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Mass media --- Political culture --- Political aspects --- History
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Mummies in mass media --- Mass media --- Mummy films --- Mummies --- History and criticism.
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Mass media and music --- Music and mass media --- Music --- 78.28 --- Filmmuziek --- Videoclips --- Televisie --- Media --- 20e eeuw
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Art --- Art and society --- Art and state --- Art patronage --- Art et société --- Mécénat --- Congresses. --- Congresses --- Congrès --- Politique gouvernementale --- --Mécénat --- --Société --- --Mass media and art --- Political aspects --- 7.071 <493> --- 321.01 <493> --- 316.46 <493> --- Music --- Art et société --- Mécénat --- Congrès --- 20th century --- Mass media and art --- Finance --- Kunst --- Société --- Mass media and art - Congresses --- Art and state - Congresses --- Art patronage - Congresses --- Art - Political aspects - Congresses --- Belgique --- Pouvoir politique --- Pouvoir economique --- Medias --- Politique culturelle --- Arts / artiste
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PR (public relations) --- Advertising. Public relations --- Public relations --- Business --- Industries --- PR (Public relations) --- Advertising --- Industrial publicity --- Mass media and business --- Propaganda --- Publicity --- Public relations. --- 091
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Mass media and music --- Music and technology --- Music trade --- Music --- Sound recording industry --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music business --- Music industry --- Cultural industries --- Technology and music --- Technology --- Music and mass media --- History and criticism --- Muziek --- Techniek --- Media --- Radio --- 21e eeuw
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What does it mean for a cinematic work to be 'Chinese'? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like 'Chinese cinema' difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations.
Motion pictures --- Cinéma --- S17/2000 --- S17/0100 --- China: Art and archaeology--Film --- China: Art and archaeology--Bibliographies, dictionaries, yearbooks and collections --- Cinéma --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Motion pictures --- Cinéma --- Social aspects --- Aspect social --- S17/2000 --- China: Art and archaeology--Film --- Film --- Sociology of culture --- China --- Cinéma --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Press --- Journalists --- Mass media --- Information services --- Associations, institutions, etc. --- Presse --- Journalistes --- Médias --- Services d'information --- Associations --- Directories --- Répertoires --- Mediaplanning --- Mediaplanning. --- Médias --- Répertoires --- Directories. --- 092.1 Media 2008
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films --- kostuumontwerpen --- kostuums --- Costume --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Exhibitions --- History and criticism --- Hollywood (Los Angeles, Calif.) --- Hūlīwūd (Los Angeles, Calif.) --- Hollywood (Calif.) --- Exhibitions.
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