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***Testament*** is a collection of photographs and writing by late photojournalist Chris Hondros spanning over a decade of coverage from most of the world's conflicts since the late 1990s, including Kosovo, Afghanistan, the West Bank, Iraq, Liberia, Egypt, and Libya. Through Hondros' images, we witness a jubilant Liberian rebel fighter exalt during a firefight, a U.S. Marine remove Saddam Hussein's portrait from an Iraqi classroom, American troops ride confidently in a thin-skinned unarmored Humvee during the first months of the Iraq war, "the probing eyes of an Afghan village boy," and "rambunctious Iraqi schoolgirls enjoying their precious few years of relative freedom before aging into more restricted adulthoods." Hondros was not just a front-line war photographer, but also a committed observer and witness, and his work humanizes complex world events and brings to light shared human experiences. Evident in his writings, interspersed throughout, Hondros was determined to broaden our understanding of war and its consequences. This unyielding determination led Hondros to take dozens of trips to Iraq and Afghanistan, even as the news turned elsewhere. During these "routine" trips, Hondros examined and observed daily life in these war-torn societies. His inventive Humvee picture series frames the ever-changing landscapes of these countries, offering a glimpse into the daily lives of those most affected by conflict.
Photography --- photography [process] --- war photography --- oorlogsfotografie --- fotografie
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War in literature --- War in art --- Vietnam War, 1961-1975 --- War and literature. --- War in art. --- War in literature. --- Literature and war --- Literature --- Vietnam Conflict, 1961-1975 --- Vietnamese Conflict, 1961-1975 --- Vietnamese War, 1961-1975 --- Literature and the war --- Vietnam War (1961-1975) --- Vietnamese Conflict (1961-1975) --- 1961-1975 --- Arts and Humanities --- Social Sciences --- General and Others --- Foreign Policy, Defense and Internal Security --- Public Policy & Administration
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In 2015 startte Sam Dillemans een reeks werken rond de Groote Oorlog. In overwegend witte en zwarte olieverf zet hij aangrijpende oorlogstaferelen neer. Het resultaat is een nieuw, indrukwekkend en woest universum waarin (on)menselijk leed trefzeker wordt gevat in beelden van ongetemde schoonheid. Eén werk uit de reeks, 'Ypres', werd aan de stad Ieper geschonken n.a.v. de 100ste verjaardag van de Derde Slag bij Ieper. In het voorjaar van 2018 belicht een grote overzichtstentoonstelling in de Tentoonstellingsruimte Sam Dillemans dit nieuwe hoofdstuk uit zijn oeuvre. 'Goodbye to all that' is de catalogus bij deze tentoonstelling. Exhibition: Tentoonstellingsruimte Sam Dillemans, Borgerhout, Belgium (opening 9.3.2018).
painters [artists] --- Eerste Wereldoorlog --- world wars --- Dillemans, Sam --- World War, 1914-1918 --- 75.07 --- Schilderkunst; België; Sam Dillemans (° 1965) --- Eerste Wereldoorlog ; 1914-1918 --- European War, 1914-1918 --- First World War, 1914-1918 --- Great War, 1914-1918 --- World War 1, 1914-1918 --- World War I, 1914-1918 --- World War One, 1914-1918 --- WW I (World War, 1914-1918) --- WWI (World War, 1914-1918) --- Schilderkunst ; schilders --- Dillemans, Sam, --- Exhibitions --- Schilderkunst --- schilderijen --- wereldoorlogen --- kunstschilders --- Painting --- easel paintings [paintings by form] --- History, Modern --- anno 1910-1919
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For more than a decade, the United States has been fighting wars so far from the public eye as to risk being forgotten, the struggles and sacrifices of its volunteer soldiers almost ignored. Photographer and writer Ashley Gilbertson has been working to prevent that. His dramatic photographs of the Iraq war for the *New York Times* and his book *Whiskey Tango Foxtrot* took readers into the mayhem of Baghdad, Ramadi, Samarra, and Fallujah. But with *Bedrooms of the Fallen*, Gilbertson reminds us that the wars in Afghanistan and Iraq have also reached deep into homes far from the noise of battle, down quiet streets and country roadsthe homes of family and friends who bear their grief out of view. The books wide-format black-and-white images depict the bedrooms of forty fallen soldiersthe equivalent of a single platoonfrom the United States, Canada, and several European nations. Left intact by families of the deceased, the bedrooms are a heartbreaking reminder of lives cut short: we see high school diplomas and pictures from prom, sports medals and souvenirs, and markers of the idealism that carried them to war, like images of the Twin Towers and Osama Bin Laden. A moving essay by Gilbertson describes his encounters with the families who preserve these private memorials to their loved ones, and shares what he has learned from them about war and loss. *Bedrooms of the Fallen* is a masterpiece of documentary photography, and an unforgettable reckoning with the human cost of war.
Photography --- war photography --- black-and-white photography --- zwart-witfotografie --- oorlogsfotografie
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Colonisation. Decolonisation --- Art --- war memorials --- monuments --- #breakthecanon --- Menia, Amina
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Photography --- journalistic photography --- war photography --- fotojournalistiek --- oorlogsjournalistiek --- oorlogsfotografie
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This book provides an advanced introduction to the Cold War, assessing its origins, development and conclusion as a dynamic interaction between superpower confrontation and complex regional and local situations. The evolution of the subject's scholarly debate is discussed throughout and the contest situated alongside enduring historical themes including decolonisation, development, nationalism and globalisation. Regional case studies, on Europe, East and Southeast Asia, Latin America and the Middle East, illuminate the Cold War's global reach. Thematic analysis considers competition in military, strategic and economic spheres, as well as in aspects of culture, ideology, society, and Human Rights. The Cold War's transnational elements and facets of international cooperation are also highlighted. The book unpacks the subject's extensive scholarly discourse, underlining the interdisciplinary character of today's Cold War historiography and the importance of understanding that its development has been informed by a vibrant interface between international history, international relations and the Cold War itself. Elspeth O'Riordan is a Visiting Lecturer in the Defence Studies Department at King's College London, in the UK. She studied at the London School of Economics and has held lectureships at the Universities of St Andrews and Dundee in Scotland. Her research focuses on twentieth-century British and international history. She has published widely on British foreign policy in the interwar and post-war periods, including the book, Britain and the Ruhr Crisis (Palgrave Macmillan, 2001). .
Politics --- World history --- History --- wereldgeschiedenis --- geschiedenis --- politiek --- wereldpolitiek --- anno 1500-1799 --- anno 1800-1999 --- Cold War. --- Cold War --- Economic history.
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Tweede druk.
Guerre 1914-1918 --- Mouvement flamand --- Vlaanderen --- World War, 1914-1918 --- Flanders --- History. --- Eerste Wereldoorlog --- monumenten --- history [discipline] --- History of Belgium and Luxembourg --- geschiedenis --- Frontbeweging --- monuments --- anno 1910-1919 --- 940.3/.4<493> --- 355.123 --- 355.123 Slagvelden. Leger in oorlog --- Slagvelden. Leger in oorlog --- European War, 1914-1918 --- First World War, 1914-1918 --- Great War, 1914-1918 --- World War 1, 1914-1918 --- World War I, 1914-1918 --- World War One, 1914-1918 --- WW I (World War, 1914-1918) --- WWI (World War, 1914-1918) --- History, Modern --- Wereldoorlog I --- Geschiedenis --- 20e eeuw --- België --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Emigratie --- 920 --- geschiedenis België --- histoire Belgique --- fotoboeken --- dagelijks leven
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