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"Examines the relationship between texts and contexts of media in the Third World, cultural formations and other forms of expression. It aims to create a space for an African and Third World perspective of media, culture and social theory. Critical Arts also aims to challenge and engage conventional academic practices which reinforce undemocratic relations in society."

Art --- Literature --- Mass media --- Mass media and the arts --- Médias --- Médias et arts --- Periodicals --- Périodiques --- Mass media. --- Mass media and the arts. --- South Africa. --- Arts and Humanities --- Social Sciences --- Language & Linguistics --- General and Others

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Mass media and business --- Médias et affaires --- Periodicals. --- Périodiques --- Arts and Humanities --- Language & Linguistics --- Mass communications --- Massacommunicatie

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Public economics --- Mass communications --- Mass media --- Mass media policy --- Médias --- Economic aspects --- Periodicals. --- Aspect économique --- Périodiques --- Politique gouvernementale --- Business, Economy and Management --- Business Management --- General and Others --- Arts and Humanities --- Language & Linguistics --- Business, Economy and Management. --- General and Others.

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Eschewing mere theory in favor of real-world examples, editor Thomsett-Scott and her contributors offer to-the-point advice for getting up to speed with the world of social media.

Marketing --- Library management --- Mass communications --- Libraries --- Online social networks --- Social media. --- Bibliothèques --- Réseautage personnel (Informatique) dans les bibliothèques --- Médias sociaux --- Marketing. --- Library applications. --- bibliotheken --- marketingtoepassingen --- sociale media --- User-generated media --- Communication --- User-generated content

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This collection of art and theory analyzes today?s post-digital conditions for critical media practices?across and beyond the analog and the digital, the human and the nonhuman. The contributions also look across and beyond the field of media art, staking out new paths for understanding and working in the transversal territories between theory, technology, and art. The concept of the post-digital is a way to critically take account of, contextualize, and shift the coordinates of new technologies as part of contemporary culture. The post-digital condition is not merely a theoretical issue but also a situation that affects conceptual and practice-based work.0The program of the transmediale festival in Berlin, celebrating its thirtieth year in 2017, has reflected these changes, and this book gathers new contributions from leading international theorists and artists of media and art who have taken part in the festival program over its past five editions. Divided into the thematic sections?Imaginaries,??Interventions,? and?Ecologies,? this book is not a document of the festival itself, it is rather a stand-alone exploration of the ongoing themes of transmediale in a book format.

Multimedia (Art) --- Art and technology. --- Computer art. --- Information technology. --- Digital media. --- Mass media and culture. --- Art festivals --- Œuvres multimédias (Art) --- Art et technologie --- Art numérique --- Technologie de l'information --- Médias numériques --- Médias et culture --- Festivals artistiques --- philosophy of art --- digital media --- art theory --- multimedia --- Art --- Art and technology --- Computer art --- Digital media --- Information technology --- Mass media and culture --- Multimedia --- Technology and art --- Technology --- IT (Information technology) --- Telematics --- Information superhighway --- Knowledge management --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Art, Computer --- Computer craft --- Digital art --- New media art --- Arts festivals --- Festivals --- Culture and mass media --- Culture --- Multi media (Art) --- Arts --- kunst en media