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Nature in art --- Nō in art --- Tsukioka, Kōgyo,

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Painting landscapes was very much a private activity for Peter Paul Rubens. Whilst the majority of his other works were commissioned, the landscapes seem to have been painted for his own pleasure and delight and stayed in the artist’ s possession until his death. Most of them were painted in the last decade of his life; a happy period, in which Rubens retired from public duties and spent most of his free time studying the antique and enjoying sojourns on his country estate, castle Het Steen.0To grasp this profoundly personal character of Rubens’ s landscapes, this book considers the artist’ s highly complex method of pictorial invention to illuminate the perception, implementation, dissemination, and posthumous reception of views on nature and landscape as depicted in Rubens’ s landscape art.

Nature --- landscapes [representations] --- Rubens, Peter Paul --- Painters --- Landscape painting, Flemish --- Landscape prints, Flemish --- Peintres --- Peinture de paysages flamande --- Estampe de paysages flamande --- Attitudes --- Rubens, Peter Paul, --- Painting, Flemish --- Landscape prints, Dutch --- Nature in art. --- Nature (Aesthetics) --- Landscapes in art. --- History --- Criticism and interpretation. --- Themes, motives. --- Nature in art --- Landscapes in art --- Criticism and interpretation --- Themes, motives --- Painting, Flemish - 17th century --- Landscape painting, Flemish - 17th century --- Landscape prints, Dutch - 17th century --- Nature (Aesthetics) - History - 17th century --- Rubens, Peter Paul, - 1577-1640 - Criticism and interpretation --- Rubens, Peter Paul, - 1577-1640 - Themes, motives --- Rubens, Peter Paul, - 1577-1640

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Art and nature --- Art et nature --- Kunst en natuur --- Nature (Aesthetics) --- Nature (Esthétique) --- Nature dans l'art --- Nature in art --- Natuur (Esthetica) --- Natuur in de kunst --- Webern, Anton, --- Criticism and interpretation. --- 78.071 WEBERN, ANTON --- Nature and art --- Aesthetics --- Muziekbeoefening--WEBERN, ANTON --- Webern, Anton --- -Criticism and interpretation --- -Von Webern, Anton --- Criticism and interpretation --- Nature (Aesthetics). --- Nature (Esthétique) --- Webern, Anton von, --- Von Webern, Anton, --- Vebern, Anton, --- Vebern, A. --- Webern, Anton Friedrich Wilhelm von, --- Webern, Anton von --- 78.21.1 Webern --- Webern, Anton. --- Von Webern, Anton

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Le XIXe siècle a connu un développement sans précédent des sciences naturelles. Le questionnement autour des origines, avec les théories de Darwin, redéfinit la place de l'homme dans la nature, ses liens avec les animaux ainsi que sa propre animalité dans un monde désormais compris comme un écosystème, bouleversement qui ne va pas sans profondément influencer les artistes. De "Arche de Noé" à " Zoo ", de "Cuvier" à "Lamarck", de "Aquarium" à "Ptérodactyle", cet ouvrage, à travers près de cinquante mots clés, permet de comprendre les principaux jalons de ces découvertes scientifiques et les confronte à leur parallèle dans l'imaginaire des artistes.

Nature --- Sciences --- Expéditions scientifiques --- Singes --- Darwinisme. --- Évolutionnisme. --- Dans l'art. --- Darwin, Charles --- Critique et interprétation. --- Nature in art. --- Science --- Apes in art. --- Natural selection. --- History --- Darwin, Charles, --- Exhibitions --- Philosophy of nature --- Pure sciences. Natural sciences (general) --- Art --- art [fine art] --- evolution --- natural sciences --- anno 1800-1899 --- wetenschappen --- natuur --- geschiedenis --- kunstgeschiedenis --- Verne, Jules --- Monet, Claude --- Gallé, Émile --- Baudin, Nicolas --- Redon, Odilon --- Rosny, Joseph-Henri aîné (pseud.) --- Haeckel, Ernst --- 19de eeuw --- Singeries (art) --- wetenschappen. --- natuur. --- geschiedenis. --- kunstgeschiedenis. --- Darwin, Charles. --- Verne, Jules. --- Monet, Claude. --- Gallé, Émile. --- Baudin, Nicolas. --- Redon, Odilon. --- Rosny, Joseph-Henri aîné (pseud.). --- Haeckel, Ernst. --- 19de eeuw. --- art [discipline]