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History of civilization --- History of Europe --- anno 1800-1899 --- Collective memory --- Cultural property --- Historicism --- Historiography --- Nationalism --- Romanticism --- Social aspects --- Europe --- Historiography. --- Cultural policy. --- Social conditions. --- Politics and government. --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Historical criticism --- History --- Authorship --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- Criticism --- Philosophy --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Politics --- Music --- muziekgeschiedenis
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Archives --- Archival resources --- Information resources --- Documents --- Manuscript depositories --- Manuscript repositories --- Manuscripts --- Documentation --- History --- Information services --- Records --- Cartularies --- Charters --- Diplomatics --- Public records --- History. --- Depositories --- Repositories --- Archivistics --- records management --- Europe --- Archivistique --- Histoire sociale --- Histoire. --- Collective memory. --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Buildings, Restoration of --- Conservation of buildings --- Restoration of buildings --- Cultural property, Protection of --- Cultural resources management --- Culturele overblijfselen uit historische tijden. Antiquitate --- Art --- History of civilization --- World history --- anno 1900-1999 --- Cultural property --- Architecture --- Conservation and restoration. --- Protection.
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How does a city and a nation deal with a legacy of perpetrating atrocity? How are contemporary identities negotiated and shaped in the face of concrete reminders of a past that most wish they did not have? Difficult Heritage focuses on the case of Nuremberg - a city whose name is indelibly linked with Nazism - to explore these questions and their implications. Using an original in-depth research, using archival, interview and ethnographic sources, it provides not only fascinating new material and perspectives, but also more general original theorizing of the relationship bet
Postwar reconstruction --- National socialism --- Collective memory --- Cultural property --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- Post-conflict reconstruction --- Reconstruction, Postwar --- Psychological aspects. --- Nuremberg (Germany) --- Nürnberg (Germany) --- Norimberga (Germany) --- Nyremvergē (Germany) --- Ni︠u︡rnberg (Germany) --- Buildings, structures, etc. --- History --- Political systems --- Architecture --- History of Germany and Austria --- architecture [discipline] --- cultural heritage --- heritage management --- architectural heritage --- architectuur --- Nuremberg --- Neurenberg (Germany)
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Les archives sont un creuset du modernisme du XXe siècle et une clé pour comprendre l'art contemporain. La machine à écrire, la fiche et le classeur: ce sont les technologies et les modalités de l’archivage. Pour le bureaucrate, les archives ne contiennent guère plus que des ordures, la paperasse n’est plus nécessaire; pour l'historien, en revanche, le contenu de l'archive est un corrélatif quasi objectif du passé «vivant». L'art du XXe siècle utilisait les archives de différentes manières - de ce que Spieker appelle les «archives anémiques» de Marcel Duchamp, des readymades et les Demonstration Rooms d'El Lissitzky aux compilations de photographies réalisées par des artistes d'après-guerre tels que Susan Hiller et Gerhard Richter. Dans The Big Archive , Sven Spieker étudie les archives - en tant qu’institution bureaucratique et indice des attitudes en évolution vis-à-vis de la science et de l’art -, et considère qu’il s’agit d’un creuset du modernisme du XXe siècle. Les dadaïstes, constructivistes et surréalistes préféraient des archives discontinues non linéaires qui résistaient à la lecture herméneutique et à une présentation ordonnée. Spieker affirme que l'utilisation d'archives par des artistes contemporains tels que Hiller, Richter, Hans-Peter Feldmann, Walid Raad et Boris Mikhailov répond à l'attentat contre l'archive du XIXe siècle et poursuit son objectivation du processus historique. Spieker considère l'art sous l'angle de l'archivistique en relation avec l'évolution des technologies des médias: la machine à écrire, le téléphone, le télégraphe, le film. Et il relie les archives à une visualité particulièrement moderne, montrant que les avant-gardes les utilisaient comme un laboratoire pour des enquêtes expérimentales sur la nature de la vision et son rapport au temps. The Big Archive nous offre la première monographie critique sur un motif fondamental de l'art du XXe siècle.
Archivistics --- Art --- anno 1900-1999 --- Art, Modern --- Collective memory. --- Art and history. --- Mémoire collective --- Art et histoire --- kunst --- fotografie --- ready-mades --- twintigste eeuw --- archieven --- archivering --- Freud Sigmund --- Duchamp Marcel --- Rodchenko Alexander --- Warhol Andy --- Calle Sophie --- Hiller Susan --- Raad Walid --- Richter Gerhard --- Feldmann Hans-Peter --- Mikhailov Boris --- 7.036 --- 7.038 --- 7.039 --- 7.01 --- Thema's in de kunst ; het archiveren --- Beeldende kunst ; 20ste eeuw --- Freud, Sigmund --- Duchamp, Marcel --- Breton, André --- Ernst, Max --- Le Corbusier --- Lissitzky, El --- Eisenstein, Sergei --- Feldmann, Hans-Peter --- Hiller, Susan --- Richter, Gerhard --- Raad, Walid --- Mikhailov, Boris --- Fehr, Michael --- Fraser, Andrea --- Calle, Sophie --- Kunst ; theorie, filosofie, esthetica --- sculpture [visual works] --- fonds [collections] --- installations [visual works] --- documents [object genre] --- photographs --- Heartfield, John --- Warhol, Andy --- Kabakov, Ilija Iosefovich --- Lissitzky, Eliezer --- Rodtschenko, Alexander Michajlowitsch --- Demand, Thomas --- Mémoire collective --- Art and history --- Collective memory --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- History and art --- History --- History in art --- Archives --- Technologie --- Art contemporain --- Fonds d'archives --- Art, Modern - 20th century
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In Heroines, Harpies, and Housewives , Martha Moffitt Peacock provides a novel interpretive approach to the artistic practice of Imaging Women of Consequence in the Dutch Golden Age . From the beginnings of the new Republic, visual celebrations of famous heroines who crossed gender boundaries by fighting in the Revolt against Spain or by distinguishing themselves in arts and letters became an essential and significant cultural tradition that reverberated throughout the long seventeenth century. This collective memory of consequential heroines who equaled, or outshone, men is frequently reflected in empowering representations of other female archetypes: authoritative harpies and noble housewives. Such enabling imagery helped in the structuring of gender norms that positively advanced a powerful female identity in Dutch society.
Women in art --- Sex role in art --- Painting, Dutch --- Women --- Collective memory --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Dutch painting --- Themes, motives --- Social conditions --- Netherlands --- The Netherlands --- Pays-Bas --- Países Baixos --- Holland --- Spanish Netherlands --- Pays-Bas espagnols --- Austrian Netherlands --- Pays-Bas autrichiens --- Oostenrijkse Nederlanden --- Southern Netherlands --- Pays-Bas méridionaux --- Zuidelijke Nederlanden --- Niderlandy --- Belanda --- Nederland --- Koninkrijk der Nederlanden --- Reino dos Países Baixos --- Royaume des Pays-Bas --- Kingdom of the Netherlands --- Países Bajos --- Holanda --- Nederlân --- Hulanda --- Beulanda --- Niderland --- Niderlande --- هولندا --- مملكة هولندا --- Mamlakat Hūlandā --- Olanda --- Payis-Bâs --- Países Baxos --- Aynacha Jach'a Markanaka --- Nirlan --- Niderland Krallığı --- Kē-tē-kok --- Landa --- Kerajaan Landa --- Нидерландтар --- Niderlandtar --- Нидерландтар Короллеге --- Niderlandtar Korollege --- Нідэрланды --- Каралеўства Нідэрланды --- Karaleŭstva Nidėrlandy --- Nederlands --- Niadaland --- Holandija --- Kraljevina Holandija --- Izelvroioù --- Нидерландия --- Niderlandii︠a︡ --- Кралство Нидерландия --- Kralstvo Niderlandii︠a︡ --- Països Baixos --- Нидерландсем --- Niderlandsem --- Нидерландсен Патшалăхĕ --- Niderlandsen Patshalăkhĕ --- Nizozemsko --- Paesi Bassi --- Regnu di i Paesi Bassi --- Iseldiroedd --- Nederlandene --- Niederlande --- Kéyah Wóyahgo Siʼánígíí --- Nižozemska --- Kralojstwo Nederlandow --- Madalmaad --- Ολλανδία --- Ollandia --- Hollandia --- Κάτω Χώρες --- Katō Chōres --- Βασίλειο των Κάτω Χωρών --- Vasileio tōn Katō Chōrōn --- Nederlando --- Reĝlando Nederlando --- Paisis Bajus --- Herbehereak --- Herbehereetako Erresumaren --- هلند --- Huland --- Niðurlond --- Háland --- Paîs Bas --- Neerlande --- Ísiltír --- Ríocht na hÍsiltíre --- Çheer Injil --- Çheer y Vagheragh --- Reeriaght ny Çheer Injil --- Tìrean Ìsle --- Hò-làn --- Недерлендин Нутг --- Nederlendin Nutg --- 네덜란드 --- Nedŏllandŭ --- Hōlani --- Nederlandia --- Pais Basse --- Regno del Paises Basse --- Нидерландтæ --- Niderlandtæ --- Нидерландты Къаролад --- Niderlandty Kʺarolad --- Konungsríkið Holland --- הולנד --- Holand --- ממלכת ארצות השפלה --- Mamlekhet Artsot ha-Shefelah --- Walanda --- Hollandi --- Нидерландла --- Niderlandla --- Нидерландланы Королевствосу --- Niderlandlany Korolevstvosu --- Néderlandzkô --- Нидерланд --- Iseldiryow --- Ubuholandi --- Ubuhorandi --- Nederilande --- Нидерланддар --- Niderlanddar --- Uholanzi --- Ufalme wa Nchi za Chini --- Нидерландъяс --- Niderlandʺi︠a︡s --- Нидерландъяс Корольув --- Niderlandʺi︠a︡s Korolʹuv --- Peyiba --- Holenda --- Keyatiya Nederlandan --- Payises Bashos --- פאייסיס באשוס --- Nīderlandeja --- Batavia --- Regni Nederlandiarum --- Nīderlandes Karaliste --- Nyderlandai --- Nyderlandų Karalystė --- Paixi Basci --- Paes Bass --- Ulanda --- Holland Királyság --- Keninkryk fan 'e Nederlannen --- Reino di Hulanda --- Холандија --- Кралство Холандија --- Kralstvo Holandija --- Pajjiżi l-Baxxi --- Hōrana --- Недерлатт --- Nederlatt --- Оцязорксши Недерлатт --- Ot︠s︡i︠a︡zorksshi Nederlatt --- Нидерландын Вант Улс --- Niderlandyn Vant Uls --- Tlanitlālpan --- Huēyitlahtohcāyōtl in Tlanitlālpan --- Eben Eyong --- Nederlaand --- オランダ --- Oranda --- オランダ王国 --- Oranda Ōkoku --- Ulanna --- Nethiland --- Nederlande --- Holandska --- Holland (Kingdom) --- Batavian Republic --- United Provinces of the Netherlands --- Intellectual life --- Sociology of the family. Sociology of sexuality --- Iconography --- Painting --- History of the Netherlands --- women [female humans] --- anno 1600-1699 --- Women in art. --- Sex role in art. --- Themes, motives. --- vrouwen --- gender --- cultuurgeschiedenis --- sociale geschiedenis --- 17de eeuw --- Noordelijke Nederlanden --- Engraving, Dutch --- vrouwen. --- gender. --- cultuurgeschiedenis. --- sociale geschiedenis. --- 17de eeuw. --- Noordelijke Nederlanden. --- vrouwengeschiedenis
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