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"Manet, Flaubert, and the Emergence of Modernism weaves together art history and literary criticism in a joint study of the canonical "fathers" of modernism. In this work, Arden Reed contests the Greenbergian view that equates modernism with purity of formal means. Modernism, he argues, is a matter of genre bending and hybridization, as well as movements between text and image. Focusing on key works by Manet and Flaubert, Reed articulates a novel understanding of the cultural imagination of early modernism. He shows how Manet and Flaubert actively mix and contaminate their work: Flaubert with images, Manet with narration. Moreover, Reed extends the argument another hundred years, to the late 1960s, claiming we cannot understand twentieth-century modernism so long as we remain locked within single disciplines."--Jacket.

Aesthetics --- Manet, Edouard --- Flaubert, Gustave --- anno 1800-1899 --- France --- modernisme --- 19de eeuw --- Frankrijk --- Manet, Édouard --- Ut pictura poesis (Aesthetics) --- Modernism (Aesthetics) --- Manet, Édouard --- Manet, Édouard, --- Flaubert, Gustave, --- Criticism and interpretation. --- Art and literature --- Humanism in art --- Flaubert, Gustaw, --- Flober, Gi︠u︡stav, --- Fu-lou-pai, --- Fu, Lou-pai, --- Fu-lou-pai, Chü-ssu-tʻa fu, --- Fuloubai, --- Phlōmper, Gkystav, --- Phlōmper, Goustauos, --- Флобер, Гюстав, --- פלאבער, ג. --- פלאבער, גוסטאוו, --- פלובר, גוסטאב --- 福樓拜, --- Flūbir, Gūstāv, --- Flūbir, Gūstāw, --- فلوبر، گوستاو --- Manė, Eduard --- Manet, Éduard --- מאנה, אדוארד, --- Manet, Édouard. --- Flaubert, Gustave. --- 19de eeuw. --- Frankrijk.