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schilderkunst --- Painting --- Photography --- Antwerp --- Antwerpen (stad) --- Anvers (ville) --- Cultureel erfgoed --- Patrimoine culturel --- Antwerpen --- Bâtiment, histoire --- Iconographie --- Monuments --- Zoo --- 75.053 --- 725.8 --- Panorama's. Diorama's --- Recreatiegebouwen. Gebouwen voor amusement; ontspanning; sport; spel --- Diorama --- Panoramas --- 725.8 Recreatiegebouwen. Gebouwen voor amusement; ontspanning; sport; spel --- 75.053 Panorama's. Diorama's --- Cosmoramas --- Cycloramas --- geschiedenis

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Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved--hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a "window" by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.

History of civilization --- Mass communications --- Painting --- Theatrical science --- Sociology of culture --- Panoramas --- Panoramas (Art) --- History --- Social aspects --- Histoire --- Aspect social --- Panoramas. --- Mass media and culture. --- Popular culture. --- Psychological aspects. --- kunst --- architectuur --- kunst en architectuur --- panorama's --- schilderkunst --- voorgeschiedenis film --- negentiende eeuw --- bewegende panorama's --- diorama's --- Smith Albert --- 742 --- Mass media and culture --- Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Cosmoramas --- Cycloramas --- Diorama --- Culture and mass media --- Psychological aspects --- Panoramas (art) --- Médias et culture --- Culture populaire --- Cinéma --- Aspect psychologique --- Origines et antécédents

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Jonathan Crary --- kunst --- kunsttheorie --- negentiende eeuw --- waarneming --- perceptie --- Licht --- kleurenleer --- Goethe Johann Wolfgang --- thaumatropen --- fenacisticopen --- stroboscopen --- zootropen --- kaleidoscopen --- diorama's --- stereoscopen --- 7.01 --- 7.035 --- 316.772.22 --- 82:791.43 --- 82:3 --- Art and society --- -Art, Modern --- -Visual perception --- Optics, Psychological --- Vision --- Modern art --- Art --- Art and sociology --- Society and art --- Sociology and art --- 82:3 Literatuur en maatschappijwetenschappen --- Literatuur en maatschappijwetenschappen --- 82:791.43 Literatuur en film --- Literatuur en film --- 316.772.22 Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- History --- -Themes, motives --- Psychological aspects --- Social aspects --- Art, Modern --- Visual perception. --- Themes, motives. --- Visual perception --- Perception --- Visual discrimination --- Themes, motives --- Subjects --- #SBIB:309H520 --- #SBIB:316.7C170 --- Audiovisuele communicatie: algemene werken --- Cultuursociologie: culturele groei, vooruitgang, stagnatie, technologische verandering, cultuurbewegingen --- Art [Modern ] --- 19th century --- Art, Modern - 19th century - Themes, motives. --- Art and society - History - 19th century. --- Ecrit théorique --- Analyse de l'art --- Théorie de l'art --- Visual Perception --- perception --- art criticism --- moderniteit --- kunstbeschouwing --- anno 1800-1899 --- Perception visuelle --- Art et société --- Thèmes, motifs --- Histoire