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Art styles --- anno 1910-1919 --- anno 1920-1929 --- anno 1900-1909 --- England --- Art, English --- Modernism (Art) --- Art, English - 20th century --- Modernism (Art) - England
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The picture plane of a painting creates boundaries and perspectives. It governs the relationship of daubs of pigment on a canvas to reality, allowing the viewer to connect with the imagined world of a work of art. Charles Harrison's latest endeavor, 'Painting the Difference', explores the role of the picture plane in modern painting and the relationships it creates among the artist, the subject, and the spectator. One of the most respected teachers and theorists of modern art, Harrison here offers a bold interpretation of the Modernist canon that uncovers the significance of gender to the functioning of the picture plane. Arguing that the representation of women in art was crucial to the character of modernity, Harrison traces the history of female subjects as they began to gaze out of the picture to confront and engage their viewers. Combining sweeping conceptual history with telling investigations into the details of particular paintings, 'Painting the Difference' deciphers the implications of sexual difference for the development of nineteenth- and twentieth-century art. Harrison shows how artists, reflecting the underlying anxieties of the time about gender, used female subjects' gazes both to create a sexualized relationship between these subjects and their viewers, and to simultaneously question that relationship. In considering works by artists such as Renoir, Manet, Degas, Cezanne, Picasso, and Matisse, as well as Rothko, Warhol, Cindy Sherman, and many more, Harrison incorporates elements of cultural criticism and social history into his arguments, and generous color illustrations permit the reader to test Harrison's claims against the works on which they are based. Rich with detail and compelling analysis, 'Painting the Difference' offers cutting-edge interpretation grounded in the reality of magnificent works of art.
Art --- Sociology of the family. Sociology of sexuality --- anno 1800-1999 --- Gender identity in art. --- Painting, Modern --- Sex role in art. --- Themes, motives. --- Picasso, Pablo --- Cassatt, Mary --- Renoir, Auguste --- Cézanne, Paul --- Morisot, Berthe Marie Pauline --- Matisse, Henri --- Rothko, Mark --- Bonnard, Pierre --- Degas, Edgar --- anno 1900-1999 --- anno 1800-1899 --- Manet, Edouard --- Gender --- Sex --- Painting --- Images of women --- Book
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Aesthetics of art --- anno 1800-1899 --- ed. by Charles Harrison and Paul Wood with Jason Gaiger --- Art, Modern --- Philosophy --- 7.01 --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Modern art --- ed. by Charles Harrison and Paul Wood ; with Jason Gaiger --- esthetica --- kunst --- kunsttheorie --- naslagwerk --- negentiende eeuw --- Art --- Nieuwe Ploeg (Group of artists)
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Kunsttheorie 1900-1990 --- 7.01 --- Kunst theorie, filosofie, esthetica --- Art, Modern --- Philosophy --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Aesthetics of art --- anno 1900-1999 --- Kunsttheorie ; 1900-1990 --- Kunst ; theorie, filosofie, esthetica --- Philosophy. --- Edited by Charles Harrison and Paul Wood --- esthetica --- kunst --- kunsttheorie --- naslagwerk --- twintigste eeuw --- Art, Modern - 20th century - Philosophy. --- Art moderne --- 20e siècle --- Philosophie
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7.01 --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Modernist --- Abstract [fine arts style] --- art [fine art] --- Expressionist [style] --- Art --- anno 1900-1999 --- anno 1800-1899 --- anno 2000-2099 --- art [discipline] --- Abstract [modern European style] --- kunstsociologie
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Aesthetics of art --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- Art --- Early works to 1800 --- Art, Modern - 17th-18th centuries - Philosophy.
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"Art in Theory: The West in the World is a ground-breaking anthology that comprehensively examines the relationship of Western art to the art and material culture of the wider world. Editors Paul Wood and Leon Wainwright have included over 350 texts, some of which appear in English for the first time. The anthologized texts are presented in eight chronological parts, which are then subdivided into key themes appropriate to each historical era. The majority of the texts are representations of changing ideas about the cultures of the world by European artists and intellectuals. Increasingly, as the modern period develops, and especially as colonialism is challenged, a variety of dissenting voices begin to claim their space, and a counter narrative to Western hegemony develops. Over half of the book is devoted to 20th and 21st Century materials, though the book's unique selling point is the way in which it relates to the modern globalization of art to much longer cultural histories. As well as the anthologized material, Art in Theory: The West in the World contains: a general introduction discussing the scope of the collection ; Introductory essays to each of the eight parts, outlining the main themes in their historical contexts ; Individual introductions to each text, explaining how they relate to the wider theoretical and political currents of their time. Intended for a wide audience, this book is essential reading for students on courses in art and art history. It will also be useful to specialists in the field of art history and readers with a general interest in the culture and politics of the modern world."
Art --- History --- Aesthetics of art --- History of civilization --- art history --- intellectual history --- writings [documents] --- philosophy of art --- globalization --- 7.01 --- kunst --- kunsttheorie --- kolonialisme --- oriëntalisme --- kunstgeschiedenis --- cultuurfilosofie --- esthetica --- naslagwerk --- vijftiende eeuw --- zestiende eeuw --- zeventiende eeuw --- achttiende eeuw --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- Art history --- History of art
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sculpting --- History --- Sculpture --- art history --- Art --- Cragg, Tony --- Long, Richard --- Woodrow, Bill --- Nash, David --- Deacon, Richard --- Flanagan, Barry --- anno 1900-1999 --- anno 1980-1989 --- anno 1960-1969 --- anno 1970-1979 --- Great Britain --- Sculpture, British --- Sculpture britannique --- Exhibitions --- Expositions --- -British sculpture --- sculpture [visual works] --- -Sculpture, British
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