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Een reis naar Egypte ten tijde van Howard Carter door de ogen van Jean Capart"Als egyptoloog op zoek naar de koningen die eeuwenlang onder het woestijnzand begraven lagen, heeft Jean Capart door zijn ontdekkingen en het vernuft van zijn bevindingen de meest waardevolle bijdrage geleverd aan een gecompliceerde en boeiende geschiedwetenschap. Dankzij hem bestaat er een Belgische egyptologie. Hij was een specialist in museografie en heeft heel zijn leven, met passie en geduld, ondanks de obstakels die hij tegenkwam in het administratieve struikgewas, gewerkt aan de verwezenlijking van een groots werk: de Musea voor Kunst en Geschiedenis van het Jubelpark in Brussel. Hij heeft dit werk tijdens zijn leven voltooid."Richard Dupierreux, letterkundige, 1950.(https://www.lannoo.be/nl/jean-capart-0)

History of Africa --- Egyptology --- Capart, Jean --- Egypt --- Geschiedenis --- Egypte --- Archeologie --- Capart, Jean François Désiré

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The history of footbinding is full of contradictions and unexpected turns. The practice originated in the dance culture of China's medieval court and spread to gentry families, brothels, maid's quarters, and peasant households. Conventional views of footbinding as patriarchal oppression often neglect its complex history and the incentives of the women involved. This revisionist history, elegantly written and meticulously researched, presents a fascinating new picture of the practice from its beginnings in the tenth century to its demise in the twentieth century. Neither condemning nor defending foot-binding, Dorothy Ko debunks many myths and misconceptions about its origins, development, and eventual end, exploring in the process the entanglements of male power and female desires during the practice's thousand-year history. Cinderella's Sisters argues that rather than stemming from sexual perversion, men's desire for bound feet was connected to larger concerns such as cultural nostalgia, regional rivalries, and claims of male privilege. Nor were women hapless victims, the author contends. Ko describes how women-those who could afford it-bound their own and their daughters' feet to signal their high status and self-respect. Femininity, like the binding of feet, was associated with bodily labor and domestic work, and properly bound feet and beautifully made shoes both required exquisite skills and technical knowledge passed from generation to generation. Throughout her narrative, Ko deftly wields methods of social history, literary criticism, material culture studies, and the history of the body and fashion to illustrate how a practice that began as embodied lyricism-as a way to live as the poets imagined-ended up being an exercise in excess and folly.

S11/0710 --- S11/0742 --- China: Social sciences--Women: general and before 1949 --- China: Social sciences--Footbinding --- Footbinding --- Bandage des pieds --- History --- Pathology --- Sociology of the family. Sociology of sexuality --- Human physiology --- China --- Binding of feet --- Foot --- Foot-binding --- Deformities, Artificial --- Artificial deformities --- Binding --- Abnormalities --- Social aspects. --- Feet --- Paw --- Paws --- Leg --- age of disavowal. --- beauty. --- china. --- chinese culture. --- chinese history. --- cultural nostalgia. --- dance culture. --- embodied lyricism. --- fangzu. --- fashion and clothing. --- female body. --- female desire. --- femininity. --- footbinding. --- gender expectations. --- gender performance. --- gender studies. --- high status. --- historical. --- history. --- imaginary geography. --- male desire. --- male power. --- male privilege. --- material culture studies. --- medieval court. --- men and women. --- patriarchal oppression. --- political. --- regional rivalry. --- self respect. --- social history. --- tianzu. --- Mutilations --- Images of women --- Female body --- Book

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art theory --- polychromy --- Iconography --- Art --- Sculpture --- color [perceived attribute] --- sculpting --- Denis, Maurice --- Gilbert, Alfred --- Dillens, Julien --- Geleyn, Joseph-Louis --- Larche, Raoul-François --- Rosso, Medardo --- Klinger, Max --- Barye, Antoine-Louis --- Khnopff, Fernand --- Böcklin, Arnold --- Picasso, Pablo --- Lacombe, Georges --- Willumsen, Jens Ferdinand --- Stuck, von, Franz --- Claudel, Camille --- Gréber, Henri --- Barrias, Louis-Ernest --- Rodin, Auguste --- Gauguin, Paul --- Gemito, Vincenzo --- Mucha, Alfons Maria --- König, Richard --- Marcello --- Meunier, Constantin --- Lemarie, George-Henri --- Renoir, Auguste --- Bourdelle, Antoine --- Frampton, George --- anno 1900-1999 --- anno 1800-1899 --- beeldhouwkunst --- polychromie --- anno 1900-1909 --- Polychromy --- Sculpture, Modern --- Polychromie --- Exhibitions --- Expositions --- realisme --- impressionisme --- 1840 - 1910 --- 19de eeuw --- 20ste eeuw --- 73 --- -Sculpture, Modern --- -Beeldhouwkunst ; polychromie ; kleur ; 1840-1910 --- 73.036 --- (069) --- Andreas Blühm --- negentiende eeuw --- kleur --- mimesis --- symbolisme --- Pradier James --- Gibson John --- d'Epinay Prosper --- Clésinger Auguste --- Gérôme Jean-Léon --- Cross Henri-Edmond --- Böcklin arnold --- Klinger Max --- König richard --- von Stuck Franz --- Ford Edward Onslow --- Lemaire George-Henri --- de Faveau Félicie --- neogotiek --- neorenaissance --- neoclassicisme --- Bauer Félix --- Fremiet Emmanuel --- Carrier-Belleuse Albert-Ernest --- Hugues Jean-Baptiste --- Rivière Théodore-Louis-Auguste --- Deloye Jean-Baptiste-Gustave --- Gilbert Alfred --- Reynolds-Stephens William --- von Hildebrand Adolf --- Volkmann Artur --- Bell Robert Anning --- Marochetti Carlo --- Cordier Charles-Henri-Jospeh --- Barrias Louis-Ernest --- Gréber Henri --- Ferrary Désiré-Maurice --- Delcour Clovis --- Barye Antoine-Louis --- Hébert Emile --- Gemito Vincenzo --- Meunier Constantin --- Larche Raoul --- Rodin auguste --- Rosso Medardo --- Claudel Camille --- Renoir Auguste --- Bourdelle Antoine --- Picasso Pablo --- Carriès Jean --- Fix-Masseau --- Dillens Julien --- Geleyn Joseph-Louis --- Khnopff Fernand --- Frampton George --- Mucha Alphonse --- Denis Maurice --- Willumsen Jens Ferdinand --- Gauguin Paul --- Lacombe Georges --- 73.035 --- Modern sculpture --- Color in sculpture --- Beeldhouwkunst. Sculptuur --- Beeldhouwkunst ; Realisme. Impressionisme. Naturalisme ; 19de eeuw --- (Musea. Collecties) --- Color --- 73 Beeldhouwkunst. Sculptuur --- Beeldhouwkunst ; polychromie ; kleur ; 1840-1910 --- 73 Plastic arts --- Plastic arts --- Larche, François-Raoul --- sculptuur --- 1840 - 1910. --- 19de eeuw. --- 20ste eeuw.

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Christian church history --- History of Belgium and Luxembourg --- Benedict XV [Pope] --- anno 1910-1919 --- Belgique --- België --- Benedictus XV, Paus --- Benoît XV, Pape --- Guerres --- Histoire ecclésiastique --- Kerkgeschiedenis --- Oorlogen --- World War, 1914-1918 --- Neutrality --- Première guerre mondiale --- Neutralité --- Diplomatic history. --- Histoire diplomatique --- Benedict --- Catholic Church --- Foreign relations --- Belgium --- Relations extérieures --- Eglise catholique --- Histoire des relations internationales --- --Guerre mondiale, 1re, --- Lambertini, Prospero, Benoît XV (1675-1758) --- --Vatican --- --World War, 1914-1918 --- 6583 --- Diplomatic history --- #GOSA:XI.Lok.B.M --- 949.32 LEUVEN --- 949.3.034 --- 262.13 BENEDICTUS XV --- -World War, 1914-1918 --- -Heilige Stoel --- #GGSB: Geschiedenis (Belgie) --- #GGSB: Geschiedenis (Hedendaagse Tijd) --- #SBIB:949.3H1 --- #GOSA:XI.HedT.M --- België [land - BE] --- Wereldoorlog I --- Benedictus XV --- Della Chiesa, Giacomo (1854-1922) --- Mercier, Désiré (1851-1926) --- kerkelijke diplomatie --- Vlaamse beweging --- 949.3 --- 949 --- European War, 1914-1918 --- First World War, 1914-1918 --- Great War, 1914-1918 --- World War 1, 1914-1918 --- World War I, 1914-1918 --- World War One, 1914-1918 --- WW I (World War, 1914-1918) --- WWI (World War, 1914-1918) --- History, Modern --- Neutralism --- International relations --- Buffer states --- Intervention (International law) --- Isolationism --- Nonalignment --- Prize law --- Region of war --- Unneutral service --- War, Maritime (International law) --- War (International law) --- Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- Geschiedenis van België: 1ste wereldoorlog (1914-1918) --- Pausschap. Heilige Stoel. Vaticaan. Paus als soeverein--BENEDICTUS XV --- Geschiedenis van België: godsdienst en cultuur --- History Other parts of Europe --- Law and legislation --- Benedict XV, Pope --- -Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- -Neutrality --- 262.13 BENEDICTUS XV Pausschap. Heilige Stoel. Vaticaan. Paus als soeverein--BENEDICTUS XV --- 949.3.034 Geschiedenis van België: 1ste wereldoorlog (1914-1918) --- 949.32 LEUVEN Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- -#GOSA:XI.Lok.B.M --- -Foreign relations --- Première guerre mondiale --- Neutralité --- Relations extérieures --- Heilige Stoel --- Benedetto --- Benedictus --- Benoît --- Della Chiesa, Giacomo, --- België --- Bélgica --- Royaume de Belgique --- Belgii︠a︡ --- Kingdom of Belgium --- Koninkrijk van België --- Königreich Belgien --- Bèlgia --- Koninkryk van België --- Königriich Belgie --- Koninkrijk België --- Belgice --- Belgice Cynerīce --- بلجيكا --- Baljīkā --- مملكة بلجيكا --- Mamlakat Baljīkā --- Belchica --- Reino de Belchica --- Belghia --- Vãsilia di Belghia --- Royômo de Bèlg·ique --- Bélxica --- Reinu de Bélxica --- Bilkiya --- Bilgasuyu --- Bilhika Qhapaqsuyu --- Belçika --- Belçika Krallığı --- Бельгия --- Бельгия Короллеге --- Belʹgii︠a︡ Korollege --- Бельгія --- Belʹhii︠a︡ --- Каралеўства Бельгія --- Karaleŭstva Belʹhii︠a︡ --- Belhika --- Bäigien --- Kinigraich Bäigien --- Belgija --- Kraljevina Belgija --- Белгия --- Regne de Bèlgica --- Бельги --- Belʹgi --- Belgické království --- Gwlad Belg --- Teyrnas Gwlad Belg --- Belgien --- Kongeriget Belgien --- Bélgii Bikéyah --- Belgiska --- Kralojstwo Belgiskej --- Belgia Kuningriik --- Βέλγιο --- Velgio --- Βασίλειο του Βελγίου --- Vasileio tou Velgiou --- Reino de Bélgica --- Belgio --- Reĝlando Belgio --- Belgujo --- Belgika --- Belgje --- Belgjo --- Belgjiche --- Bheilg --- Ríocht na Beilge --- Velg --- Reeriaght ny Belg --- Belgiya --- Rìoghachd na Beilge --- Pí-li-sṳ̀ --- Belʹjmudin Nutg --- Pelekiuma --- Regno del Belgio --- בלגיה --- Belgiyah --- ממלכת בלגיה --- Mamlekhet Belgiyah --- Belgijskô --- Pow Belg --- Ruwvaneth Belgek --- Ububiligi --- Ububirigi --- Igihugu cyʼUbubirigi --- Ubelgiji --- Ufalme wa Ubelgiji --- Belezi --- Nsi ya ntotila ya Belezi --- Bèljik --- Beljika --- Beļgeja --- Beļg̓ijas Karaliste --- Belsch --- Kinnekräich Belsch --- Belgijos Karalystė --- Belsj --- Keuninkriek Belsj --- Beldjym --- Belga Királyság --- Белгија --- ベルギー --- Berugī --- Catholic Church. --- Benoît --- della Chiesa, Giacomo Giambattista --- Benoît, --- Geschiedenis (Belgie) --- Geschiedenis (Hedendaagse Tijd) --- Church of Rome --- Guerre mondiale, 1re, 1914-1918 --- World War, 1914-1918 - Diplomatic history --- Benedict - XV, - Pope, - 1854-1922 --- Benoît, 1675-1758 --- Vatican --- Belgium - Foreign relations - Catholic Church --- Guerre mondiale (1914-1918) --- Politique et gouvernement --- 20$20e siecle --- Relations --- 20e siecle