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Transfigurements develops a framework for thinking about art through innovative readings of some of the most important philosophical writing on the subject by Kant, Hegel, and Heidegger. Sallis exposes new layers in their texts and theories while also marking their limits. By doing so, his aim is to show that philosophy needs to attend to art directly. Consequently, Sallis also addresses a wide range of works of art, including paintings by Raphael, Monet, and Klee; Shakespeare's comedies; and the music of Beethoven, Schubert, Mahler, and Tan Dun. Through these interpretations, he put

Aesthetics of art --- Art. --- Art - Philosophy. --- Art -- Philosophy. --- Aesthetics --- Art --- Philosophy --- Philosophy & Religion --- Beautiful, The --- Beauty --- Art and philosophy --- Esthetics --- Taste (Aesthetics) --- Criticism --- Literature --- Proportion --- Symmetry --- Analysis, interpretation, appreciation --- Psychology --- Radio broadcasting Aesthetics

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In this brilliantly insightful and profound study, in which Carla Gottlieb analyzes contemporary art and artists from 1945 to the present, the following basic questions are covered: in which direction is art heading, why is that direction being taken, what is the nature of its achievements, and to what extent do previous achievements color this nature. Drawing extensively on the statements made by modern artists and providing a detailed discussion of a relatively few examples, Dr. Gottlieb gives her analyses in these main sections: A Prelude with Chairs; Why Create? Why Art?; The Democratization of the Art Object; Developments in Content; Uproar in Form; Storming the Barriers: The Aesthetics of the Merger; The Desanctification of the Artist and the Desacralization of the Art Object; The Disavowal of the Art Object; Attempt at a Trial Balance.

Art --- anno 1900-1999 --- Art, Modern --- Avant-garde (Aesthetics) --- Philosophy --- Philosophy. --- Avant-garde (Aesthetics). --- Art, Modern - 20th century --- Art - Philosophy

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Art --- anno 1900-1999 --- anno 2000-2099 --- Art, Modern --- Philosophy --- Contemporary art --- History --- Aesthetics --- Art, Modern - 20th century --- Art, Modern - 21st century --- Art - Philosophy

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What is conceptual art? Is it really a kind of art in its own right? Is it clever - or too clever?Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know about art, as well as our received ideas of beauty; and why conceptual art requires us to

Conceptual art. --- Aesthetics --- Art --- Conceptual art --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Beautiful, The --- Beauty --- Art and philosophy --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Analysis, interpretation, appreciation --- Psychology --- Aesthetics of art --- anno 1900-1999 --- Aesthetics. --- Philosophy. --- Radio broadcasting Aesthetics --- Art - Philosophy. --- Art -- Philosophy.

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#ANTIL9507 --- #BTAB:VH 493 Gent --- 600 Cultuur --- 7.01 --- Rubriek serials: kunst en cultuur --- tijdschriften --- Kunst (kritiek) --- Kunstkritiek --- Art philosophy --- Art --- Theatrical science --- art criticism --- Contemporary [style of art] --- hedendaagse kunst --- kunstbeschouwing --- Art, Modern --- Periodicals --- Périodiques