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Painting --- History --- icons [devotional images] --- influence --- religious art --- receptiegeschiedenis --- kunst en godsdienst --- Orthodox Eastern --- Icon painting --- Christian art and symbolism --- Painting, European --- Byzantine influences --- Christian religion

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Painting --- anno 1500-1799 --- anno 1200-1499 --- Transylvania --- Biography: 1200-1799 --- Painting, Romanian --- Peinture roumaine --- History --- Dictionaries --- Romanian --- Histoire --- Dictionnaires roumains --- Icons --- Icon painters --- #BIBC:ruil --- 091 <498> --- 091.31 <498> --- Handschriftenkunde. Handschriftencatalogi--Roemenië --- Verluchte handschriften--Roemenië --- Romanian. --- 091.31 <498> Verluchte handschriften--Roemenië --- 091 <498> Handschriftenkunde. Handschriftencatalogi--Roemenië --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Painters --- Icons - Romania - Transylvania - Dictionaries - Romanian --- Icon painters - Romania - Transylvania - Biography - Dictionaries - Romanian --- Art chretien --- Transylvanie (roumanie) --- Dictionnaires

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This is the first book to explore the emergence and function of a novel pictorial format in the Middle Ages, the vita icon, which displayed the magnified portrait of a saint framed by scenes from his or her life. The vita icon was used for depicting the most popular figures in the Orthodox calendar and, in the Latin West, was deployed most vigorously in the service of Francis of Assisi. This book offers a compelling account of how this type of image embodied and challenged the prevailing structures of vision, representation and sanctity in Byzantium and among the Franciscans in Italy between the eleventh and thirteenth centuries. Paroma Chatterjee uncovers the complexities of the philosophical and theological issues that had long engaged both the medieval East and West, such as the fraught relations between words and images, relics and icons, a representation and its subject, and the very nature of holy presence.

Painting --- Iconography --- anno 1100-1199 --- anno 1200-1299 --- anno 1000-1099 --- Istanbul [city] --- Italy --- Christian saints in art --- Vita icons --- Painting, Byzantine --- Painting, Italian --- Saints chrétiens dans l'art --- Icônes biographiques --- Peinture byzantine --- Peinture italienne --- History. --- Histoire --- Francis, --- Art --- Saints chrétiens dans l'art --- Icônes biographiques --- Art. --- Biographical icons --- Icons --- Icons [Byzantine ] --- Icon painting --- Saints --- Iconographie --- Icônes --- Art byzantin --- Italie

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Painting --- Christian religion --- religious art --- Art styles --- religieuze kunst --- iconen (kunst) --- icons [devotional images] --- Greece --- European Russia --- Arts religieux --- Catalogues d'expositions --- Religieuze kunst --- Tentoonstellingscatalogi --- 246.5 --- 75.033 --- Schilderkunst ; ikonen --- Tentoonstellingscatalogi ; Antwerpen ; Koninklijk Museum voor Schone Kunsten --- 7.046 --- Ikonen ; 13de tot 17de eeuw --- Ikonostase --- Byzantijnse kunst --- (069) --- kunst --- ikonen --- Byzantium --- Griekenland --- Rusland --- 7.033.2 --- #gsdbA --- C3 --- iconografie --- catalogus --- 730.4 --- Iconen --- Iconografie --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Schilderkunst van de Middeleeuwen --- Iconografie ; epische, mythologische, religieuze voorstellingen --- (Musea. Collecties) --- Kunst en cultuur --- Exhibitions --- 75.033 Schilderkunst van de Middeleeuwen --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- #GGSB: Religieuze kunst --- 738.1 --- schilderkunst --- religieuze voorstellingen --- Art, Medieval --- Art, Medieval. --- Christelijke godsdienst. --- Christian art and symbolism --- Christian art and symbolism. --- Icon painting --- Icon painting. --- Iconen (schilderkunst). --- Icons, Greek --- Icons, Greek. --- Icons, Russian --- Icons, Russian. --- Kunststijlen. --- Schilderkunst. --- iconen (kunst). --- icons devotional images. --- religieuze kunst. --- religious art. --- Europees Rusland. --- Griekenland. --- Icônes

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Drawing on original research covering different periods and spaces, this book sets out to appreciate the specific place of images in the history of evangelisation in the long modern period. How can we reconceptualise the functions of the visual mediation of the gospel message, both in terms of the production and reception of this message and in terms of its effective mediators, artists, religious, and cultural ambassadors? The contributions in this book offer multiple geographical and historical insights regarding the circulation of the image on the global scale of the Christianised world or the world in the process of being Christianised, from China to Iberia. Combining the contribution of historians and art historians, the authors highlight the points of intercultural encounter and tension around preaching, catechesis, devotional practices and the propagandistic use of images.00Through its aesthetic and social study of the image, and by examining the inner and outer borders of Europe and the mission lands, 'Eloquent Images' contributes significantly to the history of evangelisation, one of the major dynamics of the first European globalisation.

286 <09> --- 27 "15/16" --- 286 <09> Anabaptisten. Wederdopers--Geschiedenis van ... --- 286 <09> Anabaptistes. Baptistes--Geschiedenis van ... --- Anabaptisten. Wederdopers--Geschiedenis van ... --- Anabaptistes. Baptistes--Geschiedenis van ... --- 27 "15/16" Histoire de l'Eglise--?"15/16" --- 27 "15/16" Kerkgeschiedenis--?"15/16" --- Histoire de l'Eglise--?"15/16" --- Kerkgeschiedenis--?"15/16" --- Anabaptisten. Wederdopers--Geschiedenis van . --- Semiotics --- Christian church history --- Art --- images [object genre] --- preaching --- religieuze propaganda --- kunst en godsdienst --- conversions [activity] --- anno 1500-1799 --- Christian art and symbolism. --- Icon painting. --- Evangelistic work --- History.