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Painting --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- England --- conversatiestukken --- monarchieën --- adellijke personen --- dagelijks leven --- 17de eeuw --- 18de eeuw --- Engeland --- Nederlanden --- conversation pieces [portraits] --- Netherlands --- gesprek, conversatie, dialoog; ‘conversation piece’ --- gesprek, conversatie, dialoog; ‘conversation piece’. --- monarchieën. --- adellijke personen. --- dagelijks leven. --- 17de eeuw. --- 18de eeuw. --- Engeland. --- Nederlanden. --- Nederlandse school

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Art --- Manuscripts. Epigraphy. Paleography --- anno 500-1499 --- anno 1900-1999 --- Catalogues d'expositions --- Handschriften --- Manuscrits --- Tentoonstellingscatalogi --- Miniaturen ; verluchte handschriften ; Vlaanderen --- Manuscripten ; Middeleeuwse ; in dialoog met actuele kunst --- Videokunst ; videofoto's ; 2002 ; David Claerbout --- Penone, Giuseppe --- Installaties ; keramiek ; José-Maria Sicilia --- Schilderkunst ; met was --- Tentoonstellingen ; vormgeven ; ontwerpen ; Chr. Kieckens --- Brugge 2002 ; Culturele Hoofdstad van Europa --- 75.033.5 --- (069) --- Schilderkunst ; Late-middeleeuwen ; Gotiek --- (Musea. Collecties) --- Exhibitions

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"In The Power of the Avant-Garde, contemporary artists from different art disciplines enter into dialogue with their colleagues from the historical avant-garde movement. Luc Tuymans talks about 'Le Grand Cheval' of Raymond Duchamp-Villon; Marlène Dumas describes her passion for Edvard Munch; John Baldessari discusses the genius Marcel Broodthaers. This book makes surprising links, shedding new light on the power and influence of art before, during and after World War I"--Provided by publisher. "Avant-garde is a concept that stems from both warfare and art. Avant-garde flourished in a society in full transition. Artists anticipate social revolutions. In visual art the heyday of the avant-garde is situated between 1895 and 1920, with the First World War as an international fault line. But how relevant is this pioneering art today? Around 15 leading contemporary artists enter into dialogue with colleagues from the historical avant-garde, from Ensor and Munch to the new movements just after the war. Today

avant-garde --- Futurist --- Der Blaue Reiter --- sculpture [visual work] --- Die Brücke --- drawings [visual works] --- prints [visual works] --- Art --- easel paintings [paintings by form] --- anno 1900-1999 --- anno 2000-2099 --- futurisme --- hedendaagse kunst --- Die Brücke (1905-1913) --- Bauhaus --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- België --- Duitsland --- Rusland --- Europa --- kunst --- Lang Frtiz --- Moholy-Nagy Laszlo --- Röhl Karl Peter --- Lutz Rudolf --- Matyushin Mikhail --- Meyer Adolf --- Feininger Lyonel --- Gropius Walter --- Klee Paul --- Baimeister Willi --- Picasso Pablo --- Kokoschka Oskar --- Ophey Walter --- Caspar Karl --- Weisgerber Albert --- de Souza-Cardoso Amadeo --- Schiele Egon --- Steinhardt Jakob --- Morgner Wilhelm --- von Leth Siegfried --- Klinker Emmy --- Hjertén Sigrid --- Epper Ignaz --- Buchet Gustave --- Delaunay Robert --- Cendrars Blaise --- Léger Fernand --- Scully Sean --- Vertov Dziga --- Kentridge William --- Duchamp Marcel --- Forsythe William --- Joostens Paul --- van Ostaijen Paul --- Jespers Oscar --- De Troyer Prosper --- Donas Marthe --- Servranckx Victor --- Flaherty Robert --- van Warmerdam Marijke --- Kobro Katarzyna --- Signer Roman --- Duchamp-Villon Raymond --- Wauer William --- Freundlich Otto --- Rouault Georges --- Procházka Antonin --- Depero Fortunato --- Ecker Bogomir --- Mondriaan Piet --- Mondrian Piet --- Claerbout David --- Gris Juan --- Ernst Max --- Lawler Louise --- Spilliaert Léon --- Vermeule Koen --- Kafka Franz --- Wall Jeff --- Broodthaers Marcel --- Baldessari John --- Popova Lyubov --- Rozanova Olga --- Malevich Kazimir --- Larionoov Mikhail --- Goncharova Natalia --- Drevin Alexander --- Udaltsova Nadezha --- Evola Julius --- Cocteau Jean --- Sant'Elia Antonio --- Chiattone Mario --- Boccioni Umberto --- Severini Gino --- Balla Giacomo --- Russolo Luigi --- von Jawlensky Alexej --- Macke August --- Campendonck Heinrich --- Erbslöh Adolf --- Kandinsky Wassily --- Münter Gabriele --- Schmidt-Rottluff Karl --- Nolde Emil --- Heckel Erich --- Amiet Cuno --- Munch Edvard --- Dumas Marlene --- Odenbach Marcel --- Rodin Auguste --- Ensor James --- Archipenko Alexander --- Eliasson Olafur --- Richter Gerhard --- Tuymans Luc --- 7.036/039 --- 7.036.1/037 --- eerste wereldoorlog --- oorlog --- twintigste eeuw --- interbellum --- eenentwintigste eeuw --- Exhibitions --- Avant-garde (Aesthetics) --- Art, Modern --- World War, 1914-1918 --- War in art --- Avant-garde (Esthétique) --- Guerre mondiale, 1914-1918 --- Guerre dans l'art --- Art and war. --- Art, Modern. --- War in art. --- History --- Influence --- Themes, motives --- Art and the war --- Histoire --- Art et guerre --- Influence. --- World War (1914-1918) --- 1900-1999 --- sculpture [visual works] --- Avant-garde (Aesthetics). --- World War (1914-1918). --- 1900-1999. --- 7.037 --- Kunstgeschiedenis ; 1900 - 1950 --- 7.038 --- 7.039 --- Beeldende kunst ; historische avant-garde in dialoog met hedendaagse kunstenaars --- Avant-garde kunst ; 20ste en 21ste eeuw ; 1910-2016 --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 --- Der Blaue Reiter (1911-1914) --- avant-garde. --- futurisme. --- hedendaagse kunst. --- Die Brücke. --- Der Blaue Reiter (1911-1914). --- Bauhaus. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- België. --- Duitsland. --- Rusland. --- Europa. --- paintings [visual works]