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cartography [discipline] --- typography --- coins [money] --- manuscripts [document genre] --- Art --- tokens [exchange media] --- Royal Library Albert I [Brussels] --- Book history --- Book acquisition --- Bibliotheekwezen --- Bibliothèques --- Catalogues d'expositions --- Tentoonstellingscatalogi --- 091 <493 BRUSSEL> --- 091 <064> --- 027.54 <493> --- Handschriftenkunde. Handschriftencatalogi--België--BRUSSEL --- Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Exhibitions --- 091 <064> Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- 091 <493 BRUSSEL> Handschriftenkunde. Handschriftencatalogi--België--BRUSSEL --- manuscripts [documents] --- book history --- national libraries [institutions] --- prints [visual works] --- Royal Library of Belgium --- Books --- History --- Royal Library of Belgium [Brussels]

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Book history --- China --- woodcarving --- paper [fiber product] --- typography --- Graphics industry --- rubbings [visual works] --- #GGSB: Kunst (cataloog tentoonstelling) --- S01/0600 --- S17/2109 --- 09:676 <51> --- 092 =9 --- 655.26 --- 655.262 <51> --- 655 <064> --- 094 =951 --- dossier samengesteld door Jean-Marie Simonet, Jacques Goffin, Jean-Luc Balle --- grafiek --- boekdrukkunst --- houtgravures --- Cai Lun --- 76.03 --- 655.26 Soorten zetwerk. Lay-out. Typografische vormgeving --- 655.26 Typography. Graphic design. Kinds of text (material to be set) --- Soorten zetwerk. Lay-out. Typografische vormgeving --- Typography. Graphic design. Kinds of text (material to be set) --- 09:676 <51> Handschriften en oude drukken: papier, watermerken--China --- Handschriften en oude drukken: papier, watermerken--China --- 094 =951 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Chinees --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Chinees --- 655 <064> Grafische industrie. Drukkerij. Uitgeverij. Boekhandel-- algemeen--Tentoonstellingscatalogi. Museumcatalogi --- 655 <064> Graphic industries. Printing. Publishing. Book trade--Tentoonstellingscatalogi. Museumcatalogi --- Grafische industrie. Drukkerij. Uitgeverij. Boekhandel-- algemeen--Tentoonstellingscatalogi. Museumcatalogi --- Graphic industries. Printing. Publishing. Book trade--Tentoonstellingscatalogi. Museumcatalogi --- 655.262 <51> Boekdesign--algemeen--China --- 655.262 <51> Typographic design of the text. Aesthetic questions, text division and layout, arrangement of illustrations etc.--China --- Boekdesign--algemeen--China --- Typographic design of the text. Aesthetic questions, text division and layout, arrangement of illustrations etc.--China --- 092 =9 Blokboeken--Oosterse talen --- Blokboeken--Oosterse talen --- China: Bibliography and reference--Books, printing, editing and paper --- China: Art and archaeology--Musea and exhibitions: Belgium --- Geschiedenis --- Boekdrukkunst --- Schrift --- Handschrift (persoon) --- Nederland --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Vietnam --- Zuid-Afrika --- Kust --- Literatuur --- Kunst (cataloog tentoonstelling) --- stone rubbings --- houtsneden --- drukken --- papier --- woodcarving [process]

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Calligraphie perse --- Calligraphy [Persian ] --- Kalligrafie [Perzische ] --- Albums --- Art, Safavid --- Art, Timurid --- Book design --- Calligraphy, Persian --- Islamic art --- Persian calligraphy --- Design, Book --- Books --- Graphic design (Typography) --- Timurid art --- Safavid art --- Blank-books --- Format --- Iran --- República Islâmica do Irã --- Irã --- Persia --- Northern Tier --- Islamic Republic of Iran --- Jumhūrī-i Islāmī-i Īrān --- I-lang --- Paras-Iran --- Paras --- Persia-Iran --- I.R.A. --- Islamische Republik Iran --- Islamskai︠a︡ Respublika Iran --- I.R.I. --- IRI --- ايران --- جمهورى اسلامى ايران --- Êran --- Komarî Îslamî Êran --- Kings and rulers --- Art collections. --- Art [Timurid ] --- Art [Islamic ] --- Art collections --- Art [Safavid ]

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Computer architecture. Operating systems --- Book history --- Graphics industry --- anno 2000-2009 --- anno 1800-1999 --- China --- S01/0600 --- S11/1600 --- China: Bibliography and reference--Books, printing, editing and paper --- China: Social sciences--Internet --- Books and reading --- Internet publishing --- Literature publishing --- Periodicals --- Printing --- Publishers and publishing --- Printing, Practical --- Typography --- Graphic arts --- Journals (Periodicals) --- Magazines --- Library materials --- Mass media --- Serial publications --- Newspapers --- Press --- Literary publishing --- Literature --- Electronic publishing --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- Book publishing --- Book industries and trade --- Booksellers and bookselling --- History --- Publishing&delete& --- Political aspects&delete& --- Social aspects&delete& --- Publishing --- Appraisal --- Evaluation --- Political aspects --- Social aspects

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A quiet revolution in knowledge separated the early modern period in Japan from all previous time. After 1600, self-appointed investigators used the model of the land and cartographic surveys of the newly unified state to observe and order subjects such as agronomy, medicine, gastronomy, commerce, travel, and entertainment. They subsequently circulated their findings through a variety of commercially printed texts: maps, gazetteers, family encyclopedias, urban directories, travel guides, official personnel rosters, and instruction manuals for everything from farming to lovemaking. In this original and gracefully written book, Mary Elizabeth Berry considers the social processes that drove the information explosion of the 1600's. Inviting readers to examine the contours and meanings of this transformation, Berry provides a fascinating account of the conversion of the public from an object of state surveillance into a subject of self-knowledge. Japan in Print shows how, as investigators collected and disseminated richly diverse data, they came to presume in their audience a standard of cultural literacy that changed anonymous consumers into an "us" bound by common frames of reference. This shared space of knowledge made society visible to itself and in the process subverted notions of status hierarchy. Berry demonstrates that the new public texts projected a national collectivity characterized by universal access to markets, mobility, sociability, and self-fashioning.

Printing --- History --- 094 =956 --- J0950 --- 76 <520> --- 912 <09> <520> --- 094 =956 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Japans --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Japans --- Japan: Books and magazines -- publishing and bookselling --- Grafische kunsten. Grafiek. Prentkunst--Japan --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van ...--Japan --- Printing, Practical --- Typography --- Graphic arts --- agronomy. --- asian history. --- cartography. --- commerce. --- common frames of reference. --- communication. --- cultural literacy. --- diverse data. --- early modern japan. --- early modern period. --- east asian culture. --- entertainment. --- gastronomy. --- japan. --- japanese culture. --- japanese society. --- markets. --- material culture. --- media studies. --- medicine. --- mobility. --- model of the land. --- national collectivity. --- print culture. --- self fashioning. --- self knowledge. --- sociability. --- state surveillance. --- status hierarchy. --- travel.