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Friedrich Barbarossa im Kyffhäuser : Bilder eines nationalen Mythos im 19. Jahrhundert
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ISBN: 9783412169060 3412169064 Year: 2007 Volume: Band 4 Publisher: Köln : Böhlau,


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Fonte au sable, fonte à la cire perdue : histoire d'une rivalité
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ISBN: 9782708013384 2708013386 Year: 2012 Publisher: Paris : Editions Ophrys,

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La fonte au sable, au XIXe siècle, servait avant tout pour la production industrielle, tandis que la fonte à la cire, plus coûteuse, était utilisée pour les bronzes d rt. A partir des sources originelles, cette monographie montre la rivalité entre les deux procédés, qu

Symbols of time in the history of art
Authors: --- ---
ISBN: 2503511856 9782503511856 Year: 2002 Volume: 9 Publisher: Turnhout Brepols

Patterns of intention : on the historical explanation of pictures
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ISBN: 0300034652 9780300034653 0300037635 9780300037630 Year: 1985 Publisher: New Haven (Conn.): Yale university

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A Brief History of the Masses
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ISBN: 9780231145268 9780231517928 0231145268 0231517920 Year: 2008 Publisher: New York, NY

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Stefan Jonsson uses three monumental works of art to build a provocative history of popular revolt: Jacques-Louis David's The Tennis Court Oath (1791), James Ensor's Christ's Entry into Brussels in 1889 (1888), and Alfredo Jaar's They Loved It So Much, the Revolution (1989). Addressing, respectively, the French Revolution of 1789, Belgium's proletarian messianism in the 1880s, and the worldwide rebellions and revolutions of 1968, these canonical images not only depict an alternative view of history but offer a new understanding of the relationship between art and politics and the revolutionary nature of true democracy. Drawing on examples from literature, politics, philosophy, and other works of art, Jonsson carefully constructs his portrait, revealing surprising parallels between the political representation of "the people" in government and their aesthetic representation in painting. Both essentially "frame" the people, Jonsson argues, defining them as elites or masses, responsible citizens or angry mobs. Yet in the aesthetic fantasies of David, Ensor, and Jaar, Jonsson finds a different understanding of democracy-one in which human collectives break the frame and enter the picture.Connecting the achievements and failures of past revolutions to current political issues, Jonsson then situates our present moment in a long historical drama of popular unrest, making his book both a cultural history and a contemporary discussion about the fate of democracy in our globalized world.

History and its images : art and the interpretation of the past.
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ISBN: 0300055404 0300059493 9780300055405 9780300059496 Year: 1993 Publisher: New Haven (Conn.) Yale university

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Over the last four centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. In this wide-ranging and engrossing book, a distinguished art historian surveys the various ways that they have adopted for making use of this material, and he examines the specific objects that became available to them through excavation, the creation of private collections and public museums, easier means of travel, and the startling displacements brought about by vandalism and art exhibitions. Francis Haskell begins by discussing the antiquarians of the sixteenth and seventeenth centuries who brought to light and interpreted as historical evidence coins, sculptures, paintings discovered in the catacombs beneath Rome and other relics surviving from earlier ages. He explains that, in the eighteenth century, historians gradually began to acknowledge the significance of such visual sources and to draw on them in order to validate and give colour to their narratives or to utilize them as foundation stones for a new branch of learning - the history of culture. Later writers followed the example of Michelet in making inferences from the visual arts to indicate the whole mentality of an age, while (more erratically) others saw in them the harbingers of political, religious or social upheavals. Haskell concludes by discussing those cultural historians of the nineteenth and early twentieth centuries, Burckhardt and Huizinga above all, who did not merely give the visual arts a prominent and necessary place in their interpretations of the past, but in some ways actually interpreted the past through the visual arts.


Book
Romantiek en historische cultuur.
Authors: --- ---
ISBN: 9065540539 9789065540539 Year: 1996 Volume: 3 Publisher: Groningen Historische uitgeverij

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Keywords

History of civilization --- History as a science --- anno 1800-1899 --- Geschiedschrijving --- Historiographie --- Romantiek (kunst) --- Romantiek (letterkunde) --- Romantisme (art) --- Romantisme (littérature) --- Arts, Modern --- Romanticism in art --- Art and history --- Literature and history --- Romanticism --- Arts modernes --- Romantisme dans l'art --- Art et histoire --- Littérature et histoire --- Romantisme --- History --- Histoire --- Europe --- Civilization --- Historiography --- Civilisation --- romantiek --- geschiedenis --- literatuur --- theater --- heroïsme --- architectuur --- Verlichting (18de eeuw) --- Buffon, Georges-Louis-Léclerc (graaf van) --- Humboldt, Alexander von --- Burckhardt, Jacob Christoph --- Gibbon, Edward --- Granet, François-Marius --- Scott, William --- Arnim, Achim von --- 18de eeuw --- 19de eeuw --- Frankrijk --- Duitsland --- België --- Rome --- 930.85.55 --- Arts, European --- -Romanticism in art --- -Academic collection --- Idealism in art --- Naturalism in art --- Realism in art --- European arts --- Cultuurgeschiedenis: Romantiek --- #A9610H --- 930.85.55 Cultuurgeschiedenis: Romantiek --- Romanticism (Art) --- Littérature et histoire --- Art styles --- Romantic [modern European styles] --- Academic collection --- theater, toneel, toneelvoorstelling --- Von Humboldt, Alexander --- Von Arnim, Achim --- heroïsme. --- architectuur. --- Verlichting (18de eeuw). --- Buffon, Georges-Louis-Léclerc (graaf van). --- Von Humboldt, Alexander. --- Burckhardt, Jacob Christoph. --- Gibbon, Edward. --- Granet, François-Marius. --- Scott, William. --- Von Arnim, Achim. --- 18de eeuw. --- 19de eeuw. --- Frankrijk. --- Duitsland. --- België. --- Rome. --- cultuurgeschiedenis --- Littérature néerlandaise --- LITTERATURE ET HISTOIRE --- 19e siècle --- Histoire et critique


Book
The big archive : art from bureaucracy.
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ISBN: 9780262195706 0262195704 9780262533577 026253357X Year: 2008 Publisher: Cambridge MIT press

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Les archives sont un creuset du modernisme du XXe siècle et une clé pour comprendre l'art contemporain. La machine à écrire, la fiche et le classeur: ce sont les technologies et les modalités de l’archivage. Pour le bureaucrate, les archives ne contiennent guère plus que des ordures, la paperasse n’est plus nécessaire; pour l'historien, en revanche, le contenu de l'archive est un corrélatif quasi objectif du passé «vivant». L'art du XXe siècle utilisait les archives de différentes manières - de ce que Spieker appelle les «archives anémiques» de Marcel Duchamp, des readymades et les Demonstration Rooms d'El Lissitzky aux compilations de photographies réalisées par des artistes d'après-guerre tels que Susan Hiller et Gerhard Richter. Dans The Big Archive , Sven Spieker étudie les archives - en tant qu’institution bureaucratique et indice des attitudes en évolution vis-à-vis de la science et de l’art -, et considère qu’il s’agit d’un creuset du modernisme du XXe siècle. Les dadaïstes, constructivistes et surréalistes préféraient des archives discontinues non linéaires qui résistaient à la lecture herméneutique et à une présentation ordonnée. Spieker affirme que l'utilisation d'archives par des artistes contemporains tels que Hiller, Richter, Hans-Peter Feldmann, Walid Raad et Boris Mikhailov répond à l'attentat contre l'archive du XIXe siècle et poursuit son objectivation du processus historique. Spieker considère l'art sous l'angle de l'archivistique en relation avec l'évolution des technologies des médias: la machine à écrire, le téléphone, le télégraphe, le film. Et il relie les archives à une visualité particulièrement moderne, montrant que les avant-gardes les utilisaient comme un laboratoire pour des enquêtes expérimentales sur la nature de la vision et son rapport au temps. The Big Archive nous offre la première monographie critique sur un motif fondamental de l'art du XXe siècle.

Keywords

Archivistics --- Art --- anno 1900-1999 --- Art, Modern --- Collective memory. --- Art and history. --- Mémoire collective --- Art et histoire --- kunst --- fotografie --- ready-mades --- twintigste eeuw --- archieven --- archivering --- Freud Sigmund --- Duchamp Marcel --- Rodchenko Alexander --- Warhol Andy --- Calle Sophie --- Hiller Susan --- Raad Walid --- Richter Gerhard --- Feldmann Hans-Peter --- Mikhailov Boris --- 7.036 --- 7.038 --- 7.039 --- 7.01 --- Thema's in de kunst ; het archiveren --- Beeldende kunst ; 20ste eeuw --- Freud, Sigmund --- Duchamp, Marcel --- Breton, André --- Ernst, Max --- Le Corbusier --- Lissitzky, El --- Eisenstein, Sergei --- Feldmann, Hans-Peter --- Hiller, Susan --- Richter, Gerhard --- Raad, Walid --- Mikhailov, Boris --- Fehr, Michael --- Fraser, Andrea --- Calle, Sophie --- Kunst ; theorie, filosofie, esthetica --- sculpture [visual works] --- fonds [collections] --- installations [visual works] --- documents [object genre] --- photographs --- Heartfield, John --- Warhol, Andy --- Kabakov, Ilija Iosefovich --- Lissitzky, Eliezer --- Rodtschenko, Alexander Michajlowitsch --- Demand, Thomas --- Mémoire collective --- Art and history --- Collective memory --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- History and art --- History --- History in art --- Archives --- Technologie --- Art contemporain --- Fonds d'archives --- Art, Modern - 20th century


Multi
Images performing history : photography and representations of the past in European art after 1989
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ISBN: 9789462700291 946270029X Year: 2015 Volume: 20 Publisher: Leuven : Leuven university press,

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History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. This book offers a discussion of contemporary art practices which question the received notions of historical representations after the pivotal changes of 1989 in Europe. These art practices reveal, in different ways, the operative role of the photographic media in making and remaking history. Not limited to a particular artistic medium, they demonstrate how history is forged through enacting or re-enacting its past forms, while, on the other hand, they indicate how copying and quoting can contribute to creating a new, operative aesthetics. By foregrounding a performative character of images, art is shown to construct an alternative knowledge of the past.

Keywords

History as a science --- Photography --- photography [process] --- Philosophy and psychology of culture --- anno 2000-2099 --- anno 1990-1999 --- Europe --- Art and history --- Art and revolutions --- Art et histoire --- Art et revolutions --- Documentaire fotografie --- Documentary photography --- Fotografie [Documentaire ] --- Fotografie in de geschiedschrijving --- Geschiedenis en kunst --- Geschiedenis in de kunst --- Geschiedenis in de massamedia --- Geschiedenis in de media --- Histoire dans l'art --- Histoire dans les mass media --- Histoire dans les media --- Histoire et art --- Historical painting --- Historieschilderkunst --- History and art --- History in art --- History in mass media --- History in the media --- History painting --- Installaties (Kunst) --- Installations (Art) --- Kunst en geschiedenis --- Kunst en revoluties --- Peinture d'histoire --- Photographie dans l'historiographie --- Photographie documentaire --- Photography [Documentary ] --- Photography in historiography --- Revoluties en kunst --- Revolutions and art --- Revolutions et art --- Histoire dans les médias --- Photographie en historiographie --- Art et révolutions --- Medienwissenschaft --- Kunst --- Geschichte 1989-2015 --- Europa --- Academic collection --- Art and history. --- Art and photography --- Art and photography. --- 1900-2099. --- Europe. --- Histoire dans les médias --- Art et révolutions --- Medienwissenschaft. --- Kunst. --- Europa. --- kunst --- 77.01 --- 7.01 --- 77.038/039 --- 7.038/039 --- Schmidt Dierk --- Tuymans Luc --- Ujic Andrej --- Farocki Harun --- Bartana Yael --- Kulik Zofia --- eenentwintigste eeuw --- twintigste eeuw --- kunsttheorie --- kunst en geschiedenis --- fotografie en geschiedenis --- fotografietheorie --- fotografie --- cultuurgeschiedenis --- cultuurfilosofie


Book
The historical imagination in nineteenth-century Britain and the Low Countries
Authors: ---
ISBN: 9789004233799 9789004241862 9004233792 9004241868 1283854406 9781283854405 Year: 2013 Volume: 5 Publisher: Leiden Boston Brill

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The nineteenth century laid the foundations of history as a professional discipline but also popularized and romanticized the subject. National histories were written and state museums founded, while collective memories were created in fiction and drama, art and architecture and through the growth of tourism and the emergence of a heritage industry. The authors of this collection compare Britain, the Netherlands and Belgium, unearthing the ways in which history was conceived and then utilized. They conclude that although nationalistic historicism ruled in all genres, the interaction of the nineteenth century with its imagined past was far richer and more complex, both across national borders and within them. Contributors include: Niek van Sas, Andrew Mycock, Marnix Beyen, Ellinoor Bergvelt, Joep Leerssen, Joanne Parker, Anna Vaninskaya, Jenny Graham, Tom Verschaffel, Saartje Vanden Borre, Hugh Dunthorne and Michael Wintle.

Keywords

History of civilization --- anno 1800-1899 --- Belgium --- Netherlands --- Great Britain --- Art and history --- Literature and history --- Historiography --- Art et histoire --- Littérature et histoire --- Historiographie --- History --- Histoire --- Grande-Bretagne --- Belgique --- Pays-Bas --- History and literature --- History and poetry --- Poetry and history --- History and art --- History in art --- Littérature et histoire --- Historiography. --- The Netherlands --- Países Baixos --- Holland --- Spanish Netherlands --- Pays-Bas espagnols --- Austrian Netherlands --- Pays-Bas autrichiens --- Oostenrijkse Nederlanden --- Southern Netherlands --- Pays-Bas méridionaux --- Zuidelijke Nederlanden --- Niderlandy --- Belanda --- Nederland --- Koninkrijk der Nederlanden --- Reino dos Países Baixos --- Royaume des Pays-Bas --- Kingdom of the Netherlands --- Países Bajos --- Holanda --- Nederlân --- Hulanda --- Beulanda --- Niderland --- Niderlande --- هولندا --- مملكة هولندا --- Mamlakat Hūlandā --- Olanda --- Payis-Bâs --- Países Baxos --- Aynacha Jach'a Markanaka --- Nirlan --- Niderland Krallığı --- Kē-tē-kok --- Landa --- Kerajaan Landa --- Нидерландтар --- Niderlandtar --- Нидерландтар Короллеге --- Niderlandtar Korollege --- Нідэрланды --- Каралеўства Нідэрланды --- Karaleŭstva Nidėrlandy --- Nederlands --- Niadaland --- Holandija --- Kraljevina Holandija --- Izelvroioù --- Нидерландия --- Niderlandii︠a︡ --- Кралство Нидерландия --- Kralstvo Niderlandii︠a︡ --- Països Baixos --- Нидерландсем --- Niderlandsem --- Нидерландсен Патшалăхĕ --- Niderlandsen Patshalăkhĕ --- Nizozemsko --- Paesi Bassi --- Regnu di i Paesi Bassi --- Iseldiroedd --- Nederlandene --- Niederlande --- Kéyah Wóyahgo Siʼánígíí --- Nižozemska --- Kralojstwo Nederlandow --- Madalmaad --- Ολλανδία --- Ollandia --- Hollandia --- Κάτω Χώρες --- Katō Chōres --- Βασίλειο των Κάτω Χωρών --- Vasileio tōn Katō Chōrōn --- Nederlando --- Reĝlando Nederlando --- Paisis Bajus --- Herbehereak --- Herbehereetako Erresumaren --- هلند --- Huland --- Niðurlond --- Háland --- Paîs Bas --- Neerlande --- Ísiltír --- Ríocht na hÍsiltíre --- Çheer Injil --- Çheer y Vagheragh --- Reeriaght ny Çheer Injil --- Tìrean Ìsle --- Hò-làn --- Недерлендин Нутг --- Nederlendin Nutg --- 네덜란드 --- Nedŏllandŭ --- Hōlani --- Nederlandia --- Pais Basse --- Regno del Paises Basse --- Нидерландтæ --- Niderlandtæ --- Нидерландты Къаролад --- Niderlandty Kʺarolad --- Konungsríkið Holland --- הולנד --- Holand --- ממלכת ארצות השפלה --- Mamlekhet Artsot ha-Shefelah --- Walanda --- Hollandi --- Нидерландла --- Niderlandla --- Нидерландланы Королевствосу --- Niderlandlany Korolevstvosu --- Néderlandzkô --- Нидерланд --- Iseldiryow --- Ubuholandi --- Ubuhorandi --- Nederilande --- Нидерланддар --- Niderlanddar --- Uholanzi --- Ufalme wa Nchi za Chini --- Нидерландъяс --- Niderlandʺi︠a︡s --- Нидерландъяс Корольув --- Niderlandʺi︠a︡s Korolʹuv --- Peyiba --- Holenda --- Keyatiya Nederlandan --- Payises Bashos --- פאייסיס באשוס --- Nīderlandeja --- Batavia --- Regni Nederlandiarum --- Nīderlandes Karaliste --- Nyderlandai --- Nyderlandų Karalystė --- Paixi Basci --- Paes Bass --- Ulanda --- Holland Királyság --- Keninkryk fan 'e Nederlannen --- Reino di Hulanda --- Холандија --- Кралство Холандија --- Kralstvo Holandija --- Pajjiżi l-Baxxi --- Hōrana --- Недерлатт --- Nederlatt --- Оцязорксши Недерлатт --- Ot︠s︡i︠a︡zorksshi Nederlatt --- Нидерландын Вант Улс --- Niderlandyn Vant Uls --- Tlanitlālpan --- Huēyitlahtohcāyōtl in Tlanitlālpan --- Eben Eyong --- Nederlaand --- オランダ --- Oranda --- オランダ王国 --- Oranda Ōkoku --- Ulanna --- Nethiland --- Nederlande --- Holandska --- Holland (Kingdom) --- Batavian Republic --- United Provinces of the Netherlands --- Bäigien --- Baljīkā --- Belchica --- Belçika --- Belçika Krallığı --- Beldjym --- Belezi --- Belga Királyság --- Beļgeja --- Belghia --- Belʹgi --- Bèlgia --- Belgia Kuningriik --- Bélgica --- Belgice --- Belgice Cynerīce --- Belgické království --- België --- Belgien --- Bélgii Bikéyah --- Belgii︠a︡ --- Belʹgii︠a︡ Korollege --- Belgija --- Beļg̓ijas Karaliste --- Belgijos Karalystė --- Belgijskô --- Belgika --- Belgio --- Belgiska --- Belgiya --- Belgiyah --- Belgje --- Belgjiche --- Belgjo --- Belgujo --- Belʹhii︠a︡ --- Belhika --- Bèljik --- Beljika --- Belʹjmudin Nutg --- Belsch --- Belsj --- Bélxica --- Berugī --- Bheilg --- Bilgasuyu --- Bilhika Qhapaqsuyu --- Bilkiya --- Gwlad Belg --- Igihugu cyʼUbubirigi --- Karaleŭstva Belʹhii︠a︡ --- Keuninkriek Belsj --- Kingdom of Belgium --- Kinigraich Bäigien --- Kinnekräich Belsch --- Kongeriget Belgien --- Königreich Belgien --- Königriich Belgie --- Koninkrijk België --- Koninkrijk van België --- Koninkryk van België --- Kraljevina Belgija --- Kralojstwo Belgiskej --- Mamlakat Baljīkā --- Mamlekhet Belgiyah --- Nsi ya ntotila ya Belezi --- Pelekiuma --- Pow Belg --- Reeriaght ny Belg --- Reĝlando Belgio --- Regne de Bèlgica --- Regno del Belgio --- Reino de Belchica --- Reino de Bélgica --- Reinu de Bélxica --- Ríocht na Beilge --- Rìoghachd na Beilge --- Royaume de Belgique --- Royômo de Bèlg·ique --- Ruwvaneth Belgek --- Teyrnas Gwlad Belg --- Ubelgiji --- Ububiligi --- Ububirigi --- Ufalme wa Ubelgiji --- Vasileio tou Velgiou --- Vãsilia di Belghia --- Velg --- Velgio --- Βασίλειο του Βελγίου --- Βέλγιο --- Каралеўства Бельгія --- Бельги --- Бельгия --- Бельгия Короллеге --- Бельгія --- Белгия --- Белгија --- ממלכת בלגיה --- בלגיה --- بلجيكا --- مملكة بلجيكا --- ベルギー

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