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This book constitutes the refereed post-conference proceedings of the 8th International Conference on Digital Heritage, EuroMed 2020, held virtually in November 2020. The 37 revised project papers and 30 revised short papers presented were carefully reviewed and selected from 326 submissions. The papers are on topics such as digital data acquisition technologies in CH/2D and 3D data capture methodologies and data processing; remote sensing for archaeology and cultural heritage management and monitoring; interactive environments and applications; reproduction techniques and rapid prototyping in CH; e-Libraries and e-Archives in cultural heritage; virtual museum applications (e-Museums and e-Exhibitions); visualisation techniques (desktop, virtual and augmented reality); storytelling and authoring tools; tools for education; 2D and 3D GIS in cultural heritage; and on-site and remotely sensed data collection.
Information systems --- Artificial intelligence. Robotics. Simulation. Graphics --- Archivistics --- preservation [function] --- cultural heritage --- digital preservation --- computervisie --- applicatiebeheer --- apps --- informatica --- sociale wetenschappen --- informatiesystemen --- KI (kunstmatige intelligentie) --- architectuur (informatica)
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Since the 1980s Richard Deacon has played a prominent role in contemporary visual arts. He refers to himself as a fabricator, someone who wants to test the resilience of materials, language and the meaning of objects to the very limit. His fascination with the possibilities of the most diverse materials such as wood, textiles, steel, paper, leather, marble, clay, vinyl, corrugated iron, cardboard or PVC drives him from one work to the next, with an awe-inspiring oeuvre as a result. The glue, metal joints, bolts or joints are intentionally visible so that the spectator is constantly reminded of that creation process.The exhibition primarily focuses on 'variations' which could be seen as Deacon's trademark. By once again applying a logical and consistent series of rules to the same basic or starting situation, the artist keeps on shifting a border and adding possible new interpretations, until he arrives at 'new' works of art which will then form part of a series. The title of the exhibition, 'Some Time', refers to its temporary character. Or to a short time frame: things are what they are only for a short time.
preservation [function] --- Sculpture --- metal --- ceramics [object genre] --- wood [plant material] --- Conservation. Restoration --- sculpture [visual works] --- rehabilitation --- authenticity --- Deacon, Richard --- Sculpture, Abstract --- kunst --- 73.071 DEACON --- 7.071 DEACON --- Deacon Richard --- beeldhouwkunst --- Groot-Brittannië --- twintigste eeuw --- eenentwintigste eeuw --- Abstract sculpture --- Sculpture, Modern --- Deacon, Richard, --- Diḳon, Rits'ard, --- דיקון, ריצ׳רד --- Exhibitions --- 73.07 --- UDC --- Beeldhouwkunst ; beeldhouwers A - Z --- 741.07 --- Beeldhouwkunst ; 1990-2017 ; Richard Deacon --- Deacon, Richard °1949 (°Bangor, Wales, Groot-Brittannië) --- Tentoonstellingscatalogi ; Middelheim ; Openluchtmuseum voor Beeldhouwkunst --- Tekenkunst ; tekenkunstenaars A - Z --- MAD-faculty 18 --- hedendaagse beeldhouwkunst --- studio ceramics
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Arman ; Artschwager, Richard ; Atget, Eugène ; Baron, Hannelore ; Becher, Bernd & Hilla ; Beuys, Joseph ; Blau, Douglas ; Bolande, Jennifer ; Boltanski, Christian ; Bott, Karsten ; Broodthaers, Marcel ; Bunn, David ; Calle, Sophie ; Christo ; Collective, Fluxus ; Cornell, Joseph ; Cranston, Meg ; Darboven, Hanne ; Deutsch, David ; Duchamp, Marcel ; Feldmann, Hans-Peter ; Fleischmann, Monika ; Frenkel, Vera ; Gerz, Jochen ; Gross, Sabine ; Hershman, Lynn ; Hoderlein, Stefan ; Kawara, On ; Kilimnik, Karen ; Kogler, Peter ; Lawler, Louise ; Legrady, George ; Manzoni, Piero ; McCarthy, Paul ; Messager, Annette ; Moonen, Arndt / ; Mucha, Reinhard ; Mundt, Wilhelm ; Oldenburg, Claes ; Paik, Nam June ; Rauschenberg, Robert ; Rhoades, Jason ; Rosefeldt, Steinle / ; Ruscha, Edward ; S.M.S. ; Silverthorne, Jeanne ; Spoerri, Daniel ; Virnich, Thomas ; Warburg, Aby ; Warhol, Andy ; Weiss-Leder, Ute ; Westermann, Horace Clifford ; Wüthrich, Peter
photography [process] --- verzamelingen --- restoration [process] --- fonds [collections] --- Fluxus --- collections [object groupings] --- Museology --- Pop [fine arts styles] --- computer art [visual works] --- video art --- museology --- Art --- multimedia works --- mythology [literary genre] --- artists' books [books] --- Contemporary [style of art] --- preservation [function] --- hedendaagse kunst --- art [fine art] --- assemblages [sculpture] --- cyberspace --- Bickerton, Ashley --- Spoerri, Daniel --- Christo --- Legrady, George --- Lawler, Louise --- Fleischmann, Monika --- Weiss-Leder, Ute --- Fleury, Sylvie --- Arman --- Rosefeldt, Julian --- Abels, Peter Josef --- Deutsch, David --- Kippenberger, Martin --- Scheer, Petra --- Becher, Bernd und Hilla --- Artschwager, Richard --- Boltanski, Christian --- Hoderlein, Stefan --- Jeanne-Claude --- Lichtenstein, Roy --- Gerz, Jochen --- Beuys, Joseph --- Feldmann, Hans-Peter --- Baron, Hannelore --- Cornell, Joseph --- Virnich, Thomas --- Mundt, Wilhelm --- Atget, Eugène --- Manzoni, Piero --- Bohn, Christian-A. --- Wall, Jeff --- Wüthrich, Peter --- Man Ray --- Rauschenberg, Robert --- Bott, Karsten --- Westermann, Horace Clifford --- Cranston, Meg --- Dingle, Kim --- McCarthy, Paul --- Gerz, Esther --- Mucha, Reinhard --- Strauss, Wolfgang --- Kosuth, Joseph --- Seager, Sarah --- Broodthaers, Marcel --- Silverthorne, Jeanne --- Duchamp, Marcel --- Calle, Sophie --- Shaver, Nancy --- Walther, Franz Erhard --- Steinle / Rosefeldt --- Warhol, Andy --- Ruscha, Ed --- Arndt / Moonen --- Darboven, Hanne --- Kawara, On --- Oldenburg, Claes --- Kilimnik, Karen --- Blau, Douglas --- Bunn, David --- Gross, Sabine --- Magritte, René --- Bolande, Jennifer --- Rhoades, Jason --- Paik, Nam June --- Talbot, William Henri Fox --- Frenkel, Vera --- Hershman, Lynn --- Marden, Brice --- Kogler, Peter --- Messager, Annette --- Warburg, Aby --- anno 1950-1959 --- anno 1960-1969 --- 20ste eeuw --- hrsg. von Ingrid Schaffner und Matthias Winzen ; mit Essays von geoffrey Batchen, Eugen Blume, Benjamin H.D. Buchloh [et al.] ; und Kurzbeitragen van Hubertus Gassner, E.H. Gombrich, Kai-Uwe Hemken [et al.] --- kunst --- twintigste eeuw --- installaties --- archiveren --- archivering --- collages --- assemblages --- Arndt Olaf --- Moonen Rob --- Arndt/Moonen --- Artschwager Richard --- Atget Eugène --- Baron Hannelore --- Becher Bernd --- Becher Hilla --- Beuys Joseph --- Blau Douglas --- Bolande Jennifer --- Boltanski Christian --- Bott Karsten --- Broodthaers Marcel --- Bun David --- Calle Sophie --- Cranston Meg --- Darboven Hanne --- Deutsch David --- Duchamp Marcel --- Feldmann Hans-Peter --- Fleischmann Monika --- Fluxus Collective --- Frenkel Vera --- Gerz Jochen --- Gross Sabine --- Hershman Lynn --- Hoderlein Stefan --- Kawara On --- Kilimnik Karen --- Kogler Peter --- Lawler Louise --- Legrady George --- Manzoni Piero --- McCarthy Paul --- Messager Annette --- Mucha reinhard --- Mundt Wilhelm --- Oldenburg Claes --- Paik Nam June --- Rauschenberg Robert --- Rhoades Jason --- Ruscha Edward --- Silverthorne Jeanne --- S.M.S. --- Spoerri Daniel --- Rosefeldt Julian --- Steinle Piero --- Steinle/Rosenfeldt --- Virnich Thomas --- Warburg Aby --- Warhol Andy --- Weiss-Leder Ute --- Westermann H.C. --- Wüthrich Peter --- 7.036 --- S.M.S --- Westermann H.C --- 7.049 --- Beeldende kunst ; bibliotheken ; archieven ; het verzamelen --- Thema's in de kunst ; vormen van herinnering --- Assemblages ; collages --- Iconografie ; verschillende onderwerpen --- 20ste eeuw. --- art [discipline] --- kunst over kunst --- kunst en technologie
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