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Art and society --- Bildnisstatue. --- Elite (Social sciences) --- Portrait sculpture, Roman. --- Propaganda in art. --- Propaganda, Roman. --- Rome --- Römisches Reich. --- Social conditions. --- Sculpture de portraits romaine --- Art et société

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769.91 <51> --- 32.019.51 --- S06/0900 --- S17/0640 --- S17/0630 --- Prentenverzamelingen: affiches; posters; uithangborden--China --- Massacommunicatie. Opinievorming. Politieke beinvloeding. Politieke manipulatie. Propaganda --- China: Politics and government--Political propaganda --- China: Art and archaeology--Woodcuts, colourprints, xylography --- China: Art and archaeology--Contemporary painting after 1911 (also European influence) --- 32.019.51 Massacommunicatie. Opinievorming. Politieke beinvloeding. Politieke manipulatie. Propaganda --- 769.91 <51> Prentenverzamelingen: affiches; posters; uithangborden--China --- Advertising. Public relations --- propaganda --- affiches --- Graphic arts --- posters --- Chinese [culture or style] --- Chinees --- China

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"Scholars have long known that the Ptolemaic monarchy of Egypt underwent a transformation between 323 and 30 B.C. The queens of that dynasty started as subordinates of the kings but ended as their superiors. Exactly when and how this change occurred has proven problematic for modern scholars. R.A. Hazzard argues that this change was put in motion by Ptolemy II, who glorified his sister Arsinoe and made acceptable a civilian style of kingship based on piety towards his real and mythical ancestors. Ptolemy's support and elevation of his sister inspired the queens of the line to assert themselves at the expense of their male associates. The process culminated in the absolute rule of Kleopatra VII after 47 B.C." "Hazzard presents a clear argument based on the numismatic, epigraphical, papyrological, literary, and historical sources."--Jacket.

Monarchy --- -Propaganda, Egyptian --- Queens --- -Egyptian propaganda --- Royalty --- Rulers --- Sovereigns --- Women --- Courts and courtiers --- Empresses --- Kings and rulers --- Kingdom (Monarchy) --- Executive power --- Political science --- Royalists --- History --- Biography --- Ptolemaic dynasty --- Egypt --- -Monarchy --- Egypte --- Ägypten --- Egitto --- Egipet --- Egiptos --- Miṣr --- Southern Region (United Arab Republic) --- Egyptian Region (United Arab Republic) --- Iqlīm al-Janūbī (United Arab Republic) --- Egyptian Territory (United Arab Republic) --- Egipat --- Arab Republic of Egypt --- A.R.E. --- ARE (Arab Republic of Egypt) --- Jumhūrīyat Miṣr al-ʻArabīyah --- Mitsrayim --- Egipt --- Ijiptʻŭ --- Misri --- Ancient Egypt --- Gouvernement royal égyptien --- -Propaganda, Egyptian. --- Propaganda, Egyptian. --- Egyptian propaganda --- Ptolemaic dynasty, --- History. --- Propaganda, Egyptian --- Biography. --- 332-30 B.C. --- Ptolemaic dynasty, - 305-30 B.C. --- Monarchy - Egypt - History. --- Queens - Egypt - History. --- Queens - Egypt - Biography.

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François et Sophie Rude, le célèbre sculpteur et la jeune peintre talentueuse, forment un couple d'artistes aux carrières brillantes. Auteur universellement connu du "Départ des volontaires", l'un des grands reliefs de l'Arc de triomphe de l'Étoile à Paris, François Rude compte parmi les principaux tenants de la sculpture romantique, au même titre que David d'Angers, James Pradier, Antoine Etex ou Auguste Préault. Par son style qui sut toujours allier la tradition classique à un naturalisme et un lyrisme puissant, Rude apporta un nouveau souffle à la sculpture décorative et historique dont Carpeaux et Rodin ont saisi toute la modernité. Élève de Jacques-Louis David et d'Anatole Devosge, Sophie Rude, originaire comme lui de Dijon, délaissa peu à peu les sujets classiques de la peinture, puis l'inspiration historique, pour se consacrer au genre du portrait. Elle sut en exploiter à la fois le caractère d'apparat et d'intimité, la famille et les amis bourguignons demeurant ses modèles favoris. Elle a été exposée aux Salons de Paris, Gand et Bruxelles, avant de former à son tour d'autres artistes. Pour la première fois, un ouvrage porte un regard croisé sur les oeuvres de ces deux artistes, réunies et présentées à travers une iconographie en grande partie inédite. Les trajectoires parallèles de ce couple d'artistes engagés, nourris par la culture des Lumières et les idéaux révolutionnaires, reflètent le bouillonnement créatif et politique de la première moitié du XIXe siècle.

Art --- Rude, Sophie --- Rude, François --- anno 1800-1899 --- France --- vrouwelijke kunstenaars --- Salons --- geschiedenis --- propaganda --- Devosge, François --- 19de eeuw --- Frankrijk --- Brussel --- Exhibitions --- Art - Political aspects - France - History - 19th century - Exhibitions --- Rude, François, 1784-1855 - Exhibitions --- Rude, Sophie, 1797-1867 - Exhibitions --- vrouwelijke kunstenaars. --- Salons. --- geschiedenis. --- propaganda. --- Rude, Sophie. --- Rude, François. --- Devosge, François. --- 19de eeuw. --- Frankrijk. --- Brussel.

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Propaganda, Roman --- Coins, Roman --- Emperors --- Propagande romaine --- Monnaies romaines --- Pictorial works --- Agrippina, --- Antonia Augusta, --- Caligula, --- Claudius, --- Iconography --- Rome --- Nobility --- History --- Histoire --- -Propaganda, Roman --- -Rulers --- Sovereigns --- Heads of state --- Kings and rulers --- Monarchy --- Roman propaganda --- Noble class --- Noble families --- Nobles (Social class) --- Peerage --- Upper class --- Aristocracy (Social class) --- Titles of honor and nobility --- Roman coins --- Portraits --- Agrippina Major --- -Antonia Augusta --- -Caligula Emperor of Rome --- -Claudius Emperor of Rome --- -Numismatics --- Numismatics --- -Coins, Roman. --- Propaganda, Roman. --- Numismatics. --- Coins, Roman. --- -Portraits --- -Coins, Roman --- Iconography. --- -Roman propaganda --- Rulers --- Rim --- Roman Empire --- Roman Republic (510-30 B.C.) --- Romi (Empire) --- Gaius Caesar Germanicus, --- Gaius, --- Gaius, Julius Caesar Germanicus, --- Caligola, --- Ḳaligulah, --- קאליגולאה, --- קאליגולא, --- קאליגולה --- Kaligula, --- Claude, --- Claudio, --- Ḳlaʼudyus, --- Tiberius Claudius Caesar Augustus Germanicus, --- Agrippina, Vipsania, --- Agrippine, --- Pictorial works.