --- anno 1900-1999 --- France --- Yves Marie Klein 1928-1962 (°Nice). --- Monochrome schilderkunst ; Yves Klein --- Nouveau Réalisme --- Installaties --- Happenings --- Performances ; Body Art --- Intermedia --- 7.07 --- 75.07 --- (069) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Schilderkunst ; schilders --- (Musea. Collecties) --- Yves Marie Klein 1928-1962 (°Nice) --- Klein, Yves, --- Exhibitions. --- Klein, Yves 1928-1962 (°Nice, Frankrijk) --- art [discipline]

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"This major new Yves Klein overview shows how Klein transformed his life into a myth that blurred the boundary between art and biography. It includes around 300 unearthed archival photographs--many of which are published for the first time--of Klein, his works, and their production. Always an innovator, Klein spanned many mediums, boldly exploring musical composition, sculpture, performance, photography, theater, film and theoretical writing, in addition to the blue monochrome painting for which he is so famed. Reproductions of artworks are interspersed with photographs of and quotations by Klein, guiding readers through a personal history of key works such as "Leap into the Void" and the Monochrome and Feuer exhibition. Most importantly, this book offers a new look behind the scenes of his performances, uncovers the genesis of his famous Anthropometries and Fire Paintings and portrays Klein at work in his studio, in private settings and on his travels. There are also numerous contact prints with lesser-known photos and snapshots that are not among the more famous pictures released for publication. Unlike most of his contemporaries, Klein always viewed photography as a lens through which to dramatize his subjects, and chose carefully who could photograph him. The imagery in this monograph blurs the artist?s work and life in a way that both maintains and deconstructs the myth of Yves Klein."--Distributor's website.

Art --- photographs --- sculpture [visual works] --- performance art --- easel paintings [paintings by form] --- nudes [representations] --- studios [work spaces] --- burning --- Klein, Yves --- Body art --- Performance art --- Conceptual art --- 7.07 --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Earthworks (Art) --- Sky art --- Arts, Modern --- Happenings (Art) --- Performing arts --- Art, Body --- Body works (Art) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Klein, Yves, --- 75.07 --- Nouveau Réalisme --- Performances ; Body Art --- Klein, Yves 1928-1962 (°Nice, Frankrijk) --- Happenings --- Monochrome schilderkunst ; Yves Klein --- Schilderkunst ; schilders A-Z --- paintings [visual works]

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Riverhead (New York) ; Förg, Günter ; Kelly, Ellsworth ; Klein, Yves ; Knoebel, Imi ; Louis, Morris ; Newman, Barnett ; Noland, Kenneth ; Palermo, Blinky ; Prina, Stephen ; Reinhardt, Ad ; Richter, Gerhard ; Rothko, Mark ; Zobernig, Heimo

kunst --- twintigste eeuw --- schilderkunst --- colorfield painting --- abstractie --- abstracte schilderkunst --- Flavin Dan --- Förg Günther --- Kelly Ellsworth --- Klein Yves --- Knoebel Imi --- Louis Morris --- Newman Barnett --- Noland Kenneth --- Palermo Blinky --- Prina Stephen --- Reinhardt Ad --- Richter Gerhard --- Rothko Mark --- Zobernig Heimo --- 75.036 --- Exhibitions --- Abstract [fine arts style] --- hedendaagse kunst --- Contemporary [style of art] --- painting [image-making] --- Art --- anno 1900-1999 --- Color-field painting --- Color painting (Painting style) --- Abstract expressionism --- Concrete art --- Painting, Modern --- Abstract [modern European style]

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When these essays first appeared in *Artforum* in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated - the three issues of *Artforum* in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others.

O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system.

These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (O'Doherty exhibits his work as Patrick Ireland) and the precision of the scholar.

Space (Art) --- Installations (Art) --- Environment (Art) --- Art --- Artists' writings --- Espace (Art) --- Environnement (Art) --- Ecrits d'artistes --- Exhibition techniques --- Techniques d'exposition --- Brian O'Dohert ; Introduction by Thomas McEvilley --- kunst --- twintigste eeuw --- galeries --- tentoonstellingen --- museologie --- installaties --- kunsttheorie --- receptie-esthetica --- Klein Yves --- Duchamp Marcel --- Mondriaan Piet --- Matisse Henri --- Lissitzky El --- Buren Daniël --- happenings --- Schwitters Kurt --- fotografie --- Christo --- Levine Les --- 069 --- 7.01 --- Mondrian Piet --- Environment (Art). --- Installations (Art). --- Space (Art). --- exhibitions [events] --- tentoonstellingsbouw --- Installation art --- Art, Modern --- Assemblage (Art) --- Kunsttheorie ; over de mythe van de neutraliteit van gallerijen --- Arteconomy --- Kunst ; theorie, filosofie, esthetica --- Negative space (Art) --- Aesthetics of art --- installations [visual works] --- space [composition concept] --- environmental art --- art criticism

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Marina Abramovic; Joseph Beuys; Tacita Dean; Walter De Maria; AK Dolven; Olafur Eliasson; Jitka Hanzlova; Gary Hill; Susan Hiller; Shirazeh Houshiary; Anish Kapoor; Mike Kelley; Yves Klein; Richard Long; Gusav Metzger; Henri Michaux; Barnett Newman; Tony Oursler; Cornelia Parker; Gerhard Richter; Doris Salcedo; Lorna Simpson; Stelarc; Hiroshi Sugimoto; Fred Tomaselli; James Turell; Luc Tuymans; Bill Viola; Zhang Huan

political art --- philosophy of art --- anxiety --- Sublime, the --- hedendaagse kunst --- supernatural --- Art --- Contemporary [style of art] --- kunstfilosofie --- art [fine art] --- Nature --- technology --- Auto-destructive art --- Metzger, Gustav --- Maria, de, Walter --- Sugimoto, Hiroshi --- Parker, Cornelia --- Long, Richard --- Kelley, Mike --- Zhang Huan --- Simpson, Lorna --- Hiller, Susan --- Hanzlová, Jitka --- Viola, Bill --- Beuys, Joseph --- Kapoor, Anish --- Salcedo, Doris --- Tuymans, Luc --- Hill, Gary --- Klein, Yves --- Abramovic, Marina --- Michaux, Henri --- Houshiary, Shirazeh --- Dolven, Anne Katrine --- Eliasson, Olafur --- Oursler, Tony --- Stelarc --- Richter, Gerhard --- Tomaselli, Fred --- Newman, Barnett --- Dean, Tacita --- Turrell, James --- Sublime, The, in art --- Art, Modern --- Art and society --- Sublime, The, in art. --- History --- kunst --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- Abramovic Marina --- Beuys Joseph --- Dean Tacita --- De Maria Walter --- Dolven A K --- Eliasson Olafur --- Hanzlova Jitka --- Hill Gary --- Hiller Susan --- Houshiary Shirazeh --- Kapoor Anish --- Kelley Mike --- Klein Yves --- Long Richard --- Metzger Gustav --- Michaux Henri --- Newman Barnett --- Oursler Tony --- Parker Cornelia --- Richter Gerhard --- Salcedo Doris --- Simpson Lorna --- Sugimoto Hiroshi --- Tomaselli Fred --- Turrell James --- Tuymans Luc --- Viola Bill --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- 7.049 --- Kunsttheorie ; over het sublieme ; in de kunst van de 21ste eeuw --- Kunst en maatschappij ; 20ste en 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Dolven, A.K. --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Kunst --- bezorgdheid --- het Verhevene --- bovennatuurlijk --- technologie --- Destructieve kunst --- natuur --- politieke kunst --- technology [general associated concept] --- Art, Modern - 20th century --- Art, Modern - 21st century --- art [discipline]