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7-0229-7

Optics. Quantum optics --- Color --- Chromatics --- Colour --- Chemistry --- Light --- Optics --- Colors --- Thermochromism --- Kleuren --- Colorimetrie --- Kleurindelingen --- 7.017 --- beeldelementen --- kleur --- kunst --- Kleur (kleur) --- Kleurindeling

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-7123-5710-4

Chromolithography --- History. --- Graphic arts --- 655.3.024 --- 763 --- 76 <09> --- 76 <09> Geschiedenis van de grafische kunsten --- Geschiedenis van de grafische kunsten --- 763 Vlakdruktechnieken in de grafische kunsten. Lithografie --- Vlakdruktechnieken in de grafische kunsten. Lithografie --- Colour printing --- Steendruk --- Lithografie --- chromolithography

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An essential source for graphic designers, artists, interior designers, fashion designers, illustrators and creatives of any kind who work with colour. Colour is intrinsic to the human experience; it guides us with subconscious visual cues throughout our lives. Get it right in your design or art and you can enhance mood and atmosphere, and create a desired psychological or even physiological effect. The Colour Bible is a contemporary handbook for navigating this fascinating world of colour. It dives into 100 profiles of significant colours and tracks them through their genesis, historical usage in art and design, and contemporary connotations and uses.

Color in art --- Color in design --- Color --- Chromatics --- Colour --- Chemistry --- Light --- Optics --- Colors --- Thermochromism --- Design --- Colors in art --- Art --- Monochrome art --- History --- Optics. Quantum optics --- Aesthetics of art --- history [discipline] --- color [perceived attribute] --- Kleurenleer

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Literature --- Aesthetics of art --- Philosophy --- Psychology --- Arts --- Color --- -Color --- -Color in art --- Colors in art --- Art --- Monochrome art --- Chromatics --- Colour --- Chemistry --- Light --- Optics --- Colors --- Thermochromism --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Psychological aspects --- Arts. --- Color in art. --- Philosophy. --- Psychological aspects. --- Color in art --- Arts, Primitive

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Résumé de l'éditeur : "This expansive study of color illuminates the substance, context, and meaning of five centuries of European painting. Between the mid-15th and the mid-19th centuries, the materials of painting remained remarkably unchanged, but innovations in their use flourished. Technical discoveries facilitated new visual effects, political conditions prompted innovations, and economic changes shaped artists' strategies, especially as trade became global. Marcia Hall explores how Michelangelo radically broke with his contemporaries' harmonizing use of color in favor of a highly saturated approach; how the robust art market and demand for affordable pictures in 17th-century Netherlands helped popularize subtly colored landscape paintings; how politics and color became entangled during the French Revolution; and how modern artists liberated color from representation as their own role transformed from manipulators of pigments to visionaries celebrated for their individual expression. Using insights from recent conservation studies, Hall captivates readers with fascinating details and developments in magnificent examples-from Botticelli and Titian to Van Gogh and Kandinsky-to weave an engaging analysis. Her insistence on the importance of examining technique and material to understand artistic meaning gives readers the tools to look at these paintings with fresh eyes."

Painting --- painting [image-making] --- art history --- colors [hues or tints] --- anno 1500-1799 --- anno 1400-1499 --- anno 1800-1999 --- Europe --- Color in art --- Color --- Painting, European --- History. --- Peinture --- Couleurs --- Histoire. --- Technique --- Dans l'art. --- History --- Western, Europe --- Painting, Criticism/Theory --- European painting --- Chromatics --- Colour --- Chemistry --- Light --- Optics --- Colors --- Thermochromism --- Colors in art --- Art --- Monochrome art