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Philosophy of nature --- Biology --- Aristotle --- Aristote --- Aristoteles --- Biologie --- Filosofie van de Oudheid --- Philosophie de l'Antiquité --- Philosophy, Ancient --- Science --- Philosophie ancienne --- Sciences --- Philosophy --- Early works to 1800 --- Philosophie --- Ouvrages avant 1800 --- Contributions in biology --- Sources --- Et la biologie --- 1 <38> ARISTOTELES --- Griekse filosofie--ARISTOTELES --- 1 <38> ARISTOTELES Griekse filosofie--ARISTOTELES --- Contributions in biology. --- Sources. --- Early works to 1800.

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L'Origine des espèces à partir d'un ascendant commun par sélection naturelle (1859) de Charles Darwin (1809-1882) fut un coup de tonnerre planétaire. L'évolution, en introduisant le temps infini et l'histoire dans le destin de l'homme, inspira romanciers et plasticiens. Le "chaînon manquant" lui doit beaucoup. Elle autorise pour Degas et Cormon la fluidité des corps et pour Redon et Carriès les bestiaires imaginaires. Pour Böcklin, Moreau, Klinger, la Sécession viennoise, elle signe la parenté des êtres vivants ; pour les architectes, elle justifie le fonctionnalisme. Bon goût, bel idéal et sens moral de John Ruskin, volent en éclat devant "l'esthétique physiologique". L'évolution comme "élément culturel nouveau" bouleversa la fin du XIXe, comme elle avait changé la donne en science, mais avec une chronologie qui lui fut propre.

Pure sciences. Natural sciences (general) --- Art --- Darwin, Charles --- anno 1910-1919 --- anno 1800-1899 --- anno 1900-1909 --- Evolution (Biology) in art --- Art and science. --- Art, Modern --- Evolution (Biologie) dans l'art --- Art et sciences --- Themes, motives. --- Thèmes, motifs --- Darwin, Charles, --- Influence. --- Thèmes, motifs --- Darwinsime --- Darwinisme --- Influence --- Dans l'art

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Building on the arguments of her previous books, Body Criticism (1991) and Artful Science (1994), Good Looking challenges the reflexive identification of images with vice. Today rampant criticism, both inside and outside the academy, condemns the immoralities of aesthetic illusion, museum display, cable television, and hypermedia. Believing with the American pragmatists that it is harder to do than to denounce, Barbara Stafford urges imagists to abandon Foucault's bankrupt paradigm of verbal combat. Instead of more "improving" theoretical discourse, she calls for developing a positive visual praxis on the interpretive ruins of linguistic postmodernism. Not deconstructive autopsy, but demonstrating the historical virtues of visualization for the emergent era of computerism is the task at hand. These twelve essays meditate on the stunning implications of a global shift toward vision and visionary modalities. Apparatus changes, but the basic questions endure. Machine dreams flowing from laser disks, video tapes, CD-ROMs, and magnetic disks are transforming educational, medical, and legal institutions as well as on-line society at large. Organized around three major themes - the explosion of optical information, the urgency of inventing an imaging interdiscipline, and the ethical dilemmas of technological transparency - these pieces connect a disappearing lens culture to the digital diaphanousness of the twenty-first century. Art historian Barbara Maria Stafford is William B. Odgen Distinguished Service Professor at the University of Chicago and current president of the American Society for Eighteenth-Century Studies. -- from back cover.

Postmodernism. --- Visual communication. --- Barbara Maria Stafford --- kunsttheorie --- esthetica --- kunstfilosofie --- cultuurfilosofie --- beeldcultuur --- nieuwe media --- communicatie --- cultuurgeschiedenis --- kunst en technologie --- computers --- woord en beeld --- waarneming --- internet --- achttiende eeuw --- voorstelling --- optica --- Humbert de Superville David Pierre --- geneeskunde --- lichamelijkheid --- anatomie --- hersenen --- brein --- biologie --- 7.01 --- 130.2 --- 791.5 --- Postmodernism --- Visual communication --- Graphic communication --- Imaginal communication --- Pictorial communication --- Post-modernism --- Postmodernism (Philosophy) --- Communication --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism

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Sinds de dag dat kunstenaar Koen Vanmechelen zich voornam om een universele kip, een 'superbastaard', te kweken uit verschillende nationale kippenrassen - Mechelse Koekoek, Poulet de Bresse, English Redcap, Jersey Giant, Nederlandse Uilebaard etc. - is zijn oeuvre één gigantisch 'work in progress'. In dit aparte boek kunnen we de boeiende kruisbestuivingen tussen kunst en genetica , sociologie en biologie op de voet volgen. Thema's als rassenhaat, globalisering, inteelt, klonen en genetische manipulatie zijn nooit ver weg

art [fine art] --- Gallus gallus [species] --- Iconography --- Nature --- Art --- Vanmechelen, Koen --- Belgium --- Arts plastiques --- Beeldende kunst --- Catalogues d'expositions --- Kippen --- Poules --- Tentoonstellingscatalogi --- Peinture --- Sculpture --- barbara Simons & Wouter Keirse --- kunst --- tekenkunst --- fotografie --- videokunst --- Vanmechelen, Koen °1965 (Sint-Truiden, België) --- installaties --- Kunst en medische wetenschap ; 2003 ; Koen Vanmechelen --- België --- Thema's in de kunst ; dieren ; kippen --- kunst en natuur --- Tentoonstellingscatalogi ; Amsterdam ; De Brakke Grond --- kunst en biologie --- Belgische kunstenaars --- kunst en wetenschap --- kippen --- Neoconceptuele kunst --- Vanmechelen Koen --- 7.07 --- (069) --- twintigste eeuw --- Kunst --- 7.071 VANMECHELEN --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties) --- Chickens in art --- Chickens --- Installations (Art) --- Breeding --- Vanmechelen, Koen, --- art [discipline]

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Plantae [kingdom] --- drawing [image-making] --- animal art --- Rudolf II of Habsburg [Holy Roman Emperor] --- Boodt, de, Anselmus Boëtius --- Book history --- Botany --- Iconography --- Zoology --- Art --- Biologie --- De Boodt, A. --- Illustratie in natuurlijke historie --- Illustration en histoire naturelle --- Kunst --- Natural history illustration --- hofschilder --- diervoorstellingen --- planten --- Boodt, Anselmus de --- #gsdbA --- 57 <493.3> "15/16" --- 76.042 --- 094:58 --- 094:59 --- 75.042 --- -Natural history illustrators --- -#A9202A --- Scientific illustrators --- Nature illustration --- Scientific illustration --- Biologische wetenschappen in het algemeen. Biologie--België, provincie West-Vlaanderen--?"15/16" --- Iconografie: dieren; fabeldieren in de prentkunst --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Zoologie. Dierkunde --- Iconografie van de schilderkunst: dierenvoorstellingen. Dierenstukken --- Biography --- Natural history illustration. --- Natural history illustrators --- Biography. --- De Boodt, Anselmus --- HIS History & Biographies --- botanical illustration --- 75.042 Iconografie van de schilderkunst: dierenvoorstellingen. Dierenstukken --- 094:59 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Zoologie. Dierkunde --- 094:58 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- 76.042 Iconografie: dieren; fabeldieren in de prentkunst --- #A9202A --- Boodt, Anselmus de, --- De Boodt, Anselmus, --- Boetius De Boodt, Anselmus, --- Boëce de Boot, Anselme, --- Boot, Anselmus de, --- Boodt, Anselm de, --- Boodt, Anselme de, --- Czech Republic --- Bohemia --- Belgium --- planten (in het algemeen) --- hofschilder. --- diervoorstellingen. --- planten (in het algemeen). --- Boodt, Anselmus de.