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World War, 1939-1945 --- Tweede Wereldoorlog. --- World War (1939-1945) --- 1939-1945 --- World War II Period --- History of North America --- anno 1940-1949 --- United States --- Arts and Humanities --- Social Sciences --- General and Others --- History --- Foreign Policy, Defense and Internal Security --- United States of America

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This book focuses on a central notion in Theodor. W. Adorno’s philosophy: the nonidentical. The nonidentical is what our conceptual framework cannot grasp and must therefore silence, the unexpressed other of our rational engagement with the world. This study presents the nonidentical as the multidimensional centerpiece of Adorno’s reflections on subjectivity, truth, suffering, history, art, morality and politics, revealing the intimate relationship between how and what we think. Adorno’s work, written in the shadow of Auschwitz, is a quest for a different way of thinking, one that would give the nonidentical a voice – as the somatic in reasoning, the ephemeral in truth, the aesthetic in cognition, the other in society. Adorno’s philosophy of the nonidentical reveals itself not only as a powerful hermeneutics of the past, but also as an important tool for the understanding of modern phenomena such as xenophobia, populism, political polarization, identity politics, and systemic racism.

Aesthetics --- Literature --- History --- vreemdelingenhaat --- esthetica --- literatuur --- Tweede Wereldoorlog --- racisme --- holocaust --- Adorno, Theodor W. --- anno 1940-1949 --- Europe --- Aesthetics. --- World War, 1939-1945. --- European literature. --- History of World War II and the Holocaust. --- European Literature.

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More than 200.000 useless people disappeared, including children. For guiding me through Austria, I used psychiatric institutions as waypoints. In these institutions psychiatric patients got euthanized. Aryan or not. Adults and children. The reasoning was simple: the cost-benefit for the society was not profitable. The result is a combination of own images, manipulated stills from propaganda movies and two digital collages. The book also deliberately plays with the expectations evoked by images. This is a dark poetic view on one of the darkest pages in the second world in Europe: the killing of incurable sick children for the sake of saving money. At the same time it questions the shift of social security towards the level of your contribution to the society and it investigates the manipulating power of images.

Children --- People with disabilities --- Killing of the mentally ill --- Infanticide --- Jewish children in the Holocaust --- Euthanasia --- World War, 1939-1945 --- Holocaust, Jewish (1939-1945) --- 761.2 fotografen afzonderlijk --- De Lathauwer, Dieter --- fotografie --- experimentele fotografie --- documentaire fotografie --- holocaust --- nazisme --- fascisme --- Euthanasie --- wereldoorlog II --- Duitsland --- Oostenrijk --- Assisted death (Euthanasia) --- Assisted dying (Euthanasia) --- Death, Assisted (Euthanasia) --- Death, Mercy --- Dying, Assisted (Euthanasia) --- Killing, Mercy --- Mercy death --- Mercy killing --- Homicide --- Medical ethics --- Assisted suicide --- Right to die --- Insane, Killing of the --- Mentally ill --- Murder --- Cripples --- Disabled --- Disabled people --- Disabled persons --- Handicapped --- Handicapped people --- Individuals with disabilities --- People with physical disabilities --- Persons with disabilities --- Physically challenged people --- Physically disabled people --- Physically handicapped --- Persons --- Disabilities --- Sociology of disability --- Childhood --- Kids (Children) --- Pedology (Child study) --- Youngsters --- Age groups --- Families --- Life cycle, Human --- Catastrophe, Jewish (1939-1945) --- Destruction of the Jews (1939-1945) --- Extermination, Jewish (1939-1945) --- Holocaust, Nazi --- Ḥurban (1939-1945) --- Ḥurbn (1939-1945) --- Jewish Catastrophe (1939-1945) --- Jewish Holocaust (1939-1945) --- Jews --- Nazi Holocaust --- Nazi persecution of Jews --- Shoʾah (1939-1945) --- Genocide --- Kindertransports (Rescue operations) --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Crimes against --- History --- Atrocities --- Nazi persecution --- Persecutions --- Jewish resistance --- Aktion T4 (Germany) --- Germany. --- T4-Aktion (Germany) --- World War (1939-1945) --- Photography --- psychiatry --- eugenetica --- Lathauwer, De, Dieter --- Holocaust, Nazi (Jewish Holocaust) --- Nazi Holocaust (Jewish Holocaust) --- Nazi persecution (1939-1945) --- Photographie --- Conflit --- Psychiatrie --- Mort --- 20e siècle --- Nazisme --- Autriche --- Hôpital

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adolescenten --- Tweede Wereldoorlog --- History of Belgium and Luxembourg --- anno 1940-1949 --- Flemish war stories --- Histoires de guerre flamandes --- Oorlogsverhalen [Vlaamse ] --- Pre-teens --- Preadolescents --- Preteenagers --- Preteens --- Préado --- Préadolescents --- Tweenagers --- Tweenies --- Tweens --- Vlaamse oorlogsverhalen --- War stories [Flemish ] --- Wereldoorlog II (Tweede wereldoorlog) --- Geschiedenis --- Roman de guerre flamand --- Récits de guerre flamands --- World War, 1939-1945 --- Belgium --- Personal narratives --- Youth. --- Youth --- 1939-1945. --- Belgium.

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This book analyses the film industries and cinema cultures of Nazi-occupied countries (1939-1945) from the point of view of individuals: local captains of industry, cinema managers, those working for film studios and officials authorized to navigate film policy. The book considers these people from a historical perspective, taking into account their career before the occupation and, where relevant, pays attention to their post-war lives. The perspectives of these historical agents” contributes to an understanding of how top-down orders and haphazard signals from the occupying administration were moulded, adjusted and distorted in the process of their translation and implementation. This edited collection offers a more dynamic and less deterministic approach to research on the international expansion of Third-Reich cinema in World War Two; an approach that strives to balance the role of individual agency with the structural determinants. The case studies presented in this book cover the territories of Belgium, Czechoslovakia, France, the Netherlands, Norway, Poland and the Soviet Union. (Provided by publisher)

Philosophy and psychology of culture --- International relations. Foreign policy --- Ethnology. Cultural anthropology --- History of civilization --- History --- etnologie --- cultuur --- Tweede Wereldoorlog --- Europese cultuur --- internationale betrekkingen --- holocaust --- anno 1940-1949 --- Europe --- Motion picture industry --- World War, 1939-1945 --- Employees --- Motion pictures and the war