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Prices --- History. --- Babylon (Extinct city) --- Commerce --- Commercial products --- Commodity prices --- Justum pretium --- Price theory --- Consumption (Economics) --- Cost --- Costs, Industrial --- Money --- Cost and standard of living --- Supply and demand --- Value --- Wages --- Willingness to pay --- History --- Babylon (Ancient city) --- Iraq --- Antiquities

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Roman history --- Art --- Museo archeologico nazionale [Napoli] --- Naples --- Romans --- Luxury --- Romains --- Luxe --- Exhibitions --- Expositions --- Naples, Bay of (Italy) --- Naples, Golfe de (Italie) --- Antiquities --- Exhibitions. --- Social life and customs --- Antiquités --- Moeurs et coutumes --- Antiquités --- Museo archeologico nazionale [Naples] --- Ethnology --- Italic peoples --- Latini (Italic people) --- Economics --- Wealth --- Cost and standard of living --- Leisure class --- Bay of Naples (Italy) --- Golfo di Napoli (Italy) --- Gulf of Naples (Italy) --- Naples, Gulf of (Italy)

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Salaires --- Carthage (Ville ancienne) --- Commodity prices --- Justum pretium --- Willingness to pay --- -Commercial products --- Prices --- Wages --- Compensation --- Departmental salaries --- Earnings --- Pay --- Remuneration --- Salaries --- Wage-fund --- Wage rates --- Working class --- Income --- Labor costs --- Compensation management --- Cost and standard of living --- Commercial products --- Price theory --- Consumption (Economics) --- Cost --- Costs, Industrial --- Money --- Supply and demand --- Value --- History --- Prix --- Histoire --- Excavations (Archaeology) --- Fouilles (Archéologie) --- Carthage (Extinct city) --- Tunisia --- Tunisie --- Antiquities --- Antiquités --- Florence (Italy) --- Economic conditions --- Byrsa --- Carthage

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L'art décoratif qui émerge à la fin de la République romaine sous la forme du trompe-l'oeil architectural est fascinant par le niveau de technicité mis en oeuvre pour représenter un espace tridimensionnel ; il frappe aussi par la richesse des couleurs et des matériaux feints distribués savamment à la surface des murs. La mimèsis y est une composante majeure : représenter l'architecture... certes, mais laquelle ? Inspirés à coup sûr de divers répertoires -- décors de théâtre, édifices hellénistiques -- les trompe-'oeil tardo-républicains puisent aussi dans l'univers sacré. En témoignent les marbres polychromes imités à profusion ainsi que la multiplication des matériaux précieux, bois rares, métaux brillants, ivoire, écaille de tortue, pierres précieuses, textiles lourds ou verre translucide qui contribuent aussi à conférer à ces décors une atmosphère de luxe et d'exotisme.

Mural painting and decoration, Roman --- Trompe l'oeil painting --- Luxury --- Peinture et décoration murales romaines --- Trompe-l'oeil (Peinture) --- Luxe --- History --- Histoire --- Histoire de l'art --- --Rome ancienne --- --Peinture --- --Trompe l'oeil --- --Histoire de l'art --- --Mural painting and decoration, Roman --- Peinture et décoration murales romaines --- --Mural painting and decoration, Roman. --- Mural painting and decoration, Roman. --- Luxury. --- Economics --- Wealth --- Cost and standard of living --- Leisure class --- Painting --- Realism in art --- Still-life painting --- Roman mural painting and decoration --- Rome ancienne --- Peinture --- Trompe l'oeil --- Trompe l'oeil painting - Rome --- République romaine --- peinture murale --- peinture --- trompe-l’oeil