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Landscape painting, European --- European landscape painting --- Themes, motives --- Biblia --- Bible --- History of Biblical events --- Art --- landscapes [representations] --- bijbels tafereel --- anno 1500-1599 --- anno 1800-1899
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"A distinguished black man kneels on a riverbank before a bearded white man in robes, with the air of a prophet. What could a depiction of this scene be other than the well-known story from chapter 8 of The Acts of the Apostles? No Dutch notary of the seventeenth century hesitated in identifying the subject of a painting with this motif as the baptism by Philip of an Ethiopian official called a moor, a eunuch or a chamberlain. On the road from Jerusalem to Gaza, he becomes convinced of the divinity of Christ and is brought into the faith by an envoy of the Lord. The identification was so obvious that it does not seem to need further interrogation. Yet, as Gary Schwartz shows in this fascinating, concise study, a closer look is very revealing. The text of Acts, which specifies that both men went into the water, and does not say that the eunuch kneeled or even that he was black, is not followed closely by any Dutch artist of the seventeenth century. Rembrandt was one of those who took far-going liberties with Scripture in his depictions of the story in paint, drawing and print. The occasion to take this closer look was the emergence of an as yet unpublished painting of the 'Baptism of the Eunuch' with all the hallmarks of a Rembrandt creation. Is it by him? An engraving of 1650 by a leading Amsterdam printmaker and publisher that reproduces the composition says that it was ?invented by Rembrandt?. How is this to be taken? Schwartz delves into the question. The inclusion of the painting in the exhibition 'Young Rembrandt: Rising Star' in Museum De Lakenhal in Leiden gives occasion to Gary Schwartz to review the iconography of the baptism of the eunuch and present the new painting. His book is the most completely illustrated study of the baptism of the eunuch yet to appear. Gary Schwartz has been studying Rembrandt and publishing on him for fifty years"--Page 4 of cover.
Bible --- Iconography --- painting [image-making] --- iconography --- Bible stories --- Rembrandt --- Painting, Dutch --- Rembrandt Harmenszoon van Rijn, --- Criticism and interpretation. --- Themes, motives. --- History of Biblical events --- Rembrandt Harmenszoon van Rijn
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Une reproduction intégrale et fidèle du Livre des Miracles, manuscrit allemand du XVIe siècle relatant des phénomènes surnaturels et qui constitue l'une des plus spectaculaires découvertes dans le domaine de l'art de la Renaissance. Mêlant histoires bibliques, folklore et visions apocalyptiques avec d'inombrables détails d'une intensité lumineuse, voici un document captivant sur les croyances religieuses, le mystère, les prémonitions et l'imagination visuelle.
German literature --- Christian church history --- Painting --- Book history --- iconography --- miracles --- private collections --- illuminated manuscripts --- Iconography --- Bible stories --- comets --- anno 1500-1599 --- Augsburg --- Illumination of books and manuscripts --- Bible --- History of Biblical events --- Illustrations --- Illumination of books and manuscripts - Germany - 16th century --- Prodiges --- private collections [object groupings]
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christelijke iconografie --- Bijbel --- iconography --- Bible --- Iconography --- Bible NT --- Bible stories, Dutch --- Dutch language --- bijbelbewerking --- C3 --- iconografisch materiaal --- Nieuw Testament --- Oud Testament --- spreekwoorden --- taalgebruik --- #GGSB: Bijbel --- #GGSB: Religieuze kunst --- #GGSB: Religieuze taal --- #gsdb1 --- #gsdbA --- 75.046.3 --- 75.046.3 Religie in de schilderkunst. Heiligenbeelden --- Religie in de schilderkunst. Heiligenbeelden --- Dutch Bible stories --- Terms and phrases --- Kunst en cultuur --- Bible. --- Biblia --- Language, style. --- History of Biblical events --- Religieuze kunst --- Taal --- Kunsten --- Kunst --- Therapie --- Kleuter --- Geschiedenis --- Spraaktechnologie --- Religieuze taal --- christelijke iconografie. --- Bijbel.
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La 4e de couv. indique : "Agar, Suzanne, Judith, Dalila, Élisabeth, la femme adultère, Marie Madeleine… Elles sont seize femmes de l'Ancien et du Nouveau Testament qui se racontent dans les chefs-d'oeuvre de l'histoire de l'art, de Fra Angelico à Lorenzo Lotto, en passant par Annibal Carrache, Nicolas Poussin ou encore Paul Gauguin et Maurice Denis. Christiane Lavaquerie-Klein et Laurence Paix-Rusterholtz analysent non seulement les tableaux de seize peintres mais également les points de vue d'autres artistes en mettant en avant les spécificités stylistiques ou narratives de ces pièces essentielles de l'art pictural. Ces comparaisons transversales permettent de voir qu'il n'existe pas une manière unique de représenter ces femmes, mais bien une riche palette d'expressions autour d'une même figure. Que les artistes répondent aux canons de l'Église, qu'ils prennent des libertés assumées ou qu'ils mêlent à la création leurs propres aspirations spirituelles, ils écrivent, à leur façon, une histoire de la condition féminine. Un essai illustré pour rendre hommage à ces femmes de Dieu, mises en lumière par des artistes inspirés. Christiane Lavaquerie-Klein est chargée d'enseignement en communication culturelle et en muséologie dans le supérieur. Laurence Paix-Rusterholtz est historienne de l'art et médiatrice culturelle. Ensemble, elles sont auteures de nombreux livres sur l'art, l'histoire et les grandes civilisations, dont Les Erreurs dans la peinture, L'Art en questions ou encore Elles au 20e siècle."
Iconography --- Painting --- iconography --- easel paintings [paintings by form] --- Bibles --- women [female humans] --- Personnages bibliques --- Art --- Femmes --- Thèmes, motifs. --- Dans la Bible. --- Bible --- Dans l'art. --- Thèmes, motifs. --- Women in the Bible --- Women in art --- Painters --- Attitudes --- In art --- Attitudes. --- In art. --- Femmes dans la Bible --- Femmes dans l'art --- Peinture --- Thèmes, motifs --- History --- History of Biblical events --- Peinture - Thèmes, motifs --- Women in art - History
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Christian art and symbolism --- C3 --- christendom --- religieuze kunst --- 708.1 --- christelijke symboliek (ler) --- christendom (ler) --- kunstgeschiedenis --- kunst (ler) --- 7.033 --- christelijke kunst --- 246.5 --- 7.046.3 --- 7.04 --- 7.046.3 Iconografie: religieuze voorstellingen --- Iconografie: religieuze voorstellingen --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Kunst en cultuur --- kunst - middeleeuwen (incl. Byzantijnse, christelijke en islamitische kunst) --- Biblia --- Bible --- History of Biblical events --- Christian art and symbolism. --- Christian religion --- iconography --- iconografie --- Iconography --- Christianity and art --- Pictorial works --- Symbolism in art --- Religieuze kunst --- Christelijke symboliek --- Christendom --- Symboliek --- kunst --- middeleeuwen
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